Subject (Name): Pius VII, Pope, 1742-1823 - Yale University Library Search Results

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1. "What ever is, is right. Pope! A weighty argument in favour of the Catholic Emancipation / [graphic]

Creator:: Cruikshank, Robert, 1789-1856, printmaker
Published / Created:: [April 1821]
Call Number:: 821.04.00.03+
Image Count:: 1
Resource Type:: still image
Abstract:: "A scene in the House of Commons, showing the Ministerial benches, with the Speaker's Chair and the Table partly cut off by the right margin. The Speaker (Manners Sutton) and one of the Clerks are just within the design. Castlereagh is speaking; he stands in profile to the right, hat in hand, with the Pope on his shoulders. The Pope holds crosier and keys, and wears an odd tiara. A demon crouches on his shoulders dressed as an acolyte, but displaying a cloven hoof; a mask with bland features (a device deriving from Gillray, cf. British Museum Satires No. 11384) is tied in front of his black horned head; he holds up a lighted candle, and clutches the Pope's hair. Castlereagh, with a blandly disingenuous smile: "I have the authority of the Head of the Catholic Church, for saying that there is no solidity in the objection taken on the other side: thus I am legislating with the Pope at my back!!!" The benches behind Castlereagh are crowded; the members listening intently; all wear hats, except Peel who sits immediately behind Castlereagh's empty seat, on the corner of which he has put a hat, inscribed 'Peel'. He looks up to say: "I hope that when the noble Lord observed that [he was legislating with the Pope at his back] he had no allusion to me, even if the noble Lord were willing to put the Popedom in Commission, I should not be willing to accept the office of one of the Commissioners." Men look down from the gallery. On the floor is a paper: 'St Steevens March 28 1821'."--British Museum online catalogue
Alternative Title:: Whatever is, is right. Pope! and Weighty argument in favour of the Catholic Emancipation
Description:: Title etched below image. and Watermark: J. Whatman 1820.
Publisher:: Pubd. April 1821 by G. Humphrey, 27 St. Jamess Street, London
Subject (Geographic):: Great Britain.
Subject (Name):: Castlereagh, Robert Stewart, Viscount, 1769-1822, Canterbury, Charles Manners-Sutton, Viscount, 1780-1845, Pius VII, Pope, 1742-1823, Peel, Robert, 1788-1850, and Great Britain. Parliament. House of Commons,
Subject (Topic):: Catholic emancipation, Legislative bodies, Politicians, Public speaking, Popes, Crosiers, Keys (Hardware), Demons, Masks, and Candles
Found in:: Lewis Walpole Library > "What ever is, is right. Pope! A weighty argument in favour of the Catholic Emancipation / [graphic]

