"A low platform covered with roses extends almost across the design; from this bed new Ministers advancing from the left are ejecting the old. Roses are scattered on the floor. The central figure is the tall and handsome Castlereagh, author of the phrase, see British Museum satires No. 10558, &c. With a taut two-stringed bow in his left hand, a quiver on his shoulders, he strides across Grenville who is on his back on the bed, and takes 'Candle End[s] & Cheese Paring[s]' from a bag with which Windham tries to make off (see British Museum Satires No. 9735). He says: "I'd have you to know I've two strings to my Bow!! Down, Down, Down, Derry Down!!" [See British Museum satires No. 10426.] Behind him, Portland threatens Grenville (in his peer's robe) with a big block of 'Portland Stone' [see British Museum Satires No. 10718, &c.]. In front of Windham Rose steps forward from the bed to grasp a large rose on the floor: 'Treasurership of the Navy.' This Sheridan, in his Harlequin's suit (see British Museum Satires No. 9916), is crawling towards, saying, "Just got into my first Nap - how - Unfortunate - come Sir fat touch that however." Rose holds up a pair of bellows inscribed 'Sing old Rose & burn the Bellows'. Eldon, in Chancellor's wig and gown, strides from the bed on to the prostrate Erskine, seizing the Purse of the Great Seal, whose cord is still round the latter's arm. He raises the mace to strike the ex-Chancellor, whose wig has fallen off. Erskine says: "Be quiet I'll retire"; he holds a money-bag inscribed '4,000 Pr Anm' [see British Museum Satires No. 10714]. Lauderdale, wearing a plaid, is behind him on the ground. On the extreme left Canning, standing on the bed, holds up a massive club inscribed 'Bon Mots & Repartee by G C--g'; he stoops over Howick pointing at the 'Catholic Bill', which the latter holds. Howick steps from the bed, angrily looking up at Canning (his especial enemy, cf. British Museum Satires No. 10972), but, unlike his colleagues, not devoid of dignity. On the ground between Howick and Sheridan is Petty in his gown, one hand on his 'Budget', a small bag, the other on a sheaf of papers inscribed 'Ways & Means'. He says: "Bless me I wish I was safe in College I'd never have anything more to do with Taxes" [an allusion to his youth, and to the fact that he was M.P. for Cambridge]. In the background (right) are Moira in his cocked hat and Lord Temple who makes off rapidly."--British Museum online catalogue
Alternative Title:
Retaking the bed of roses by storm!!
Description:
Title etched below image., Attribution to Charles Williams and approximate date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with partial loss of title from bottom edge., and Mounted on linen and formerly sewn in an album, with only the holes remaining on the left edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Windham, William, 1750-1810, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rose, George, 1744-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Canning, George, 1770-1827, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839
Subject (Topic):
Politics and government, Beds, Roses, Draperies, and Fighting
"A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., and Mounted to 36 x 49 cm.
Publisher:
Pubd. June 9th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Shakspeare Gallery., Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Cerberus (Greek mythology), Medusa (Greek mythology), and Serpents
"A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., 1 print : etching on wove paper, hand-colored ; plate mark 32.2 x 40.5 cm, on sheet 36.0 x 44.6 cm., and Mounted on leaf 15 of volume 3 of 12.
