A medley of images with a portrait of John Gay; half length, to the right, wearing a cap and plain jacket; in oval; in a medley of prints, set on background of a letter; the prints titled 'The Spell', 'The Judgement', and 'Bumkinet's Advice'; two further panels, one with a coin of George II, the other lettered 'A new Deceptio Visus. Engrav'd and sold by Geo. Bickham, in London' [part of address erased].
Alternative Title:
New deceptio visus, or, A guinea for a shilling
Description:
Title from print in upper right., Date based on publisher's years of activity at 53 Fleet Street., Later state of a print, a composite of images and verses to form a greeting card, folded for mailing as advertisement for Bickham's engravings. With docket title: A new Deceptio Visus, or A guinea for a shilling : being a curious medley, by way of letter / engrav'd and sold by Geo. Bickham, at his drawing school, at Hatten Garden near Holburn, London. See impression in the Library of Congress, PC 3 - 1729 - Near deceptio visus., See also working proof (?) at the British Museum online catalogue, no. 1980,U.861., Description based on imperfect impression; impression lacks plate with docket title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg bend.
Publisher:
Printed for Robt. Sayer at No. 53 in Fleet Street
Subject (Geographic):
Greece.
Subject (Name):
Dennis, John, 1657-1734., Congreve, William, 1670-1729., Curll, Edmund, 1675-1747, George II, King of Great Britain, 1683-1760, Gay, John, 1685-1732, Pope, Alexander, 1688-1744., Prior, Matthew, 1664-1721., Swift, Jonathan, 1667-1745., and Harte, Walter, 1709-1774.
Subject (Topic):
Pegasus, Coins, Columns, Musical instruments, Puzzles, Ruins, and Wells
A medley of images with a portrait of John Gay; half length, to the right, wearing a cap and plain jacket; in oval; in a medley of prints, set on background of a letter; the prints titled 'The Spell', 'The Judgement', and 'Bumkinet's Advice'; two further panels, one with a coin of George II, the other lettered 'A new Deceptio Visus. Engrav'd and sold by Geo. Bickham, in London' [part of address erased].
Description:
Title from print in upper right., Sheet trimmed within plate mark with loss of docket title and associated text. Perimeter of the design has been heavily inked in black, obscuring all but the images of the prints. The gold coin has been decorated with gold lead and the background of this print is also heavily inked in black., A composite of images and verses to form a greeting card, folded for mailing as advertisement for Bickham's engravings. With docket title: With docket title: A new Deceptio Visus, or A guinea for a shilling : being a curious medley, by way of letter / engrav'd and sold by Geo. Bickham, at his drawing school, at Hatten Garden near Holburn, London. See impression in the Library of Congress, PC 3 - 1729 - Near deceptio., See also working proof (?) at the British Museum online catalogue, no. 1980,U.861., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Geo. Bickham
Subject (Geographic):
Greece.
Subject (Name):
Dennis, John, 1657-1734., Congreve, William, 1670-1729., Curll, Edmund, 1675-1747, George II, King of Great Britain, 1683-1760, Gay, John, 1685-1732, Pope, Alexander, 1688-1744., Prior, Matthew, 1664-1721., Swift, Jonathan, 1667-1745., and Harte, Walter, 1709-1774.
Subject (Topic):
Pegasus, Coins, Columns, Musical instruments, Puzzles, Ruins, and Wells
"Satire on the popularity of the Beggar's Opera in the form of a medley print. At top left a print shows two oval portraits, Lavinia Fenton as Polly Peachum on the left and Thomas Walker as Macheath on the right, two short columns of verse beneath. In the centre lies a print depicting a debased Parnassus: in the foreground muses drink from a barrel, one vomiting; a woman wearing a hat hands a basket to a muse sitting in a dust-cart drawn by a Pegasus; a cornucopia lies upended on the ground: in the background, is a boxing match surrounded on two sides with a temporary stand from which flies the flag of St George and to the right of which a bull and a bear are preceded by Apollo playing a fiddle; beneath are four lines of verse describing the scene. Behind the Parnassus print another shows the ghost of Jeremy Collier rising from his grave holding the pamphlet in which he had condemned "The Immoratlities of the English Stage", four lines of verse beneath. This print is overlaid by a smaller oblong print with four verses and portraits of Caleb D'Anvers (Nicholas Amhurst) Jonathan Swift, Alexander Pope and Lavinia Fenton (as Polly Peachum). On the left is a print in which Democritus and Heraclitus examine a globe together, eight lines of verse beneath. In the centre is an engraved address 'To Polly Peachum' quoted, according to the earlier state from The Daily Journal, April 19, 1728. At lower left is a print with a stage where a Apollo descends on a cloud to judge between rival singers (Faustina and Cuzzoni) to whom a group of gentlemen with asses' ears listen without judgement, two columns of verse beneath explain the scene. On the right, a scene by a river where a balance has been set up in which the Beggar's Opera outweighs Shakespeare, Ben Jonson, Addison, Nicholas Rowe and Thomas Otway; the personification of trade collapses in the arms of George II, assisted by Queen Caroline; verses beneath claim that the popularity of the Beggar's Opera is indicative of the sorry state of the country. At bottom right is a scene in Newgate with men and women sitting round a table on which is a punch bowl and pipes; they are toasting a laureated John Gay who sits at the centre, saying 'The Beggers Opera for yr', 'G(a)y for ever', 'Let's vote him King of the Beggers' and he responds, 'Yov'e done me too great an honour but I'll -'; a small child stands beside the table; two columns of verse beneath."-- British Museum online catalogue
Description:
Title from text engraved above image., "Poet G-" refers to John Gay., Later state, lacking references to 'Daily Journal April 19th. 1728' below the verses "to the Tune of the Soldier and ye Sailor" and to 'Daily Journal April 10 1798' below those "To Polly Peacham". Cf. Compare no. 1806 in v. 2 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Mounted to 45 x 34 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Gay, John, 1685-1732, Gay, John, 1685-1732., Fenton, Lavinia, 1708-1760, Walker, Thomas, 1698-1744, Collier, Jeremy, 1650-1726, Bordoni, Faustina, 1697-1781., Amhurst, N. 1697-1742. (Nicholas),, George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., Swift, Jonathan, 1667-1745., Pope, Alexander, 1688-1744., Heraclitus, of Ephesus., Democritus, approximately 460 B.C.-approximately 370 B.C., and Cuzzoni, Francesca, 1696-1778.