2. Boney's trial, sentence, and dying speech, or, Europe's injuries revenged [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [28 July 1815]
Call Number:: 815.07.28.02+
Image Count:: 1
Resource Type:: still image
Abstract:: "Scene in an English court of law. The judge, Blücher, wearing a legal wig with regimentals, stands up with left arm extended, addressing Napoleon, who crouches in the dock (right), handkerchief in hand, pleading for mercy. Beside the judge are the sovereigns of Europe, two on his right, three on his left, all gazing at the prisoner. In the well of the court aged and grotesque counsel, typical of Rowlandson's lawyers, surround the green-covered table. The jury (left) have stupid, morose, or astonished expressions. The usher, with a long rod, seated on a raised chair, faces the jury on the opposite side of the court. Corpulent constables with staves stand beside and in front of the dock. Freely sketched spectators look down from a crowded gallery above the dock. Almost all eyes are on the prisoner, behind whom stand the Devil, with folded arms, fiercely gloating over his victim. Behind the usher is a high white screen on which Napoleon's offences are inscribed: 'NAPOLEAN BONAPARTE The first and last by the Wrath of Heaven Ex Emperor of the Jacobins & head Runner of Runaways [see British Museum Satires No. 12192], Stands indicted 1ts [sic] for the Murder of Captain Wright in the Temple at Paris 2d for the murder of the Duke Dangulem [d'Enghien] Pichegrew & Georges 3 for the Murder of Palm Hoffer &c & 4th for the murder of the 12 inhabitants of Moscow 5th for inumerable Robberies committed on all Nations in Christendom & elsewhere, 6th for Bigamy & lastly for returning from Transportation, and setting the World in an uproar.' Blücher says fiercely: "You Nap Boneparte being found Guilty of all these Crimes it is fell to my lot to pronounce Sentence of Death on You--You are to be hung by the Neck for one hour till you are Dead, Dead, Dead, & your Body to be chained to a Mill Stone & sunk in the Sea at Torbay." Napoleon says: "Oh cruel Blucher, Oh! cruel Wellington it is you that have brought me to this End. Oh Magnanimous Emperors Kings & Princes intercede for me and spare my life; and give me time to attone for all my Sins, My Son Napoleon the Second will reward you for Mercy shewn me." The sovereigns are poorly characterized. On the extreme left is Alexander, next him and on Blücher's right is the Prince Regent. On Blücher's left is Louis XVIII. Next (?) the King of Prussia, then the Emperor of Austria; next, the Pope with clasped hands, wearing his tiara. On the extreme right is (?) Ferdinand of Spain looking through an eye-glass."--British Museum online catalogue
Alternative Title:: Europe's injuries revenged
Description:: Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Courtrooms -- Judges -- Military uniform: Regimentals --Lawyers -- Ushers -- Constables -- Constables' staves -- Devils -- Satan -- Popes -- Trials., and Manuscript "187" in upper center of plate.
Publisher:: Pubd. July 28th, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):: Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, George IV, King of Great Britain, 1762-1830, Alexander I, Emperor of Russia, 1777-1825, Louis XVIII, King of France, 1755-1824, Frederick William III, King of Prussia, 1770-1840, Ferdinand I, Emperor of Austria, 1793-1875, Ferdinand VII, King of Spain, 1784-1833, and Pius VII, Pope, 1742-1823
Found in:: Lewis Walpole Library > Boney's trial, sentence, and dying speech, or, Europe's injuries revenged [graphic].

3. Boney's trial, sentence, and dying speech, or, Europe's injuries revenged [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [28 July 1815]
Call Number:: Auchincloss Rowlandson v. 13
Image Count:: 1
Resource Type:: still image
Abstract:: "Scene in an English court of law. The judge, Blücher, wearing a legal wig with regimentals, stands up with left arm extended, addressing Napoleon, who crouches in the dock (right), handkerchief in hand, pleading for mercy. Beside the judge are the sovereigns of Europe, two on his right, three on his left, all gazing at the prisoner. In the well of the court aged and grotesque counsel, typical of Rowlandson's lawyers, surround the green-covered table. The jury (left) have stupid, morose, or astonished expressions. The usher, with a long rod, seated on a raised chair, faces the jury on the opposite side of the court. Corpulent constables with staves stand beside and in front of the dock. Freely sketched spectators look down from a crowded gallery above the dock. Almost all eyes are on the prisoner, behind whom stand the Devil, with folded arms, fiercely gloating over his victim. Behind the usher is a high white screen on which Napoleon's offences are inscribed: 'NAPOLEAN BONAPARTE The first and last by the Wrath of Heaven Ex Emperor of the Jacobins & head Runner of Runaways [see British Museum Satires No. 12192], Stands indicted 1ts [sic] for the Murder of Captain Wright in the Temple at Paris 2d for the murder of the Duke Dangulem [d'Enghien] Pichegrew & Georges 3 for the Murder of Palm Hoffer &c & 4th for the murder of the 12 inhabitants of Moscow 5th for inumerable Robberies committed on all Nations in Christendom & elsewhere, 6th for Bigamy & lastly for returning from Transportation, and setting the World in an uproar.' Blücher says fiercely: "You Nap Boneparte being found Guilty of all these Crimes it is fell to my lot to pronounce Sentence of Death on You--You are to be hung by the Neck for one hour till you are Dead, Dead, Dead, & your Body to be chained to a Mill Stone & sunk in the Sea at Torbay." Napoleon says: "Oh cruel Blucher, Oh! cruel Wellington it is you that have brought me to this End. Oh Magnanimous Emperors Kings & Princes intercede for me and spare my life; and give me time to attone for all my Sins, My Son Napoleon the Second will reward you for Mercy shewn me." The sovereigns are poorly characterized. On the extreme left is Alexander, next him and on Blücher's right is the Prince Regent. On Blücher's left is Louis XVIII. Next (?) the King of Prussia, then the Emperor of Austria; next, the Pope with clasped hands, wearing his tiara. On the extreme right is (?) Ferdinand of Spain looking through an eye-glass."--British Museum online catalogue
Alternative Title:: Europe's injuries revenged
Description:: Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Courtrooms -- Judges -- Military uniform: Regimentals --Lawyers -- Ushers -- Constables -- Constables' staves -- Devils -- Satan -- Popes -- Trials., 1 print : etching on wove paper, hand-colored ; sheet 24.3 x 34.7 cm., Sheet trimmed within plate mark., and Mounted on leaf 54 of volume 13 of 14 volumes.
Publisher:: Pubd. July 28th, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):: Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, George IV, King of Great Britain, 1762-1830, Alexander I, Emperor of Russia, 1777-1825, Louis XVIII, King of France, 1755-1824, Frederick William III, King of Prussia, 1770-1840, Ferdinand I, Emperor of Austria, 1793-1875, Ferdinand VII, King of Spain, 1784-1833, and Pius VII, Pope, 1742-1823
Found in:: Beinecke Rare Book and Manuscript Library > Boney's trial, sentence, and dying speech, or, Europe's injuries revenged [graphic].