Publisher:
Pubd. June 9th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Shakspeare Gallery., Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Cerberus (Greek mythology), Medusa (Greek mythology), and Serpents
"The figures are placed in an alcove recessed in a wall of heavy stones. The massive Ellenborough in wig and gown sits on a wooden seat or plank supported by Sidmouth, Lauderdale, and Stanhope, with behind, the bent posteriors and massive legs of Grenville, who is otherwise hidden by Lauderdale and by a pan suspended from the seat. This seat is 'Broad-Bottom Cabinet' [cf. BMSat 10530], the pan (shaped like that of a commode) is 'Privy Seat'. The plank rests on the shoulders of Sidmouth (l.) and Stanhope (r.); both are tall, thin, and elderly, their heads in profile to the right. The short and solid Lauderdale stands between them, with Ellenborough's feet on his left. shoulder and on Stanhope's r. arm. He is in Highland dress, holds a bonnet rouge, and stands on a large book: 'Brissots Principles of Justice'. Sidmouth holds his cocked hat, and wears the Windsor uniform; in his pocket is a bottle labelled 'Viper Drops'; beside him lies a clyster-pipe (cf. BMSat 9849). Beside Stanhope is an open book: on one page a picture of a boat, 'Justitia', exploding, with a pair of scales shot into the air; on the other: 'The Catamaran of Justice - or the last Expedition to blow up All Opposition in spite of Wind & Tide.' Ellenborough, directed to the right., holds up a pair of scales; the r. scale heavily outweighs the other; it contains a mitre and papers inscribed: 'Decision of the Peers', 'Not Guilty', 'Eldon', 'Vote of the Bishops', 'Opinion of the Eleven Judges'. In the other are a frothing tankard of 'Whitbr[ead's] Entire' [cf. BMSat 10421], and a paper: 'Impeachment'; to these Ellenborough gloomily adds his 'Sword of Justice'. Above his head is the inscription: 'FIAT IN JUSTITIA RUAT CŒLUM'; the 'in' is partly concealed by shading."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., A digit, perhaps a '2', precedes '9th' in imprint statement but is scored through with etched lines., and Mounted on leaf 30 of volume 6 of 12.
Publisher:
Pubd. July 9th[?], 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Ellenborough, Edward Law, Baron, 1750-1818, Lauderdale, James Maitland, Earl of, 1759-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, and Stanhope, Charles Stanhope, Earl, 1753-1816
Title from caption below image., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Plate numbered "39" in upper right corner., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Plate numbered '82' in ms. along top margin of sheet. Numbering corresponds to plate position within previous collection.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
Title from item., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Concluding digit in the publication year erased from print leaving worn paper., Later reissued with series number. Cf. no. 10966, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Ttilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Mounted to 30 x 43 cm.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 10763, representing Ministerial and Opposition leaders on platforms in front of their booths. On the extreme left. is Sheridan addressing the crowd below: 'Walk in Gentlemen and Ladies - here is no deception. Just going to begin.' He points to his back-cloth which hangs from a flagstaff: under a bottle and glass is the inscription 'Prime Sherry Gratis - The Comedy of A New Way to Pay Old Debts [Massinger] - with the Publicans Friend.' Harlequin, masked, with a blackened face, postures behind him. The flag is inscribed 'In vino Veritas'. On the adjacent booth Castlereagh stands with upraised arms, holding a tali long-bow with two strings. Beside him a pierrot bangs a salt-box. His back-cloth is inscribed 'The Genuine Booth - Two Strings to your Bow [a popular farce by R. Jephson, 1791] and a Trip to Down [see British Museum Satires No. 10715]'. His flag is inscribed 'Down Down Hey Derry Down.' The centre booth has a tattered back-cloth inscribed 'The Old Broad Bottomd Booth rather out of repair But Excellent Entertainment.' Its flag, also tattered, is 'Catholic Emancipation'. On the platform Grenville bows very low, hat in hand. Beside him is a pierrot holding up a steaming bowl and a placard: 'Treasury Soup Hot at all Hours'. The next booth is 'The Only True Constitutional Booth Persevere & Company' the flag is 'No Popery'. On this Perceval, his back to Grenville, bows, saying, "Dont mind what the Broad Bottoms say good people - mine is the only treue constitutional Booth." He has two attendants, one holding 'Magna Charta' besides a man blowing a trumpet to which is attached a banner with the royal arms. On the extreme right., a little apart from Perceval's booth, is that of Canning. The back-cloth is inscribed: 'A Collection of Sky Rockets Just arrived from Denmark very Curious.' Rockets rising from behind the cloth descend in golden streams on the crowd below. Canning is in full armour and holds a tilting-lance; he says: "Don't be afraid they won't hurt you." His pennant is 'Necessity has no Law.' A man in the crowd, looking up at the rockets, says: "To tell you the truth I don't admire Sky." On the ground-level are side-shows under two of the platforms. That of Grenville is the roof of a square stone building; its door is placarded 'Portland Stone moveable Kitchen, a great Curiosity' [cf. British Museum Satires No. 10718]. No ladder ascends to the top, as with all the other booths, so that Grenville can descend only by stepping on to an adjacent platform. Beneath Perceval's platform is inscribed: 'Underneath to be seen the Bed of Roses' [see British Museum Satires No. 10558, &c.]. Among the crowd of gaping spectators are men crying their wares. They hold out broadsides. One (left) shouts: "Who buys my rotten Burrows if I'd as much money as I could tell I never would cry rotten Burrows to sell." A yokel in a smock asks him: "What do you ax Master for a good snug thing in your way." A man cries: "Who wants to buy any New Taxes"; a fat farmer says: "Dang it we have got enough of that Article". A Highlander in a kilt cries "Places and Pensions at half Price". A man offers a similar Highlander: "Snug Sinecures Dirt Cheap." A corpulent parson addresses a stout woman whose arm a much shorter man is holding: "Any more Church livings than you make use of I'll buy them of you." On the extreme right a quack doctor offers money-bags: 'Delicate Consciences effectively cured - no cure no Pay'."--British Museum online catalogue
Alternative Title:
Saint Stephens fair
Description:
Title etched below image., Later state, with former plate number "39" removed and a new number added. See British Museum catalogue., Text following title: O don't you think it a wonderful fair." Holcroft., Companion print to: A political fair., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling colored.", Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: Pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Male costume: Armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume, 1808 -- Physicians -- Quacks., and Leaf 39 in volume 4.
