"Fox, as a quack doctor, addresses a mob from the front of a platform which rests upon five beer-barrels inscribed 'Whitbreads entire' (cf. BMSat 8638). Four other mountebanks are performing. Fox wears the full wig and old-fashioned laced coat and waistcoat of a doctor; he points to a young man (Bedford) behind him (left) who stands on his head, coins pouring from his pocket into a box. A Pierrot (Grey) stands behind the platform holding a trumpet and saying: "Turn me Grey Gemmen if I dont read you the particulars of his curing 30,000 Patients in one day; when Brother cit. has done tumbling". On a slack-rope stretching across the left part of the platform is little Lord Lauderdale, holding a balancing pole. He and Bedford are dressed as acrobats. On the right is the doctor's zany, Sheridan, wearing a fool's cap and a tunic and trousers dotted with representations of the Devil. He scatters, and kicks towards the spectators below him, a shower of paper scrolls inscribed: 'An Infaliable cure for a bad constitution'; 'Aether for Arguments'; 'Caustics for Crimps' [cf. BMSat 8484]; 'Mercury for Ministers'; 'Preparations against Prosecution'; 'Powder [cf. BMSat 8629] for Placemen' [twice]; 'Pain for the Poor' [cf. BMSat 8146]; 'A Rope for Reeves' [cf. BMSat 8699]; 'Gibets for Justices' [cf. BMSat 8686]; 'Aqua Regis for Royalists'. The crowd (right), who are three-quarter length, eagerly hold out their hands to catch the papers. Next the platform is a well-dressed man resembling Grafton. The man on the extreme right is a butcher wearing a bonnet-rouge. Fox says: "Dis is de first Tumbler in de Vorld Gemmen, dat is Citoyen de Bedforado, who vas stand so long upon his head dat all de money vas Tumble out of his pockets; de Next is Citoyen Van Lathertalo, who's trick upon de slack rope are delightfull it is expected he vil von Day dance on de Tight Rope ha ha!!" The men and women composing the crowd on the left all raise a hand in affirmation; all are shouting. A man dressed as a militiaman, standing prominently beside the platform, raises a hand from which two fingers are missing; he shouts "All. All." Perhaps Edward Hall, 'Liberty Hall'."--British Museum online catalogues
Alternative Title:
Palace yard pranks
Description:
Title from item., Printmaker identified by British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: NB folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Quacks' zanies -- Acrobats -- Pierrot -- Rope-walking -- Musical instruments: trumpet -- Reference to the meeting in Palace Yard, November 16, 1795 -- Bills: reference to Seditious Meetings and Treasonable Practices bills -- Fool's cap - Money: coins -- Allusion to Samuel Whitbread, 1764-1815., Watermark: Strasburg lily with initials E & P 1794 below., and Mounted on top and bottom to 32 cm.
Publisher:
Published No. 20, 1795, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Grey, Charles Grey, Earl, 1764-1845, and Lauderdale, James Maitland, Earl of, 1759-1839
Subject (Topic):
Medicine shows, Quacks & quackery, Politicians, Acrobats, Aerialists, Clowns, Money, Barrels, and Spectators
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 1
Image Count:
1
Resource Type:
still image
Abstract:
"Design in two compartments; in the upper, a dinner party where Grey proposes a toast to the united aim of the Whigs and Tories, i.e. suppressing the people; the other diners, Brougham, King William IV, Wellington and a bishop, raise their glasses in agreement, the King spilling his wine down his front; in the lower design, the devil standing amongst the flames of hell, sawing at the pillars of state which support the upper scene, the ground labelled 'Whig & Tory conservatory'."--British Museum online catalogue
Alternative Title:
Devil turned miner
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., One line of quoted text below title: "A consummation devoutly to be wished.", Upper right corner chewed., and No. 13 in a collection bound in blue wrappers.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Grey, Charles Grey, Earl, 1764-1845, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
The Duke of Wellington flys in a cloudy sky on a large quill pen, holding a pair of reins which are attached to the tip of the pen. From the tip hangs a scroll which reads "Bill for the relief of Roman Catholics." The point of the pen strikes George IV's eye; he stands in profile on the far right and exclaims "Oh, my eye the fellow has blinded me." Wellington looks over his shoulder at a bird with the head of Grey who flies after him from the left, beneath the pen's feather. Grey calls, "I say you Old Soldier you have stole one of my feathers! Hollo'a stop thief."
