"Caricature of the Holy Alliance (the rulers of Russia, Spain, Austria and Britain) seated round a table plotting to restore Ferdiand of Spain to his throne"--British Museum online catalogue and Satire depicting the The Quintuple Alliance (Tsar Alexander I of Russia, Napoleon Bonaparte, Francis I, Emperor of Austria, Louis Antoine de Bourbon, duc d’Angoulême and the Duke of Wellington) debating the question of the Spanish succession and French intervention in Spain at the 1822 Congress of Verona. Losers in the negotiation are depicted as tiny doll-like figures trampled under the table. Masks are scattered on the floor and animal symbolism includes a bear, a monkey and a pair of bulldogs
Description:
Title from text above image., Print signed within lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Manuscript number "65" in upper right corner of sheet.
Publisher:
Published Feb. 1823 by J. Dickinson, 114 New Bond St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844, Ferdinand VII, King of Spain, 1784-1833., and Congress of Verona
Subject (Topic):
Bulldogs, Monkeys, Bears, Masks, Flags, and Globes
"George III, half length, stands in profile to the left, a holding a tiny Napoleon on the palm of his right hand, and inspecting him through a spy-glass. He says: "My little friend Grildrig, you have made a most admirable \ "panegyric upon Yourself and Country, but from what I can \ "gather from your own relation & the answers I have with \ "much pains wringed & extorted from you, I cannot but con- \ "-clude you to be one of the most pernicious, little - odious \ "-reptiles, that nature ever suffer'd to crawl upon the surface of the Earth." He wears military uniform with a bag-wig. The only background is a dark cloud-like shadow across the lower part of the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Artist identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum catalogue., Text following title: Vide Swift's Gulliver: Voyage to Brobdingnag., Sheet trimmed within plate mark on lower edge., and Watermark: J. Ruse 1802.
Publisher:
Pubd. June 26th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, George III, King of Great Britain, 1738-1820, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Adaptations, parodies, etc, Telescopes, Military uniforms, British, and French
"A sequel to British Museum satire no. 10019. The King and Queen sit on chairs of state intently watching a rectangular tank in which Napoleon as Gulliver sails his little boat, manoeuvring the single sail. Behind the King's chair Lord Salisbury stands stiffly, holding his wand of office; the gold key is attached to his coat-pocket: he has the straight shapeless legs that Gillray always gives him. ... Two princesses sit beside the tank on the Queen's right; like the Queen, each holds up her fan. Two younger princesses stand behind. Two little pages (left) blow violently at the sail to propel the boat, while a third laughs. Two beefeaters (right) grin broadly. All are amused except the King and Queen, who are more serious."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum catalogue., Text following title: Scene "Gulliver manoeuv'ring with his little-boat in the cistern," vide Swifts Gulliver. "I often used to Row for my own diversion, as well as that of the Queen & her Ladies, who thought themselves well entertained with my skill & agility. Sometimes I would put up my Sail and shew my art, by steering starboard & larboard, - However, my attempts produced nothing else besides a loud laughter, which all the respect due to his Majesty from those about him could not make them contain. - This made me reflect, how vain an attempt it is for a man to endeavour to do himself honour among those, who are out of all degree of equality or comparison with him!!! - See, Voyage to Brobdingnag., and Sheet trimmed within plate mark.
Publisher:
Publish'd Feby. 10th, 1804, by H. Humphrey, St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, Mary, Duchess of Gloucester, 1776-1857, Swift, Jonathan, 1667-1745., and Salisbury, James Cecil, Marquess of, 1748-1823
A satire on Napoleon. "The 'dwarf' (Lord Kirkcudbright) stands beside Glumdalclitch's empty chair at the dinner-table. A marrow-bone stands erect on the plate; from this emerges Napoleon, three-quarter length., wearing his bicorne and clenching both fists. The 'dwarf' says: "There you little insignificant Pigmy, I've Bone'd you." Kirkcudbright, in profile to the right., is based on Gillray's caricature, see BMSat 9905, head, figure, dress and sword being closely copied; but he stands chapeau-bras, and the arms and hands are differently posed: r. hand on the edge of the table, left hand held up derisively above Napoleon. The legs are cut off below the knee by the lower margin. On the back of the chair is a crown; on plate, knife, and fork are the Royal Arms."--British Musuen online catalogue
Description:
Title etched below image., Text following title: Vide Swift's Gulliver, Voyage to Brobingnag., and Sheet trimmed with loss of imprint statement. Imprint supplied from impression in the British Museum. See Registration number 1868,0808.7205.
