Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
Scottish men offer dinner to two English politicians (Grey and Brougham) carrying umbrellas
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left corner of design., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 53.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
Grey, Charles Grey, Earl, 1764-1845 and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"A frigate with a life-like bust of Queen Caroline as figurehead runs down a similar vessel with a huge and grotesque head of George IV. The latter heels over and is about to be swamped; the King's head looks up in terror at the complacent features of his wife bearing down upon it. The head is further threatened by the jaws, bristling with teeth, of two whales in the foreground. On the level deck of the 'Queen Caroline' stand Brougham, holding a broom, and Denman, both in wig and gown and holding a document inscribed 'Defence'. Behind them is (?) Lushington (not characterized); more prominent is Wood, in a court-suit, holding a pole supporting a block of wood inscribed 'A Chump' [cf. British Museum Satires No. 13899]. The other two are Burdett, holding out a paper inscribed 'Westminster', and his fellow member Hobhouse. The crew of the 'Royal George' are either in the water or falling from the mast-head among spars and ribbons of sails. Castlereagh and Wellington are in the sea; one says: "My fall has been Triangular" [cf. British Museum Satires No. 14135], the other: "Oh! this is worse then the Grape Shot at Waterloo." On top of them falls Sidmouth with his clyster-pipe; he vomits, &c., saying: "this will a cooling Draughts [sic] and purge our foul stomachs." Two green bags (see British Museum Satires No. 13735), inscribed 'Bag', fall into the water; just above them is Eldon, dropping the mace and the Purse of the Great Seal; he exclaims: "O my Wool sack." Liverpool falls head first, dropping a large purse and coins; he says: "This Pool goes against my Liver." By his toe is a paper: 'Tresury'. Sir John Leach, with a paper inscribed 'Milan' [see British Museum Satires No. 13755, &c.], also falls. Nearest the masthead is the Archbishop of Canterbury. Beside him, sirloin, bottle, plates, knife, &c., are falling. On a smaller scale is Majocchi, dandified, and exclaiming "Non mi recordo" [see British Museum Satires No. 13827]."--British Museum online catalogue
Description:
Title etched below image., Printmaker and year of publication from the British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Mounted to 39 x 58 cm., Mounted on leaf 2 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Leach," "Liverpool," "Sidmouth," "Wellington," "Londondery [sic]," and "Eldon" identified in ink below image; date "25 Oct. 1820" written in lower right. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Oct. 25 by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Broughton, John Cam Hobhouse, Baron, 1786-1869, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Leach, John, 1760-1834, Manners-Sutton, Charles, 1755-1828, and Majocchi, Theodore, active 1820
Subject (Topic):
Politicians, Warships, Shipwrecks, Whales, Bags, Medical equipment & supplies, Ceremonial maces, and Bishops
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 1
Image Count:
1
Resource Type:
still image
Abstract:
"Design in two compartments; in the upper, a dinner party where Grey proposes a toast to the united aim of the Whigs and Tories, i.e. suppressing the people; the other diners, Brougham, King William IV, Wellington and a bishop, raise their glasses in agreement, the King spilling his wine down his front; in the lower design, the devil standing amongst the flames of hell, sawing at the pillars of state which support the upper scene, the ground labelled 'Whig & Tory conservatory'."--British Museum online catalogue
Alternative Title:
Devil turned miner
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., One line of quoted text below title: "A consummation devoutly to be wished.", Upper right corner chewed., and No. 13 in a collection bound in blue wrappers.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Grey, Charles Grey, Earl, 1764-1845, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"A wild turmoil of men and women in court dress or uniform outside Buckingham House, which is indicated in the background, with a covered way or awning leading to the doorway from the right. Two beefeaters stand before the door and above the crowd, holding up their arms and yelling: Keep back, Keep back Put off postponed till the first of next April. Prominent figures in the foreground are (right), a field-marshal (? Prince Leopold) with a hussar officer (? Prince Esterházy). The former steps on and tears the train of a lady who looks round in angry dismay. She and an absurdly dandified Lancer officer are the central figures in the foreground. Women and men are prostrate, and there are many incidents. A barrister with (?) Brougham's profile drives his elbow savagely into the face of a bishop. Plumed shakoes, helmets, and cocked hats tower above the crowd. An arm holds up a lady's feathered wig and curls on the point of a sword. Complaints are inscribed along the upper margin: [1] Have I not borrowed the Duchess's last Birth Day suit & had it transmogrified to prevent its being known again, at the expence of 1.13.9 & and only to be hustled. [2] ever since four Oclock this morning, under two men & three maids suffering purgatory to be made an April Fool of. [3] I never looked so bewitching in all my life. [4] What a cut. [5] have I been up all night, Dressing, perfuming, painting, & plastering to be served thus. [6] What after hiring all these dashing Diamonds & Jewels at such an extravagant price & not to be suffered to shew them insulting, provoking. [7] was to have been Presented now I suppose shall be Represented [? caricatured]. The last speaker is a fat lady who tugs at a man's bag-wig"--British Museum onling catalogue
Alternative Title:
Birthday hoax and April fools
Description:
Title from item., Printmaker from British Museum online catalogue., and Sheet trimmed to plate mark on one side.