Alternative Title:
Borrowed plume
Description:
Title etched below image., The artist's signature is an imitation of W. Heath's Paul Pry Esq., but this figure is obese and leans on a cudgel. Cf. British Museum catalogue., and Window mounted to 26 x 35 cm.
Publisher:
Pubd. 1829 by S. Gans, Southampton Street, Strand
Subject (Geographic):
British
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Anti-Catholicism, Military uniforms, and Pens
Title from caption etched below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement follows imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Pineapple -- Decanters -- Candleabra -- Opposition., and Modern ms. annotations on mount identifies most figures in print; mounted to 31 x 45 cm.
Publisher:
Pubd. June 12th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Sheridan, Richard Brinsley, 1751-1816
"The beam of a pair of scales is suspended from a vertical bar terminating in a ring which encircles one of many solid rays from a large sun (l.) surmounted by the Prince of Wales' coronet and feathers. The 'Rising-Sun' (see BMSat 10258) is partly obscured by dark clouds, but its rays extend across the design and illuminate especially Sidmouth and Ellenborough. The former is poised triumphantly on the cross-beam, depressing the r. scale with his foot, while he holds on his shoulders Ellenborough in judge's wig and gown, who manipulates the scale in the same direction. This lower scale contains the 'Broad-Bottomites' ie the Grenvillites, or New Opposition, the other, the 'No-Bottomites', i.e. the Foxites, or Old Opposition. In the latter (l.) the occupants hold the ropes with expressions of anxiety; the inscription suggests that they lack 'bottom' or endurance (a pugilistic phrase). Fox is the most prominent, between Erskine (l.), in Chancellor's wig and gown and with the Purse of the Great Seal, and Grey (r.). Moira, in cocked hat and regimentals, stands stiffly behind. Fox and Grey have bonnets rouges but do not wear them. The other bowl contains Grenville, one hand on his fat nephew Lord Temple; the heavy posteriors for which the family were noted take up much of the bowl. Windham waves his hat triumphantly. Of two other partly obscured occupants one resembles Lord Henry Petty. The scales are suspended above the curve of the globe on which Great Britain and the Continent are indicated. Behind the North Pole (r.) is a setting sun containing a royal crown; its feeble rays are outshone by the heavy beams of the rising sun (or son). Above it, among clouds, flies the ghost of Pitt, weeping."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of text following title: NB. The representation of the astonishing strength & influence of the rays from the rising-sun is taken from Sir Isaac Newtons theory of light., and Mounted to 45 x 32 cm.; figures identified by ms. annotations in modern hand along lower margin of print.
Publisher:
Pubd. Feby. 16th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Pitt, William, 1759-1806
George IV, dressed as a jester, dances at the center of the design with Lady Conyngham, who is dressed similarly. The king wears a fools' cap that has bells at the end and two additional protrusions from the side that resemble horns; he holds a noisemaker in his left hand. Lady Conyngham likewise wears a fools' cap, and she holds a staff in her right hand. On the left are four men labeled "The Friends of his Youth"; Earl Grey is in the foreground, with two men in white robes behind him and a man in a barrister's wig and robe at the back. On the right is a musical ensemble consisting of the King's supporters, labeled "A Band-ditte": a bishop plays the drum, Liverpool the cello, Canning the flute, Sidmouth the violin, and Wellington the cymbals
Alternative Title:
Lady Cun-gh-m's favourite dance and Lady Cunnigham's favourite dance
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 37 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Grey," "Lady Conyngham," "Geo. IV," "Liverpool," "Canning," "Wellington," and "Sidmouth" identified in ink below image.
Publisher:
Published Decr. 27, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Adultery, Mistresses, Dance, Fools' caps, Music ensembles, Musical instruments, Bishops, and Politicians
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue
Description:
Title from text at top of image., Sheet trimmed within plate mark., Watermark: J. Whatman., and Figures within image numbered 1 to 13 in a contemporary hand.
