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46. The plumb-pudding in danger, or, State epicures taking un petit souper / Js. Gillray inv. & fect.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 6
- Image Count:
- 1
- Abstract:
- "Pitt (l.) and Napoleon face each other at a round dinner-table on which, in a dish, is a terrestrial globe in the form of a steaming plum-pudding. Pitt, with a carving knife, and three-pronged fork (like a trident) planted in the '[Atlantic] Ocean', cuts a deep gash to the west of 'Britain', extending from the Pole to the Equator; he obtains the 'West Indies'. Napoleon, using his sword and a two-pronged fork which straddles 'Hanover', is cutting from Europe a large fragment including 'France', 'Holland', 'Spain', 'Swiss[erland]', 'Italy', 'Mediterranean', but missing 'Sweden' and 'Russia'. Before each is an empty (gold) plate, on Pitt's the Royal Arms, on Napoleon's an imperial crown. On the back of Pitt's chair is a crowned British Lion on its hind-legs, holding up a Union flag; a fierce imperial eagle clutching a bonnet rouge decorates that of Napoleon. Pitt, very tall and thin, wears a cocked hat and regimentals and long pigtail (cf. BMSat 10113, &c). Napoleon, sturdier and much shorter, has almost to rise from his chair to reach the pudding. He wears military dress, a huge plumed bicorne resting on his shoulders. Pitt looks warily at Napoleon who stares fiercely at the pudding. The figures are seven-eighths length. Below the title: '- "the great Globe itself, and all which it inherit" [sic, 'Tempest', iv. i], is too small to satisfy such insatiable appetites - Vide Mr W-d-m's [Windham's] eccentricities, in ye Political Register.' (For Windham as a contributor to Cobbett's paper see BMSat 10414)."--British Museum online catalogue.
- Alternative Title:
- State epicures taking un petit souper
- Description:
- Title etched in upper right corner of image.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > The plumb-pudding in danger, or, State epicures taking un petit souper / Js. Gillray inv. & fect.
47. The reconciliation [graphic] / J. Gillray des. & fect.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 5
- Image Count:
- 1
- Abstract:
- "The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (r.) are a tree and a balustrade, against which grow a rose-bush and a thistle. After the title: '"And he arose and came to his Father, and his Father saw him, & had compassion, & ran, & fell on his Neck, & kissed him. - Read the Parable. Verse 16th to 24th.'"--British Museum online catalogue.
- Description:
- Title etched below image.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > The reconciliation [graphic] / J. Gillray des. & fect.
48. The state waggoner and John Bull, or, The waggon too much for the donkeys! [graphic] : together with a distant view of the new coalition among Johnny's old horses / Js. Gillray del. & fect.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 5
- Image Count:
- 1
- Abstract:
- "A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue.
- Alternative Title:
- State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
- Description:
- Imprint from British Museum catalogue. and Title etched in upper left corner of image.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
- Subject (Topic):
- John Bull (Symbolic character)--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > The state waggoner and John Bull, or, The waggon too much for the donkeys! [graphic] : together with a distant view of the new coalition among Johnny's old horses / Js. Gillray del. & fect.
49. The storm rising, or, The republican flotilla in danger [graphic] / Js. Gy. inv. & ft.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 4
- Image Count:
- 1
- Abstract:
- "The windlass (right) is turned by Bedford, in profile to the left, Fox, in back view but looking to the raft (left), Sheridan, in profile to the right, and Tierney, coming towards the spectator. From Bedford's pocket hangs a paper: '£1400 Fined, for False Entry of Servants'. All are running, but it is clear that huge waves raised by Pitt will swamp the raft before it reaches shore. All wear coats except Fox, whose coat lies on the ground beside a paper: 'List of the New Republican Ministry. Citizen Volpone, Premier..'.. Fox's shirt is tattered, his hair is tied by a tricolour ribbon. Pitt's profile emerges from clouds in the upper (right) corner; his blast spreads as it reaches the raft, developing into flashes of lightning ..."--British Museum online catalogue.
- Alternative Title:
- Republican flotilla in danger
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > The storm rising, or, The republican flotilla in danger [graphic] / Js. Gy. inv. & ft.