Publisher:
Pubd. Feby. 8th, 1808, by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
"Ministers sit at a round dinner-table guzzling guineas, while through the window is seen a hungry mob. Pitt, in profile to the left, sits on the right, a large fish made of guineas on a dish before him, of which he shovels huge lumps into his gaping mouth; he sits on a 'Treasury' chest which is closed by a padlock inscribed 'WP'. Opposite him on the extreme left, seated on the woolsack, is Loughborough, indicated by an elongated Chancellor's wig in back view (cf. BMSat 6796); he clutches a large bowl of 'Royal Turtle Soup', holding a large ladle-full of guineas to his mouth. The others sit on the farther side of the table: Grenville next Loughborough, Dundas in the middle, Pepper Arden next Pitt. Grenville stoops, putting his mouth on the level of his dishful of guineas. Dundas, wearing a plaid, gnaws a fish which he holds in both hands. Arden, between Pitt and Dundas, holds a lump of coins on his fork. Between him and Dundas are three bottles labelled 'Bur[gundy]', 'Champaign', 'Port'. On the table are sauce-boats and small dishes full of guineas. Before Dundas are two glasses of wine. At the near side of the table, between Loughborough and Pitt, is a group of three sacks on each side of which is a large wine-cooler filled with bottles. The central sack is: 'Product of New Taxes upon John Bulls Property'. On its mouth rests a small basket of potatoes inscribed 'Potatoe Bread to be given in Charity'. The other sacks are labelled 'Secret Service Money'. Behind (right), three steaming dishes are being brought in, held high by footmen (their heads obscured): a haunch of venison, a sirloin, and a large bird. They wear, not livery, but the Windsor uniform, and the symmetrical pair immediately behind Pitt are probably the two Treasury Secretaries, Rose and Long; this is supported by Gillray's 'Lilliputian Substitutes' (1801). On the wall are two placards: 'Proclamation for a General Fast, in order to avert the impending Famine and Substitutes for Bread Venison, Roast Beef, Poultry, Turtle Soup, Fish, boild in Wine, Ragouts, Jellies &c. Burgundy, Champaign, Tokay, &c, &c.' The heads of men wearing bonnets-rouges are seen through the window; they hold up a loaf on a pole with a scroll inscribed '14 Pence pr Quartern' and two placards: 'Petition from the Starving Swine' (see BMSat 8500, &c.) and 'Grant us the Crumbs which drop from your Table'. ..."--British Museum online catalogue
Alternative Title:
Right Honorables saving the loaves & dividing the fishes
Description:
Title etched below image., Dedication etched below title: To the charitable committee, for reducing the high price of corn by providing substitutes for bread in their own families ..., Temporary local subject terms: Literature: Bible, reference to loaves and fishes -- Food: bread -- Fish -- Turtle soup -- Wine: champagne -- Burgundy -- Tokay -- Port -- Dishes -- Sauce boat -- Furnishings: wine coolers -- Taxes, 1795 -- Allusion to John Bull -- Money: guineas as food -- Treasury bench -- Crowds: hungry mob -- Secret Service money -- General fast, 1795, satirized -- Ministerialists -- Poverty vs. abundance ., and Mounted to 31 x 47 cm.