Publisher:
Pubd October 18th 1803 by S.W. Fores 50 Piccadilly
Subject (Name):
Kirkcudbright, John Maclellan, Lord, 1729-1801, Napoleon I, Emperor of the French, 1769-1821, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Caricatures and cartoons and Adaptations, parodies, etc
"Three allied generals (left) hold the long handle of a shovel (peel) on which is a dish containing a tiny Napoleon. This they try to push into a baker's oven, but are hindered by the Austrian emperor, who holds the door of the oven, feigning to be trying to open it, but actually holding it at an angle which prevents the entry of the dish. The leading baker is Blücher, wearing an apron over his uniform, and without a hat; he looks sternly at Francis, saying, "Pull away Frank! you Keep us waiting!" General Mikhail Woronzoff, young and handsome, immediately behind Blücher, pushes hard, saying, "In with it Blücher." On the extreme left is Bernadotte, one hand on Woronzoff's shoulder, saying, "I tell you what, Woronzow, the Hinges want a little Russia Oil." Francis I, who like the others wears uniform with jack-boots, but has (baker's) over-sleeves to the elbow, says with an expression of startled alarm: "This door Sticks! I dont think I shall get it open?!" A weathercock surmounts his cocked hat. Wellington comes up (right), poking him in the back with his baker's tray on which are two pies. He says: "Shove alltogather [sic] Gentlemen! D-me shove door & all in!" His two pies are 'Soult Pie', with two spurred jack-booted legs projecting through the crust, and a pie with spires and other buildings, with a flag inscribed 'Bourdeaux'. He wears an apron and the order of the Golden Fleece as well as the star of the Garter. A fat, grotesque Dutchman sits on a flat cushion gazing up at the oven; he holds, but does not use, a pair of bellows. In his conical hat is a tobacco-pipe. The fire under the oven is filled with broken eagles and fragments of weapons. Among the debris in the recess for ashes is a crown. Above the oven is the inscription 'Allied Oven' surmounted by a crown and cross-bones. In the shadow formed by the half-open door, a skull (Death) waits to receive Napoleon, who lies on his back, kicking violently, and shouting "Murder! Murder!!"; he wears a large plumed bicorne. The stone wall in which the oven is built forms the background."--British Museum online catalogue
Alternative Title:
Corsican toad in the hole
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and Watermark: J. Whatman 1808.
Publisher:
Pubd. April 1st, 1814, by H. Humphrey, St. James St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, Charles XIV John, King of Sweden and Norway, 1763-1844, Blücher, Gebhard Leberecht von, 1742-1819, Francis I, Emperor of Austria, 1768-1835, Soult, Nicolas-Jean de Dieu, 1769-1851, and Voront︠s︡ov, Mikhail Semenovich, kni︠a︡zʹ, 1782-1856
Subject (Topic):
Napoleonic Wars, 1800-1815, Emperors, Ethnic stereotypes, Generals, Kings, Military uniforms, Ovens, and War allies
"A winding river flows (left to right) towards a hill in the background surmounted by a temple of Fame. In the foreground (left) is a 'Dunghill of Republican Horse Turds'; in the stream float turds from the dunghill, while farther up are golden apples, crowned and inscribed. The foremost is 'English-Pippin', close behind are 'Imperial-Pippin' and 'Russian-Pippin'; they are followed by a (turbaned) 'Turkish-Pippin' and a small 'Neapolitan' [Pippin]. From a mass of floating dung emerges the profile head of Bonaparte, wearing a feathered cocked hat inscribed 'First Horse Turd'; this is the central and dominating object in the river; from his mouth issues a large label: 'A ha! par ma foi - how We Apples Swim!' Lumps of dung close behind him are inscribed 'Second Horse Turd' [Cambacérès], 'Third Horse Turd' [Lebrun], and 'Seyes' [sic]. They are followed by 'Massena', 'Jourdan', 'Talleyrand'. Bonaparte swims between 'Spanish-Pippin' and 'Prussian-Pippin', both in proximity to dung. Behind him float 'Papal P[ippin]', a triple crown, and 'Sardinian [Pippin]', both half submerged. Under water are submerged (or dead) turds: 'Robespierre', 'Marat', 'Condorcet', 'Roland'. A spreading column of thick smoke arises from the dunghill, which is composed of inscribed fragments, from which in the left foreground tiny heads emerge, the dominant one being Fox, who says: "Caira! Caira! - chacun à son tour! We shall all Swim in our turns"; next him is 'Envy'. Tierney, the second head, says: "Yes! Yes! - none of Us was born to be Drowned". The others are Sheridan, Nicholls, Erskine, and (slightly smaller) Burdett, Derby, Taylor. Those indicated by names only are: 'Voltaire', 'Rosseau' [sic], 'd'Alembert', 'Godwin', 'Price', 'Priestley', 'Holcroft', '(?) Darwin', close to (scarcely legible) 'Mo[rning] Po[st]', 'Morn. Chronicle', 'Courier [see BMSat 9194]. Larger turds are: 'Atheism', 'Falshood', 'Regicide', 'Egalité', 'Disappointment', 'Beggary', 'Poverty', 'Plunder', 'Paines Rights of Man' [see BMSat 7867, &c], 'Republican Faith', 'Theophilanthropy' [see BMSat 9240], 'Deceit [twice]', 'Lies', 'Licentiousness', 'Hypocrisy'."--British Museum online catalogue
Alternative Title:
Buonaparte among the golden pippins
Description:
Title etched below image., Two lines of text below title: Explanation. Some horse turds being washed by the current from a neighbouring dunghill, espied a number of fair apples swimming up the stream ..., Sheet trimmed within plate mark., and Temporary local subject terms: Reference to Second Coalition, 1798-1801-- Opposition: members of the Opposition -- Allusion to Voltaire -- Allusion to Rousseau -- Allusion to Paine's The Rights of Man -- Allusion to Robespierre -- Allusion to Marat -- Emblems: pippins.