50. The triumph of Quassia [graphic] / Js. Gillray dest. & ft.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 6
- Image Count:
- 1
- Abstract:
- "The triumphal procession (l. to r.) of a hideous negress symbolizing Quassia, a drug obtained from the Quassia tree, which is supposed to have supplanted hops in brewing. She sits astride a drayman's pole (as in BMSat 10580, &c), from which is suspended horizontally a cask inscribed 'True Quassia Free from Taxation'; the pole is supported on the shoulders of two brewers, Whitbread (r.), and Combe (l.). She holds up in one hand a branch of the noxious tree, with a (tricolour) scroll: 'Kill-Devil [rum] for ever', and in the other a frothing tankard inscribed 'Quos-sia'. This is irradiated, the rays being inscribed 'Apoplexy', 'Palsy', 'Consumption', 'Debility', 'Colic', 'Stupor', 'Dropsy', 'Scurvy', 'Dysentery', 'Hæmorrhoids', 'Hydrophobia', 'Idiotism'. A third brewer, the very corpulent George Barclay, follows on the extreme left., waving his hat. He holds up a (tricolour) standard: 'Pro bono Publico - Quassia for Ever, - No Hops! no Malt! Down with all the Private Breweries! - Kill-Devil and Quassia for Ever!' From his apron projects a book: 'Receipts to make a Cauliflour Head'. In front of the procession is a dray-horse, with dangling chains which show that the barrel has been detached from them; its head is cut off by the r. margin. On its back sits the bulky Grenville between Fox and Petty who clings to his waist. All are in court dress, and exultingly wave their cocked hats, which, like the hats of the brewers, are decorated with large tricolour favours inscribed 'Quassia for Ever'. On the horse is a pannier with a (tricolour) label: 'Grains from the Quassia Breweries for the New Piggery' [cf. BMSat 10540]; this, like the riders' pockets, is overflowing with guineas. From Petty's hat fall two bundles of papers: 'Tax upon Private Brewer[ies]' and 'Tax upon Maid-Servants'. Whitbread, who looks round at the spectator, has a favour in his hat larger than the others and having the additional inscription. 'No Private Breweries - Impeachment of Malt & Hops! No Scotch Barley', indicating his charges against Melville (see BMSat 10576, &c). On the groun lie broken hop-poles, with hop-vines still attached to them. Behind are conical stacks of hop-poles 'To be Sold for Fire-Wood'."--British Museum online catalogue.
- Description:
- Title etched below image.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Combe, Harvey Christian,--1752-1818--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > The triumph of Quassia [graphic] / Js. Gillray dest. & ft.
51. The village train [graphic] / design'd & engrav'd by James Gillray.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Published / Created:
- 1784 June 4
- Call Number:
- Auchincloss Gillray v. 12
- Image Count:
- 1
- Abstract:
- "Man and woman dancing under a large tree, with bystanders seated watching in the shade, and other rustic festivities, including a boxing fight, taking place in the background; an oval composition."--British Museum online catalogue.
- Description:
- Companion print to: "The deserted village.", Smaller image engraved below title, with a column of verse etched on either side: How often have I blest the coming day, when toil remitting lent its turn to play ..., Text at bottom of plate: To Miss Henrietta Gertrude Hotham, this plate and its companion are most respectfully dedicated by her most obedient humble servant, Robert Wilkinson., and Title etched below large oval-shaped image.
- Publisher:
- R. Wilkinson, No. 58 Cornhill
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Wilkinson, Robert, -approximately 1825, publisher.
- Found in:
- Beinecke Rare Book and Manuscript Library > The village train [graphic] / design'd & engrav'd by James Gillray.
52. Titianus redivivus, or, The seven-wise-men consulting the new Venetian oracle [graphic] : a scene in [the] academic grove. No. 1 / Js. Gy. invt. & fect.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Published / Created:
- 1797 November 2
- Call Number:
- Auchincloss Gillray v. 9
- Image Count:
- 1
- Abstract:
- "An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue.
- Alternative Title:
- Seven-wise-men consulting the new Venetian oracle
- Description:
- Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!! and Title etched below image.
- Publisher:
- H. Humprey, St. James's Street
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Boydell, John,--1719-1804--Caricatures and cartoons., Farington, Joseph,--1747-1821--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Opie, John,--1761-1807--Caricatures and cartoons., Reynolds, Joshua,--Sir,--1723-1792--Caricatures and cartoons., Titian,--approximately 1488-1576--Caricatures and cartoons., West, Benjamin,--1738-1820--Caricatures and cartoons., and Westall, Richard,--1765-1836--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > Titianus redivivus, or, The seven-wise-men consulting the new Venetian oracle [graphic] : a scene in [the] academic grove. No. 1 / Js. Gy. invt. & fect.
53. To the Queen, [graphic] : with Her Majesty's most gracious permission this work is respectfully inscribed by Her Majesty's most faithful, obedient and humble servant Harriet Abrams, Park Lane, 1803 / Js. Gillray inv. & ft.
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 12
- Image Count:
- 1
- Abstract:
- "Dedication sheet 'To the Queen' from the singer Harriet Abrams; three cherubs sitting facing right, singing, on clouds which curve up and support a lyre and laurel above them, below a crown in rays of light; for an unidentified publication."--British Museum online catalogue.
- Description:
- Print possibly designed as the frontispiece or title page for a musical work dedicated to Queen Charlotte. See Wright. and Title from text in image.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., and Harvey, Francis--Ownership.
- Found in:
- Beinecke Rare Book and Manuscript Library > To the Queen, [graphic] : with Her Majesty's most gracious permission this work is respectfully inscribed by Her Majesty's most faithful, obedient and humble servant Harriet Abrams, Park Lane, 1803 / Js. Gillray inv. & ft.
54. Visiting the sick [graphic].
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 6
- Image Count:
- 1
- Description:
- A copy, with minor alterations, of a print by Gillray. Cf. No. 10589 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, Attributed to Williams in the British Museum catalogue., and Title etched below image.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Fox, Elizabeth,--1750-1842--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., O'Beirne, Thomas Lewis--1748?-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > Visiting the sick [graphic].