4. Explanation of the arms of Napoleon Bonaparte ... [graphic].

Creator:: Cruikshank, George, 1792-1878, printmaker
Published / Created:: [approximately April 1814]
Call Number:: Auchincloss Rowlandson v. 13
Image Count:: 1
Resource Type:: still image
Abstract:: "An altered version (like British Museum Satires No. 12205) of British Museum Satires No. 11057, from the original plate. ... The shield, sinister supporter, crest and motto are the same, but the dexter supporter is altered, apparently by Rowlandson, from 'The French Devil' (Talleyrand, now a supporter of Louis XVIII) to Death, a skeleton holding up an hour-glass. This has necessitated the re-drawing of the Gallic cock at his feet, but it pecks at a crucifix as before. The (printed) text is as before (allusions to Jaffa, d'Enghien, &c.) except for the addition to the title and the descriptions of the supporters: '. . . The Gallic Cock, vainly pecking the crucifix, is symbolic of the Corsican's impiety.' The description of 'The Corsican Devil' is altered to 'Satan, wearing an Iron Crown,... cutting down the Cap of Liberty, and accompanied by the Serpent and Hyaena, the attributes of the Corsican Emperor's wily and sanguinary reign'. The inscriptions (now obsolete) hanging from the mouth of the hyena are altered to: 'Cambaceres', 'Davoust', 'Augereau', 'Sebastiani', 'Vandamme', 'Savory'."--British Museum online catalogue
Description:: Title from letterpress text below image., Six lines of letterpress text, followed by four additional columns of text, below title: ... the tyrant of France, who created himself Emperor of the French 18th May 1803 ..., Attributed to George Cruikshank in the British Museum online catalogue, registration no.: 1978,U.827., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with substantial loss of letterpress text, including publisher's and printer's statements, from bottom edge. Missing text supplied from impression in the British Museum., Watermark: J. Whatman., and Mounted on leaf 11 of volume 13 of 14 volumes.
Publisher:: Published by R. Ackermann at his Repository of Arts, 101 Strand, London and Harrison & Leigh, Printers, 373 Strand
Subject (Name):: Napoleon I, Emperor of the French, 1769-1821, Enghien, Louis-Antoine-Henri de Bourbon, duc d', 1772-1804, Pius VII, Pope, 1742-1823, Wright, John Wesley, 1769-1805, and Ferdinand VII, King of Spain, 1784-1833
Found in:: Beinecke Rare Book and Manuscript Library > Explanation of the arms of Napoleon Bonaparte ... [graphic].