Publisher:
Pubd. Feby. 24th, 1800, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Taylor, Michael Angelo, 1757-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
"A very fat and jovial volunteer, dressed as a light horseman, holds ln his left hand a pole on which is the head of Napoleon in profile to the right. and wearing a huge cocked hat decorated with plumes, tricolour cockade, gold lace, and tassels. The hand that holds the pole holds also, by the hair, a bunch of bleeding heads which form a grisly garland round it. In his right hand is his sabre. He is surrounded by women; two embrace him, others hasten up; he swaggers with raised left leg, saying, "There you rouges, there! there's the Boney Part - twenty more killed them!! twenty more killed them too!! I have destroyed half the Army with this same Toledo." The women say, respectively: "Bless the Warrior that saved our Virgin charms"; "take care I'll smother him with Kisses"; "Oh! what frightful Heads how ravishing they look, - they would have used us ill I am sure"; "ha ha, thats, that great man little Boney, how glum he looks." An elderly spinster exclaims: "ah bless him he has saved us from Death and Vileation." A handsome woman turns to a tall young man in civilian dress on the extreme left, saying, "There you Poltroon look how that noble Hero's Caressed!" He turns away, saying, "Ods Niggins I wish I had been a Soldier too then the Girls would have run after me - but I never could bear the smell of Gun powder"."--British Museum online catalogue
Alternative Title:
Hero's reward
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Preceding imprint are the words "Pubd. July", which have been mostly obscured with shading., Publisher's advertisement following imprint: Folios of caracatures lent out for the evening., Sheet trimmed within plate mark on top edge., Text following title: None but the brave dsere [sic] the fair., Text within bottom part of image, above imprint: The Yeomanry Cavalry's first essay., and Watermark: Slade 1802.
Publisher:
Pubd. August 1st, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Soldiers, British, Obesity, Daggers & swords, Heads (Anatomy), Decapitations, and Women
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The infant King of Rome sits on the lap of his Governess to receive the compliments of a long procession of deputies. She offers the child's bare posterior, from which issues an explosion, to the lips of the foremost deputy who kneels obsequiously on a cushion. The child has his father's face, as in British Museum Satires No. 11719, &c., and wears a cocked hat and military tunic; he flourishes a rattle, ignoring the homage. The deputies all wear long robes over court dress with sword and are burlesqued; the second holds his nose, many take snuff. The long procession recedes in perspective (right). The Governess is also grotesque and elderly, wearing old-fashioned dress and an elaborate frilled cap. She sits on the little King's throne which is on a dais. It is topped by the iron crown of Italy with a sceptre and baton; on the back is an imperial eagle above a wreath enclosing the letters 'R R' [Rex Romae]. The leading deputy: "Madam Governess. not one of us can behold without a most lively interest, that August Infant--on whom rest so many Destinies, and whose Age and Charming--Qualiteys, inspires the Most tender Sentiments in the French and Surrounding Nations." She answers with a staring grin: "Monsieurs, --I thank you for the polite and flattering encomiums, You are pleased to bestow on me--I thank you in the Name of the Young Prince, Whoes Charms are Inexpressible. and regret that he can not add his personal sentiments to those which I entertain, to the--Legislative Body." Napoleon (left) watches the homage from behind a curtain which divides the child's throne from women who are washing the infant's napkins; he holds up a forefinger and stares intently. A disreputable old woman washing a tub-full of 'Shi--en Clouts' also watches; her tub rests on a low stool under which a dog urinates, and on which are bottle, glass, and snuff-box. Another, behind Napoleon, hangs 'Royal Clouts' on a line in front of a steaming copper. She says, "The Stench from the Young Urchin is intolerable--he smells like a pole Cat." A basket of 'Foul Linen' is on the ground."--British Museum online catalogue
Alternative Title:
Debuteys apointed by the legislative body doing homage to the King of Rome in the nursery at St. Cloud and Deputies appointed by the legislative body doing homage to the King of Rome in the nursery at St. Cloud
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "81" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Watermark: 1817., and Leaf 27 in volume 2.
Publisher:
Published August 20th, 1811, by Thoms. Tegg, No. 111 Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Boney beat out of the Pitt
Description:
Title etched below image., Printmaker from unverified data in local card catalog record., "Price one shilling coloured.", Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female costume: 1810 -- Chairs: hammocks -- Dogs.
Publisher:
Pubd. April 27th, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Pitt, William, 1759-1806
