"Canning and Eldon, both in shirt-sleeves and about equally matched, face each other in a small boat: Cabinet. Cock Boat. The very ornate boat resembles a Canadian canoe in general shape; the paddles go through big apertures encircled by the points of a star; that of Canning is Deplomatic Sagacity; Eldon uses the mace, which is inscribed Pelf Patronage Parsimony [see British Museum Satires No. 15139]. At each end of the boat is a figure-head, one of the supporters of the Royal Arms, each with a flag-staff set in its head. Behind Canning (left) is the Unicorn; his flag Catholic Supremacy. The Lion is behind Eldon (right), with the flag of Protestant Ascendancy. Canning: I shall be too much for you you are too slow in your Motions. Eldon : I doubt it! The Purse of the Great Seal hangs over the boat beside Eldon, who wears wig and bands. On the extreme right the sun rises (or sets)--it irradiates the sky behind Eldon."--British Museum online catalogue
Alternative Title:
Long pull, a strong pull, and a pull all'togather
Description:
Title etched below image. and Text below title: When two row in the same boat, they may pull different ways; but when two ride on one horse, one must ride behind. A House divided against itself can not stand!!!
Publisher:
Pubd. March 16, 1827, by S.W. Fores - Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Canning, George, 1770-1827 and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Rowboats, Ceremonial maces, Flags, Ship figureheads, Unicorns, Lions, National emblems, and Sunrises & sunsets
"Canning in a long robe and floating cloak stands on a Rock of Integrity, against which huge waves are dashing. He holds out a wand, saying, The Tempest has to the point obeyed my spells, | And cast my enemies within my power. The enemies are Eldon, whose head and arms emerge from the waves; Melville, leaning against an overturned (timber) Admiralty Board at the water's edge, and Wellington, in uniform, riding a prancing horse in the sea; a huge baton inscribed Comd in Chief floats away from him. Two big jack-boots emerge from the water, each clutched at by a drowning man. Near Eldon, a creature (? Caliban) supports above the water the head of a second judge and holds up a (?) mirror. Tossed by great waves at the base of the rock are three open boats, each having a small sail, manned by those who have succeeded the 'enemies'. One is The Copley; in it stands Copley (now Lyndhurst) who has just hurled a harpoon which transfixes Eldon's wig. A bird of prey is about to peck the latter's bald head. In an adjacent boat, The Leach, stands Leach holding a harpoon. Behind them is a slightly larger boat, The Anglesea Cutter, in which are three men: Anglesey in civilian dress holding out a drag-net towards Wellington's back; the (?) Duke of Devonshire holding a grappling-iron, and Scarlett. At the water's edge (right) stands a glorified Duke of Clarence as Neptune, holding a trident and supported by two tritons blowing cornucopia-shells. He is in full light and towers above Melville, who lies below in shadow. Behind Canning's back a figure kneels imploringly on the edge of his rock, saying, Oh! take me back to the hospitable shelter of the Duchy, showing that he is Bexley, who having resigned, withdrew his resignation on 12 Apr. (cf. BM Satires 15391). On the shore in the foreground (left) sits the largest and most conspicuous figure, John Bull (not named), with a big burden on his back: National Debt. He has a countryman's short gaiters, is ragged, with a broken shoe and bare toes, but has a grog-blossom nose and smiles delightedly towards Canning. From his pocket hang Petitions for Reform. Near him stands an elegant Erin, playing her harp, a rose-bush at her feet, emblem of Anglo-Irish conciliation. In the air is a demoniac creature riding a dragon, which breathes flames of Superstition. Holding out two firebrands, Bigotry and Intolerance, he looks down at the unconscious Erin; from his mouth issues a label: No Popery. Canning is lit by a beam of light from an irradiated sun containing the head of George IV looking towards his Minister. Behind Canning, among clouds, is a 'wind', a face directing a blast towards him. Near the horizon is a lighthouse. A little figure (? Cobbett) struggles towards it, holding above the water a large scroll inscribed My Comments."--British Museum online catalogue
Alternative Title:
Prospero triumphant
Description:
Title etched below image., Later state with aquatinting, added border, and street address in imprint re-etched from "27" to "24." Cf. no. 15384 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Temporary local subject terms: Reference to The tempest by William Shakespeare -- Military uniforms -- Field marshall uniforms -- Male costume: Gaiters -- Reference to Erin -- Reference to Ireland -- Mythology: Neptune -- Tritons -- Tridents -- Popery -- Shells: Cornucopiae -- John Bull -- Demons -- Dragons -- Tempests -- Boats -- Judges -- Mirrors -- Wigs -- Harpoons.