5. Iohn Bull flourishing in a dignified attitude of strict neutrality!!!! [graphic]

Creator:: Cruikshank, Robert, 1789-1856, printmaker
Published / Created:: [May 1823]
Call Number:: 823.05.00.01+
Image Count:: 1
Resource Type:: still image
Abstract:: "John Bull sits in a double pair of stocks, his ankles heavily shackled. His wrists are linked by a huge padlock inscribed Million £800 000 000 [National Debt]. He sits on bales of Taxes; to his back is tied a huge bundle of Last Wars Taxes. His clothes are tattered; three pockets hang inside out, inscribed To Let. At his side (left), and in profile to the right, kneels a noble Spaniard, in very theatrical dress, with trunk hose, cloak, and ruff. He has a spear from which hangs a pennant inscribed Libertas. He puts his hands together in a gesture of prayer: I come once again, and on my kneens [sic] to implore your Aid, we are indeed grateful for former Services, and beleive that you fought purely for Spain and not for yourselves--Save us from our pretended Friends they are worse then Enemies--Save us, and the World, from the destruction of Liberty--. John bites his thumbs despairingly; he answers: I pity you, but I can only give you advice, when you came to me before, I was a Strong Man, and free, but I am now exhausted in saving you, and destroying your great Enemy--See how I am fetter'd--! My Creditors enchain me--! look at my Debt and pity me!-- At his feet a heavy pair of leg-irons lies across many papers inscribed Debt and Taxes. He sits under an oak-tree; from a partly-withered bough hang his cartouche-box and bayonet-belt. In the middle distance (right) Louis XVIII sits astride a cannon (cf. British Museum Satires No. 12797), on a gun-carriage drawn rapidly up a slope by the Tsar and the Emperor of Austria. Both wear uniform and crowns, that of the latter topped by a fool's cap. Both cry: War! War!! War! and blood!! Alexander holds a sword in one hand, a bayoneted musket in the other; Francis holds a sword and a pistol, against his shoulder is the shaft of a flag inscribed Holy Alliance. Louis XVIII leans back, flannelled legs extended, two pistols in his belt, a sword in one hand, a musket in the other. Before him on the cannon is a bowl of soup, &c. The Pope walks at his right, holding a string attached to his nose. The King: By the Powers I shall fall, and lose my Balance Stop!! Stop! I say don't pull so hard you'll rupture [your scored through] Eu rope, this is not suited to my Taste [scored through] Gout I am already crippled and cannot bear it Stop!!!-- The Pope, who wears his tiara and holds his crosier against his shoulder, answers: Fear not, I'll let you into Heaven, through the back door my dear Son. Keys hang from his neck. Behind the cannon runs the Devil pushing at the King's posterior with a trident; he says: They cannot go on without me so I bring up the rear!! Beside the cannon run tiny frogs in uniform with muskets, &c. A slightly bigger one holding a sword may represent Angoulême. Cannon fire at them from a fort on a hill."--British Museum online catalogue, description of an earlier state
Alternative Title:: John Bull flourishing in a dignified attitude of strict neutrality
Description:: Title etched below image., Later state, with initials "A.J." added in lower right and the words "with Spain" added to speech bubble immediately to the right of the stocks in center of image. For an earlier state lacking these additions, see no. 14520 in the Catalogue of prints and drawings in the British Museum, v. 10., and Sheet trimmed within plate mark.
Publisher:: Pubd. May 1823 by G. Humphrey, 24 St. James's Street & 74 New Bond Street
Subject (Name):: Louis XVIII, King of France, 1755-1824, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, and Pius VII, Pope, 1742-1823
Subject (Topic):: John Bull (Symbolic character), Public debt, Taxes, Trees, Rocks, Stocks (Punishment), Forts & fortifications, Cannons, Devil, and Frogs
Found in:: Lewis Walpole Library > Iohn Bull flourishing in a dignified attitude of strict neutrality!!!! [graphic]

6. John Bulls turnpike gate [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, printmaker, publisher
Published / Created:: [15 May 1805]
Call Number:: Auchincloss Rowlandson v. 8
Image Count:: 1
Resource Type:: still image
Abstract:: "The Pope (left), on a small ass decked with trappings, faces John Bull, who stands as toll-keeper before a closed five-barred gate. From the other side of the gate a path leads to a country church on a hill, irradiated, and framed by the semicircular inscription: 'King - Church and Constitution'. The Pope, except that he wears a Papal crown instead of a mitre, resembles St. Patrick in caricature (where he often rides an ass). He is aquiline and bearded, holds a crosier, and wears a cope. His ass has blinkers, on which a satyr's mask is freely drawn. He leans towards John, saying, "Mr Bull, I have been to Paris - and seen all the fine sights there - I now want to have a peep at that little Church on the Hill - therefore let me pass the turnpike." John (right), a fat yokel, looks up at the Pope with a suspicious scowl, pointing over his shoulder at a large open book, 'Test Oath', which is on a book-rest attached to the gate-post. He says: "If you want to go through - pay the Toll, what the devil do you think I keep a turnpike gate for?" Behind the Pope stand four dissenting ministers anxiously watching the interview. Three say sanctimoniously : "Though I boast not gaudy trappings, - nor am I mounted on Ass back, - yet if he goeth through verily I should like to go through also!"; "Verily so should I."; "We should all like to go through".."--British Museum online catalogue
Description:: Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., The Pope and John Bull written with black ink in contemporary hand., and Mounted on leaf 25 of volume 8 of 14 volumes.
Publisher:: Pubd. May 15, 1805, by T. Rowlandson, No. 1 James Street, Adelphi
Subject (Name):: George III, King of Great Britain, 1738-1820. and Pius VII, Pope, 1742-1823
Subject (Topic):: Dissenters, Quakers, John Bull (Symbolic character), Donkeys, Toll roads, and Tolls
Found in:: Beinecke Rare Book and Manuscript Library > John Bulls turnpike gate [graphic].