Publisher:
Pubd. Decr. 24th, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Ministers sit at a round dinner-table guzzling guineas, while through the window is seen a hungry mob. Pitt, in profile to the left, sits on the right, a large fish made of guineas on a dish before him, of which he shovels huge lumps into his gaping mouth; he sits on a 'Treasury' chest which is closed by a padlock inscribed 'WP'. Opposite him on the extreme left, seated on the woolsack, is Loughborough, indicated by an elongated Chancellor's wig in back view (cf. BMSat 6796); he clutches a large bowl of 'Royal Turtle Soup', holding a large ladle-full of guineas to his mouth. The others sit on the farther side of the table: Grenville next Loughborough, Dundas in the middle, Pepper Arden next Pitt. Grenville stoops, putting his mouth on the level of his dishful of guineas. Dundas, wearing a plaid, gnaws a fish which he holds in both hands. Arden, between Pitt and Dundas, holds a lump of coins on his fork. Between him and Dundas are three bottles labelled 'Bur[gundy]', 'Champaign', 'Port'. On the table are sauce-boats and small dishes full of guineas. Before Dundas are two glasses of wine. At the near side of the table, between Loughborough and Pitt, is a group of three sacks on each side of which is a large wine-cooler filled with bottles. The central sack is: 'Product of New Taxes upon John Bulls Property'. On its mouth rests a small basket of potatoes inscribed 'Potatoe Bread to be given in Charity'. The other sacks are labelled 'Secret Service Money'. Behind (right), three steaming dishes are being brought in, held high by footmen (their heads obscured): a haunch of venison, a sirloin, and a large bird. They wear, not livery, but the Windsor uniform, and the symmetrical pair immediately behind Pitt are probably the two Treasury Secretaries, Rose and Long; this is supported by Gillray's 'Lilliputian Substitutes' (1801). On the wall are two placards: 'Proclamation for a General Fast, in order to avert the impending Famine and Substitutes for Bread Venison, Roast Beef, Poultry, Turtle Soup, Fish, boild in Wine, Ragouts, Jellies &c. Burgundy, Champaign, Tokay, &c, &c.' The heads of men wearing bonnets-rouges are seen through the window; they hold up a loaf on a pole with a scroll inscribed '14 Pence pr Quartern' and two placards: 'Petition from the Starving Swine' (see BMSat 8500, &c.) and 'Grant us the Crumbs which drop from your Table'. ..."--British Museum online catalogue
Alternative Title:
Right Honorables saving the loaves & dividing the fishes
Description:
Title etched below image., Dedication etched below title: To the charitable committee, for reducing the high price of corn by providing substitutes for bread in their own families ..., Temporary local subject terms: Literature: Bible, reference to loaves and fishes -- Food: bread -- Fish -- Turtle soup -- Wine: champagne -- Burgundy -- Tokay -- Port -- Dishes -- Sauce boat -- Furnishings: wine coolers -- Taxes, 1795 -- Allusion to John Bull -- Money: guineas as food -- Treasury bench -- Crowds: hungry mob -- Secret Service money -- General fast, 1795, satirized -- Ministerialists -- Poverty vs. abundance ., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 28.3 x 39.2 cm., and Mounted on leaf 71 of volume 3 of 12.