Publisher:
Pubd. May 6, 1827, by G. Humphrey, 24 St. James's Street
Subject (Name):
Canning, George, 1770-1827, Eldon, John Scott, Earl of, 1751-1838, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Anglesey, Henry William Paget, Marquis of, 1768-1854, Devonshire, William Spencer Cavendish, Duke of, 1790-1858, Scarlett, James, Sir, 1769-1844, William IV, King of Great Britain, 1765-1837, Vansittart, Nicholas, 1766-1851, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Leach, John, 1760-1834
"An elaborate symbolical clock has a dial on which the hands are represented by the arms of the Queen, who kneels within it. Canning stands within the smaller disk of the pendulum. The dial and pendulum hang from a curved bar supported on two uprights, one (left) representing the forces of the Army and Navy, the Crown and the Church, and the other the Radicals and their pikes. A fat and carbuncled John Bull, much larger in scale than the other figures, and wearing a huge judge's wig, sits astride the dial where it is surmounted by a crown; he holds a paper: 'Chief justice Bull--Jurisdiction--ad Infinitum'. On the rim of the dial: (left) 'King', 'Lords', (right) 'Commons'. The Queen kneels in profile to the right, her left arm pointing to the crown, her right towards the 'Commons'. The supports of the dial are (left) a cornucopia filled with sovereigns, and (right) a giant cap of Liberty, shaped like the cornucopia, from which project the heads of men wearing bonnets-rouges. On the cornucopia are Liverpool, holding out the 'Green Bag', see British Museum Satires No. 13735, Eldon, Sidmouth with his clyster-pipe, and a fourth Minister. On the bonnet rouge stand four of the Queen's supporters, one (apparently Wood) holding out to her a cap of Liberty. A small scene is inset below the dial, flanked by cornucopia and cap of Liberty. The Green Bag lies on a table, across which Castlereagh (left) and Brougham (right), both wearing boxing-gloves, are fighting, the former on the defensive. Each has a second, Brougham's is a second barrister (? Denman). Below this appear seven vertical rods to which the disk of the pendulum is attached. The centre one is 'Unhappy Medium'. On the left, held by cross-bands inscribed 'Golden Argument' and 'Valuable ties', are 'Royal Sunshine', 'Sinecure', and 'Tangible etcetrias'. On the right, held by 'Magnanimity' [tricolour], are 'Quixotism', 'Public Champion', and 'Radical Celebrity'. Canning stands within the disk of the pendulum, both hands held up, looking in gloomy perplexity to the left. He hesitates between the contrasted lures of the pendulum bars. He is standing between a crown and a cap of Liberty. On the left a winged infant flies off with a money-bag, inscribed '1000', saying, "Adieu!" A similar infant (right) proffers a cap of Liberty, saying, "See here Glory waits thee." Above the disk: 'The Uncertainty of all Sublunary Honors'. The design is bordered, left and right, by the two supports of the beam. On the left a jovial sailor and a handsome soldier stand on a base formed of a 'Treasury Iron Chest'. The corresponding figures on the right are two ragged ruffians with linked arms, each holding a spiked bludgeon and a dagger, who stand on a similar chest: 'Pandora's Box'. Flags are draped above the heads of both: the Royal Arms and Union Jack with a crown (left), and a tricolour flag and a (piratical) black flag (right). Above these are (left) a mitre resting on a Bible, crossed swords, and bayonets, supporting a block on which is a crown. On the opposite side are three caps of Liberty, crossed bludgeon and dagger, and pikes, supporting a block on which is yet another cap of Liberty."--British Museum online catalogue