Subject (Topic):
Social life and customs, Anecdotes, facetiae, satire, etc, Pegasus (Greek mythology), Apollo, Muses (Greek deities), Parnassus, Mount (Greece), Prints, Prisons, and Theaters
Manuscript, in a single hand, of a collection of fourteen serious verses, many on the subjects of death and religion. Entries include the Prologue to Cato by Alexander Pope (1688-1774), and the Epilogue to Cato by Sir Samuel Garth; a hymn by Joseph Addison; On Indifference, by Frances Anne (Greville) Crewe, lady Crewe and addressed to the Countess of Carlisle, as well as the Countess of Carlisle’s reply; a fable by John Gay; poems by Thomas Parnell and James Thomson; and various religious songs.
Subject (Geographic):
Great Britain --Religious life and customs --18th century
Subject (Name):
Addison, Joseph, 1672-1719, Crewe, Frances Anne (Greville) Crewe, Lady, d. 1818 --Poetry, Garth, Samuel, Sir, 1661-1719, Gay, John, 1685-1732, Parnell, Thomas, 1679-1718, Pope, Alexander, 1688-1774, and Thomson, James, 1700-1748
Subject (Topic):
Death --Poetry, Elegiac poetry, English, English poetry --18th century, and Religious poetry, English
Norfolk, Lady Charlotte Sophia (Leveson-Gower) Howard, duchess of, 1788-1870, creator
Published / Created:
[?1811-1823]
Call Number:
Osborn Music MS 20
Image Count:
271
Resource Type:
Music (Printed & Manuscript)
Abstract:
166 pieces copied by the Duchess of Norfolk (formerly Countess of Surrey), in five languages. Pages 73 and 75 are the index and title page of an earlier copybook, dated 1811, bound together with the rest. Writers and composers copied include: Jean-Jacques Rousseau (1712-1778), John Gay (1685-1732), Giuseppe Marco Maria Blangini (1781-1841), Wolfgang Amadeus Mozart (1756-1791), David Perez (1711-[1779]), Giuseppe Millico (1739-1802), Samuel Arnold (1740-1802), Thomas Augustine Arne (1710-1778), Martin Pierre D'Alvimare (1772-1839), Chas. Henri Plantade (1764-1839), George Friedrich Handel (1685-1759), and Anselm Faidit.
Description:
Holograph.
Subject (Name):
Arne, Thomas Augustine, 1710-1778, Arnold, Samuel, 1740-1802, Blangini, Felice, 1781-1841, Dalvimare, Martin Pierre, 1772-1839, Gaucelm Faidit, fl. 1156-1209, Gay, John, 1685-1732, Handel, George Frideric, 1685-1759, Millico, Giuseppe, 1739-1802, Mozart, Wolfgang Amadeus, 1756-1791, Perez, David, 1711-1778, Plantade, Charles Henri, 1764-1839, and Rousseau, Jean-Jacques, 1712-1778
Subject (Topic):
Piano music--19th century and Songs --19th century
Consisting of a collection of canons, catches, canzonets, and glees for 3, 4, 5, and 6 voices. 75 pieces, of which approximately 50 are signed and dated by Hayes. Some are poems set to music (by Hayes?) -- writers include: Samuel Westley [sic], Mr. Shenstone, Robert Herrick, Edmund Spenser, Philip Griffin, John Gay, Alexander Pope, and Robert Dodsley.
Description:
Although noted in contents on pastedown, p. 5-8 wanting., Bookplate of Sir Walter Parratt (1841-1924)., Holograph MS., and There is an index of titles on the front endpaper.