Publisher:
Pub. April 24th, 1823 by S.W. Fores 41 Picadilly[sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Esterházy, Prince, 1786-1866 v Caricatures and cartoons., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Subject (Topic):
Celebrations, Clergy, Crowds, Dandies, Military officers, and Nobility
"Caricature on the trial of Queen Caroline, with the King and Queen pulling in either direction on the two sides of gibbet on which hang four witnesses and the Constitution."--British Museum online catalogue
Alternative Title:
Political merry thought being a new way to get married
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 74 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Londondery [sic]," "Sidmouth," "Geo. IV," "Caroline," "Ald. Wood," "Brougham," and "Denman" identified in ink at bottom of sheet.
Publisher:
Pubd. Aug. 28, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Print shows George Canning standing on the left holding a broom and a bag of money labeled "Gold" which he is giving to Henry Brougham who wears the dress of a German broom-girl over his parliamentary clothing and "Canning (left), in a court suit with bag-wig and sword, stands outside the door of the Treasury completing a bargain with Brougham. The latter is dressed as a German broom-girl as in British Museum Satires No. 14769, &c, with legal bands and a little cap perched on his barrister's wig, and very clumsy legs and feet. He has handed Canning his broom and takes in return a bag of Gold; his new silk gown is in his left hand. Canning says: Here's Money, and a hansome [sic] Silken Gown. Brougham watches Canning with a penetrating appraising smile; he answers: For my Proom, I could not take mush less."--British Museum online catalogue
Description:
Title etched below image. and Matted to: 45 x 31 cm.
Publisher:
Pubd. July 1827 by T. McLean, Hay-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Canning, George, 1770-1827, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., and Canning, George, 1770-1827.
A satire of William IV's involvement in the debate leading up to the Reform Act of 1832: A cat with the face of William IV is being persuaded to pull a hot chestnut from a blazing fire by a bewigged monkey (Lord Chancellor Henry Brougham). The fire is labelled with words such as 'rights', 'reform', and 'popularity'. A portrait of Whig Prime Minister Charles Grey, 2nd Earl Grey, hangs above the fireplace
Description:
Title etched below image., Publication date inferred from the subject matter of the print. Publisher Marianne Humphrey, the widow of George Humphrey, operated her late husband's publishing business from 1831 to 1835; see British Museum online catalogue., Five lines of verse below title: A cat and a monkey tired of play ..., For an 1821 print of similar composition, entitled "The man of the woods & the cat-o'-mountain" and satirizing the relationship between Queen Caroline and Sir Matthew Wood, see no. 14131 in the Catalogue of prints and drawings in the British Museum, v. 10., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by Marianne Humphreys, St. James's Stt
Subject (Name):
Great Britain. Parliament, William IV, King of Great Britain, 1765-1837, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Grey, Charles Grey, Earl, 1764-1845,
Subject (Topic):
Reform, Cats, Monkeys, Fireplaces, Bookcases, Irons (Pressing), and Portraits
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., Imperfect; sheet mutilated in lower right corner with loss of text. Missing text added in ink to repaired corner, in a modern hand., and Mounted on modern backing.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., 1 print : etching ; sheet 29.4 x 43 cm., Printed on wove paper with watermark "J. Whatman 1821"; hand-colored., Sheet trimmed within plate mark on top and bottom edges., Mounted to 39 x 58 cm., Mounted on leaf 98 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Denman," "Brougham," "Bergami," "Lady Anne Hamilton," "Caroline," and "Lieut. Hownam & Flinn" identified in ink below title; date "19 July 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Ireland; a comet formed by Daniel O'Connell riding a broom at upper left, four lesser figures including Brougham (with a broom) seated behind him, light streaming behind; William IV as a spider at the top of the comet's stream; at lower right, figures burnt by the tail of the comet: Queen Adelaide and Tories including Wellington, Peel (dropping his rat-trap); an observer looking through a telescope at upper right; at lower left, across the water, an Irishman with a rake dancing for joy."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Text below title: It appears, "Non fumum ex fulgore sed ex fumo dare luco"., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., With the number "10", likely incomplete and missing the final digit, in brown ink in lower left portion of design., Mounted on blue paper backing; pasted on verso of mount is a small portrait engraved by J. Rogers that is trimmed in half, as well as another small engraved portrait that is complete: Mr. T. Cooke as Cohenberg / J. Kennerley delt. ; J. Rogers sculp., and No. 107.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
O'Connell, Daniel, 1775-1847, Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Peel, Robert, 1788-1850
Subject (Topic):
Politicians, Comets, Brooms & brushes, Telescopes, and Fire