Alternative Title:
Time piece! & Canning Jack o' both sides, Time piece! and cunning Jack o' both sides, and Time piece! and Canning Jack o' both sides
Description:
Title etched below image; the letter "u" in "cunning" is etched above a scored-through letter "a", altering the name "Canning". and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by G. Humphrey, 27 St. Jamess St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Clocks & watches, Soldiers, Sailors, Spears, Wigs, Crowns, Cornucopias, Liberty cap, Bags, Medical equipment & supplies, Boxing, Lawyers, Money, and Putti
"John Bull stands full-face, supporting a monstrous burden; he is short in proportion to his breadth by reason of the weight which presses on him, drops fall down his face; his breeches pockets, inscribed 'Empty', hang inside out. On his shoulders sits Pitt, his slim ankles crossed under John's chin. On his back, behind Pitt and extending far beyond his shoulders, is a vast burden inscribed (left): 'Subsidies - Taxes!! Taxes - More Taxes!! More Taxes!!!!'; and right: 'Subsidies - Taxes - Debt- More Money!!' On one end (left) sits Dundas, looking to the left, in Highland dress; on the other sits a schoolboy, evidently intended for Canning. On the top of the burden stand seven men, all wearing ribbons and evidently representing placemen and pensioners; they support on their hands and heads a long treasure-chest, heavily padlocked and inscribed: 'Benefices - Candle ends and Cheese Parings.' On the right and left of this sit jauntily two corpulent parsons, hands on hips. Between them, a hand on the head of each, stands, full-face, a stout and grinning bishop, with inflated lawn sleeves. His mitre forms the apex of the monstrous pyramid. Pitt turns his head in profile to the left, he and Dundas have expressions of concern; all the others appear complacent or pleased."--British Museum online catalogue
"The King (left), plainly dressed, sits on a chair on a dais, a pillar and curtain indicating the throne. He angrily addresses a band of Ministers (and others) who are encircled by a ribbon inscribed The Bond of Union; the end of this is held by the Pope (right). Raising a document inscribed Coronation Oath he exclaims: Is that your only Bond of Union? Is that the flimsey Thread that Ties this hetrogenous [sic] Mass. What? have ye hid your base designs beneath the Cloak of Secrecy? Think ye to Catch your Sovereign off his guard? to tempt him to forget his Solemn Oath? and by one desperate Stroke, destroy the Church & Constitution too?!! begone, and instantly give place to honest Men. Lady Conyngham peeps from behind his chair, saying, I do exceedingly Fear & Tremble. The nine Ministers, closely tied together, advance menacingly, each raising a cross in the right hand. The Pope, triumphant and sinister, also holding a cross, says: Strike My Son's Now or never!! The four nearest the picture plane are (left to right) Canning, Brougham, Burdett, and Lansdowne with Scarlett just behind him; the other four are partly hidden and poorly characterized. Lansdowne is copied from satires of 1806-7, when he was Chancellor of the Exchequer: he is dwarfish, and held up by the 'Bond', his legs dangling. Three say respectively: No bolting when you come to the Scratch; Nine to one will certainly be more--than a Match for him; Stick together. Above them flies a demon holding the firebrand of Discord, while Harmony, a winged child (right) holding a lyre, flies off discomfited."--British Museum online catalogue
Alternative Title:
Symptoms of dictating, cabaling, conspiring, overawing &c. &c.
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 32 x 46 cm.