7. Scene in a new pantomime to be performed at the Theatre Royal Paris [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [12 April 1815]
Call Number:: Auchincloss Rowlandson v. 13
Image Count:: 1
Resource Type:: still image
Abstract:: "The scene is the throne-room in the Tuileries, indicated by a part of the throne on its dais on the extreme right, on which are the (discarded) throne and sceptre, and by a large whole length portrait of Louis XVIII, scowling and caricatured, inscribed 'Louis le Bien Aimé'. Napoleon as Harlequin (as in British Museum Satires Nos. 10060, 12515), in parti-coloured tights, a dagger in each hand, leaps through an opening cut in the canvas, hounded by the monarchs of Europe. The portrait (right) shows the fat king holding orb and sceptre, with eyes closed or downcast. The canvas from waist to knees of the portrait is cut neatly away, leaving the King's gouty feet resting squarely on a footstool. Just behind Harlequin is the fat King of Würtemberg on his knees (and paunch) firing a pair of pistols at the fugitive. Across his posterior is the word 'Clown'. Beside him Ferdinand of Spain falls backwards, overbalanced by an attempt to kick ; his crown falls off and he flourishes a sword. He is identified by his slashed doublet, cloak, and flapped boots. Behind (left) a fat powerful Cossack, representing Russia, prods Napoleon with his long spear. He wears a fur cap, trousers tucked into his boots, and has a pair of pistols in his belt. Farther back is the Emperor of Austria wearing a wallet inscribed 'Pantaloon'. He is bearded, slippered, spectacled, and lean, wearing a crown and a dressing-gown. He shuffles forward with clenched fists, holding a dagger. On the extreme left is the Pope, wearing a mitre and holding a headsman's axe against his shoulder. Other figures are nearer the wall which forms a background. Foremost of these is the King of Prussia, close behind Napoleon and firing a blunderbuss. Next is the grotesque Dutchman who stands for the new King of Holland, smoking a pipe, and firing a musket with a fiercely intent expression. Three unidentified crowned heads, and a sharp profile ( ? Bernadotte) with bayonets and spear, and an arm holding up a spiked club make up the crowd of attackers. One of the monarchs takes down from the wall (or hangs up) a three-quarter length portrait of 'Columbine', a young woman with a feathered hat and plump arms held akimbo. She is either Marie Louise (as in British Museum Satires No. 12515), or, according to Broadley, the Duchesse d'Angoulême, an identification supported by the position of her portrait in the same room as that of Louis XVIII."--British Museum online catalogue
Description:: Title etched below image., Printmaker from British Museum catalogue., Two lines of text below title: With entire new music, dances, dresses, scenery, machinery &c &c. The principle [sic] characters to be supported by most of the great potentates in Europe, Harlequin by Mr. Napoleon, Clown by King Wirtemberg, Pantaloon Emperor of Austria. To conclude with a comic song to be sung by the Pope and a grand chorus by the crown'd heads. Vivant Rex et Regina., Sheet trimmed within plate mark., and Mounted on leaf 43 of volume 13 of 14 volumes.
Publisher:: Pubd. April 12th, 1815, by R. Ackermann, N. 101 Strand
Subject (Name):: Louis XVIII, King of France, 1755-1824, Napoleon I, Emperor of the French, 1769-1821, Frederick I, King of Württemberg, 1754-1816, Ferdinand VII, King of Spain, 1784-1833, Pius VII, Pope, 1742-1823, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Charles XIV John, King of Sweden and Norway, 1763-1844, and Angoulême, Marie-Thérèse Charlotte, duchesse d', 1778-1851
Found in:: Beinecke Rare Book and Manuscript Library > Scene in a new pantomime to be performed at the Theatre Royal Paris [graphic].