Publisher:
Pubd. Decr. 24th, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, and Grenville, William Wyndham Grenville, Baron, 1759-1834
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequel to No. 11384. A fantastic scene in Oxford representing Grenville's installation as Chancellor, which took place at Commemoration, 3 July 1810. Grenville rises in a balloon above a vast applauding crowd; his inflated and spherical posterior fits into the shallow bowl which forms the car. He wears a papal tiara and his Chancellor's gown; a large cross is on his posterior. He extends his arms horizontally, scattering symbolical objects. These are (left): a Cardinal's hat, a rosary, a mitre set in a ducal coronet, and a book, 'Liber Regis . . . Oxford . . .'; (right): three books: 'Letter to the Earl of Fingal'; 'Irish Mass Book'; 'Liber Valorum'. The spherical gas-bag of the balloon represents an inflated Lord Temple, the crown of the head at the summit, with upturned profile in the arc just below (left); shoes emerge from the opposite pole; from the posterior issues a tail or cloud, streaming upward, inscribed 'Promisses'. The car, decorated with Popish emblems, the Host between winged heads, hangs from cords suspended from a net covering the balloon. Three bishops, seated on asses which crouch in neighing obeisance towards Grenville, reach up eagerly towards the Cardinal's hat, &c. They are in back view, and in the foreground on the extreme left. Behind them is part of the Radcliffe Camera, the greater part being cut off by the left margin. By the door is a placard: 'Order'd That No Doctor of Laws shall be admitted without Bag Wig'. Two men are leaving the building: Lord George Grenville, followed by (?) Thomas Grenville. [Not Windham (as Wright and Evans say) who died in June. Lord Holland says Lord Grenville, but he does not resemble him, and his double appearance is unlikely.] The Marquis of Buckingham looks from the principal window under the dome; Lord Stafford leans from a smaller window below. All four wear bag-wigs and gowns. On a projection above the door stands a chicken with the head of M. A. Taylor (the 'Chick of Law', see No. 6777) puffing a blast up at the balloon. Spectacled and bewigged owls perch on the balustrade surrounding the dome. In the foreground on the right is a large group, many of whom wear doctor's gowns with black masks over their features, tied over bag-wigs that perch awkwardly on their heads. Three of them wave their mortar-board caps towards the balloon: Erskine, Tierney (without a mask and especially deferential), and Lord Holland, his face completely blackened by a mask and wearing a mob-cap. Behind (right) are Lord Grey, Sidmouth holding a clyster-pipe behind his back (cf. No. 9849), Lord Cholmondeley, whose wig is back to front and tilted tipsily over one eye, and Whitbread, who clutches his mortarboard in both hands. In front little Lord Lansdowne capers, holding up the brush and shovel of a chimney-sweep (as Lord Henry Petty he was satirized as an inveterate dancer, cf. No. 10589). Next him, but walking off to the right, is Sheridan, who, unlike the others, does not wear a gown and bag-wig, but is naked except for tattered Harlequin trousers (cf. No. 9916), shoes, and ruffles fastened round his wrists to indicate genteel poverty; he clutches his head with a despairing gesture. In the foreground on the extreme right. Dr. Crowe, the Public Orator, sits on the ground, leaning against a milestone with closed eyes and a contented smile; beside him are an overturned tankard inscribed 'Whitbread Entire' [cf. No. 10421], and papers, 'Oratio Croweiana', which a dog is befouling. The stone is inscribed [blank] 'Miles from Oxford to Rome'. The middle distance is filled with a dense crowd of spectators, receding into a sea of heads. Those in front are doctors in red gowns bowing low as Grenville ascends. In front of the crowd Sir W. W. Wynn and his two brothers (Grenville's nephews), sit together in a little chaise drawn by three galloping Welsh goats (as in No. 9760); they wear bag-wigs and gowns and raise their caps to Grenville. One of the goats gallops over a prostrate man in doctor's wig and gown. A bishop (the Archbishop of York) drives through the crowd (left to right) in an open barouche; he doffs his mitre; the coachman and three fat footmen standing behind wave their cocked hats. The crowd surrounds a wooden booth (left) and a high wagon which serves as platform for a rustic family group to view the display. The booth is placarded: 'Wonder of the World the biggest Flying Elephant in the Whole Fair'. Inside it, tiny figures peer at the posterior of a vast elephant with little wings and the head of Grenville. The background is a fantastic view of Oxford towers, which resembles, and is perhaps based on, a drawing by Rowlandson (reproduced, C. Hobhouse, 'Oxford', 1939, p. 60). The crowd fills a space between the Radcliffe Camera and the wall of All Souls abutting (right) on the west end of the Chapel. Behind (left) is the cupola over the gate of All Souls with (right) Hawkesmoor's twin towers flanking a 'Popish' cross. Tom Tower, Christ Church, much heightened and enlarged (right), behind the chapel, flies a Popish flag decorated with tiara and keys, and is traversed from top to bottom by a great fissure. Bats and carrion birds fly round it. Below the design: '-He steers his flight Aloft, incumbent on the dusky air That felt unusual weight,-Par, Lost, Lib: I. l, 225-'"--British Museum online catalgoue
Alternative Title:
He steers his flight aloft, incumbent on the dusky air that felt unusual weight. Par. Lost and Tentanda via est qua me quoque possim tollere humo. Virgil, Geor. ...
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 11570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "34" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 93 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Moss, Charles, 1763-1811