Publisher:
Pub. May 16, 1827, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Canning, George, 1770-1827, Broughton, John Cam Hobhouse, Baron, 1786-1869, Burdett, Francis, 1770-1844, Scarlett, James, Sir, 1769-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Leo XII, Pope, 1760-1829
Subject (Topic):
Thrones, Columns, Draperies, Ribbons, Crosses, and Demons
"Gloomy and agitated Ministers stand round Eldon who sits glumly on a sack (the Green Bag as in British Museum Satires No. 13954), from which issues a puff of smoke. Wellington and Liverpool are conspicuous, with Sidmouth (with his clyster-pipe) and Castlereagh; two others are poorly characterized. Canning runs off in the background (right), see British Museum Satires No. 13737, &c. In the middle distance the King and a bishop distractedly embrace. Behind is the sea, with (?) the royal yacht departing. (The Queen has triumphed.) P. 24: Y, for the youths of the Archer's delight, Dumb with astonishment--pale with affright! ..."--British Museum online catalogue
Alternative Title:
Y, for the youths of the archer's delight, dumb with astonishment - pale with affright! ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, and Rosco.
Subject (Topic):
Politicians, Lawyers, Depression (Mental state), Bags, Smoke, Medical equipment & supplies, Bishops, Beaches, Hugging, and Yachts
Leaf 30. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Perceval, in back view, and in barrister's wig and gown, holds a magic lantern by which he displays the Pope in the guise of a ragged beggar, for the benefit of John Bull and the King. George III is seated on the throne and looks at the screen through a telescope held by Eldon, inscribed 'Ill-done's Patent Magnifying Papascope'. The King, much alarmed at what he sees, clutches the mace which Eldon holds, with the Purse of the Great Seal attached to it. Beside the King (right) stand a bishop in back view, and a man wearing academic cap and gown. Perceval' s lantern is inscribed 'Percev[al] Humbu[g]'. Canning stands in front of it; Castlereagh beside it, both pointing at John Bull, a yokel in a smock, who has fallen to the ground in terror at the lantern-display, guineas falling from his pocket. The figure on the screen is an old man with patched robes, two keys hanging from a girdle, a sack of 'Bulls' on his back. In place of his triple crown he wears three hats like a Jewish old clothes' man, and for a crosier he has a branching stick. Close to the screen and with his back to it, Portland sits on a block of stone (cf. British Museum Satires No. 10718), talking to Hawkesbury. On the stone is drawn a wig on a block with the inscription 'Retrospective View of Portland' [i.e. as a former Whig]. In the shadow, between and behind Canning and Castlereagh, stands Melville in Highland dress; on his sporran: 'Ex Privy' [Counsellor]. Three other figures are not characterized. In the foreground a dog, its collar inscribed 'John Bull', is biting the 'Union Bill 1800', where it is headed by an Irish harp; a fragment, with the Royal Arms, has been torn off. The dog befouls a 'Catholic Petition'. On the wall is a large playbill: 'Theatre Royal St Stephens By his Majesty's Servants Feby 1807 Horrid Tragedy of Raw Head and Bloody Bones in a Red Cloak Mesrs Percivall, Canning, H-b-y [Harrowby], Portland Castlereagh Wonderful Deceptions, Messrs Proteus & Ill-done.'"--British Museum online catalogue
Alternative Title:
What is this spectre of affright, with which they would delude our sight? ...
Description:
Title from British Museum catalogue., Four lines of verse in two columns below image: What is this spectre of affright, with which they would delude our sight? A shadow thrown upon the wall, a magic-lanthorn-shew! that's all! Page 15., Artist identified as Samuel de Wilde in the British Museum catalogue., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 30 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by S. & H. Oddy, Oxford-Street, London and Field & Tuer
Subject (Name):
Restrike. For original issue of the plate, see no. 10962 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Perceval, Spencer, 1762-1812, Pius VII, Pope, 1742-1823, George III, King of Great Britain, 1738-1820, Eldon, John Scott, Earl of, 1751-1838, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dundas, Henry, 1742-1811, and Harrowby, Dudley Ryder, Earl of, 1762-1847.
Subject (Topic):
John Bull (Symbolic character), Projectors, Thrones, Telescopes, Ceremonial maces, Clergy, and Dogs