8. The Spanish-bull-fight, or, The Corsican-matador in danger [graphic]

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [11 July 1808]
Call Number:: Auchincloss Gillray v. 6
Image Count:: 1
Resource Type:: still image
Abstract:: "The sovereigns of Europe, &c, watch from their seats in a bull-ring the Spanish bull tossing Napoleon above its head. The point of his sword projects from the ferocious animal's shoulder; he holds his broken sword, dripping blood, and has a badly gashed thigh. His cocked hat and a paper, 'Plan pour Assujettir le Monde' [cf. BMSat 10599, &c.], fall to the ground. A broken collar inscribed 'Corsican Chain' is round the bull's neck, a few links of a heavy chain still attached to it. The bull tramples on and befouls Joseph Bonaparte, who lies on his back, moribund or dead, in his rightoyal robes, the crown falling from his head; under his hand is a torn paper: 'Coronation de Joseph Boanaparte Rex Espagnol-Gibraltar-&c. Nap'. Three bulls, previously disposed of by the Corsican Matador, and horribly gashed, lie on the ground (r.), bellowing. A butcher's ticket is affixed to each: 'Prussian Bull Beef', 'Dutch Bull Beef', 'Danish Bull Beef'. They are [marginal note] "Wounded Bulls bellowing for help-." The barrier, an arc of which frames the arena, is inscribed 'Theatre Royale de I'Europe'. Behind it, and along the upper margin of the design, sit the sovereigns. On the extreme left. is George III, in military uniform, holding a trident (emblem of sea-power), and peering down impassively through his glass; the back of his (coronation) chair is partly visible. Next him is (?) the Emperor of Austria, gripping the edge of the barrier with a gauntleted hand and with the hilt of his sword projecting from his right. hand. Next John, the Regent of Portugal holds up his hat in exultation; he clutches a bottle of 'Vin de Brazil' [see BMSat 10960, &c.]. Next him, the Tsar, his head encircled by the words 'Alexr the Great', bites the corner of a feathered tricorne in his agitation. The King of Prussia grasps a feathered cocked hat, and puts his hand to his mouth. The bellicose King of Sweden wears a fur-trimmed tunic and a fur cap, with a star, inscribed 'Polar Star' [the Swedish order]. Two pistols are thrust through his belt. Next is the Pope, wearing his tiara, and holding up his cross; before him is a paper: 'The Bull for Excommunicating the Corsican Usurper'. He is supported from behind by the Sultan wearing a jewelled turban; behind the latter is the Dey of 'Algiers' [the word etched across his turban]."--British Museum online catalogue
Alternative Title:: Corsican-matador in danger
Description:: Title etched below image., Text above image: "The Spanish Bull is so remarkable for spirit that unless the matador strikes him dead at the first blow, the bull is sure to destroy him." Vide Barretti's Travels., Watermark: J. Whatman., and Mounted on leaf 56 of volume 6 of 12.
Publisher:: Publish'd July 11th, 1808, by H. Humphrey, St. James's Street
Subject (Name):: Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, George III, King of Great Britain, 1738-1820, Francis I, Emperor of Austria, 1768-1835, John VI, King of Portugal, 1767-1826, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Gustav IV Adolf, King of Sweden, 1778-1837, Pius VII, Pope, 1742-1823, and Mustafa IV, Sultan of the Turks, 1779-1808
Found in:: Beinecke Rare Book and Manuscript Library > The Spanish-bull-fight, or, The Corsican-matador in danger [graphic]

9. The funeral-procession of Broad-bottom [graphic]

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [6 April 1807]
Call Number:: Drawer 807.04.06.06
Image Count:: 1
Resource Type:: still image
Abstract:: "The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue
Description:: Title from text at top of image., Sheet trimmed within plate mark., Watermark: J. Whatman., and Figures within image numbered 1 to 13 in a contemporary hand.
Publisher:: Pubd. April 6th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):: Sidmouth, Henry Addington, Viscount, 1757-1844, St. Vincent, John Jervis, Viscount, 1735-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Pius VII, Pope, 1742-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Fitzpatrick, Richard, 1747-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Lauderdale, James Maitland, Earl of, 1759-1839
Found in:: Lewis Walpole Library > The funeral-procession of Broad-bottom [graphic]