Publisher:
Pubd. April 6th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, St. Vincent, John Jervis, Viscount, 1735-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Pius VII, Pope, 1742-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Fitzpatrick, Richard, 1747-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Lauderdale, James Maitland, Earl of, 1759-1839
Volume 2, after page 340. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"An altered copy of British Museum Satires No. 10389. The two principal figures are substantially the same, but Mrs. Fitzherbert's expression is less subtle; she looks down at her charge with an exulting smile. The feathers in her hair are set in a fillet inscribed 'Ich Dien', her breasts are almost bare, her drapery is more swirling. Her pouch is inscribed 'Amusements for Young Minds', its contents differ, and her book is a 'Missal'. Above them (left) ls inscribed: 'Angels ever bright and fair" Take, Oh Take me to thy Care,"'. The altar is larger and closer to the ascending figures. In place of the Virgin, the Prince of Wales (half length) stands behind it, looking down at the 'Guardian-Angel'. On the altar, which is inscribed 'Sanctum Sanctorum' is an irradiated chalice. The attendant cherubs are (left) Derby, (?) Grey, Grenville; and (right) Norfolk, Burdett, and Windham. Two cherubs have descended from the circle (right) and look fixedly at close range towards the child; they are Fox and Sheridan. The rays are inscribed: 'Bulls', 'Dispensations', 'Indulgences', 'Luxuries', 'Consecrations', 'Cannonizations', 'Remissions', 'Pardons', 'Beatifications', 'Permissions'. Below the ascending pair, in place of the Pavilion, is the roof of Carlton House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Altered copy of a print by Gillray, published 22 April 1805 by H. Humphrey. Cf. No. 10389 in the Catalogue of prints and drawings in the British Museum, v. 8., Text following title: The designer is particularly indebted to Mr. Peters for the hint for this subject., "Folios of caracatures [sic] lent out for the evening"--Beneath imprint., Printseller's stamp in lower right of plate: S.W.F., Four figures identified at bottom of mounting sheet, their names written in ink: Princess Charlotte; Mrs. Fitzherbert; C. Fox; R.B. Sheridan., Window mounted to 51 x 36 cm., and Mounted after page 340 (leaf numbered '163' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. May 10th, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Smith-Stanley, Edward, 1752-1834, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"William IV stands, very erect and stern, in profile to the right, holding at arm's length a birch-rod inscribed 'Reform'. Behind him, as ushers, on the extreme left, Brougham and Grey stand in consultation. The King says to a body of discomfited schoolboys (right): 'Get you gone and never let me see your faces again till you are Reformed'. The boys are (left to right) Wellington, wearing a peaked cap and an old, over-large, military coat, and carrying a bag, walks hand in hand with Peel who wears an ill-fitting policeman's tunic and holds a slate on which is scrawled the figure of a policeman (see British Museum satires no. 15768, &c). Beside and behind them are Sadler and Wetherell. In front of Peel walks Twiss with a book under his arm; next him is the small Sugden wearing a pinafore. Taller than the others are Hunt wearing a hunting-cap and holding ajar of his blacking (see British Museum satires no. 16575) and Sir R. Wilson wearing a smock and a cap and holding a slate inscribed 'Bob Wilson'. Wellington to Peel: 'Oh Bobby--Bobby what shall we do now?' Wetherell, looking back, says (as late M.P. for Boroughbridge, cf. British Museum Satires No. 16602): 'I am afraid I shall never be admitted into the school again'. Hunt: 'Who would have thought I should have been Hunt-ed out already'. Wilson: 'Its a shocking bad Job' [cf. British Museum Satires No. 16646]."--British Museum online catalogue
Alternative Title:
Headmaster turning out the incorrigibles
Description:
Title etched below image., Signed with Henry Heath's monogram in lower right corner., and Month of publication from the British Museum catalogue.
Publisher:
Pubd. 1831 by S. Gans, Southampton Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Grey, Charles Grey, Earl, 1764-1845, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sadler, Michael Thomas, 1780-1835, Wetherell, Charles, Sir, 1770-1846, Twiss, Horace, 1787-1849, Sugden, Edward Burtenshaw, 1781-1875, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Taxation, School principals, School children, and Punishment devices
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue
Alternative Title:
Golgotha, i.e. the place of skulls
Description:
Title etched below image. and 1 print : etching on wove paper, hand-colored ; plate mark 27.0 x 37.3 cm, on sheet 29.7 x 40.1 cm.
Publisher:
Publishd. by H. Humphrey, 27 St. James Street, London
Subject (Name):
University of Oxford., Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Canning, George, 1770-1827, Pius VII, Pope, 1742-1823, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Napoleon I, Emperor of the French, 1769-1821, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Religious processions, Clergy, Devil, and Petitions
