"Fox as Falstaff, enormously fat, with a pleased smile, stands declaiming: "The Laws of England are at my commandment. Happy are they which have been my friends; & woe to my Lord Chanr." On the right stands Hanger as Pistol, in a swaggering attitude, legs astride, left hand on his bludgeon (cf. British Museum Satires No. 6924), right on his hip. He is in Elizabethan dress, but wears an enormous cocked hat and a large sabre. He says: "Sir John, thy under lambkin now is King Harry the fifth's the man. I speak the truth. When Pistol lies, do thus; and fig me, like the bragging Spaniard." On the left, clasping his hands ecstatically, stands Sheridan as Bardolph, his face bloated with drink. He says, "O joyful day! - I would not take a Knighthood for my fortune." Between and behind Sheridan and Fox stands 'Shallow' (Duke of Norfolk), rather disconsolate, saying, "Sir John, I hope you'll pay me back my Thousand Pounds." In the background is the colonnade of Carlton House, and (left) the back of Fox's travelling-carriage, inscribed, 'From Bologna'. ..."--British Museum online catalogue
Alternative Title:
King Henry IV, the last scene and King Henry the Fourth, the last scene
Description:
Title etched below image, on either side of centered text., Printmaker from British Museum catalogue., Four lines of text centered below image: "To ride day & night; not to deliberate, not to remember, not to have patience to shift me, but to stand stained with travel & sweating with desire to see him ...", Below image in lower right: Shortly will be published a series of plate [sic] from K. Henry IV., Temporary local subject terms: Reference to Horace Walpole, 1717-1797 -- Regency crisis -- Shakespeare's Henry IV: II.V.V -- Buildings: Carlton House -- Vehicles: Travelling carriage., Beneath the design, written in ink: Fox-return'd hastily from the Continent on hearing of the King's illness-1788., and 1 print on laid paper : etching with stipple : plate mark 26.5 x 43 cm, on sheet 31x 48 cm.
Publisher:
Pub. Novr. 29, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Falstaff, John, Sir (Fictitious character),, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Carlton House (London, England),
"George III, in profile to the right., has risen from the throne to receive the new Ministry whom he inspects through his glass (as in BMSat 10019). The head and halberd of a beefeater appear behind the throne. All bend low; Fox, the foremost, makes the lowest and most obsequious bow. His court suit, with flowered waistcoat, and coat with too much gold lace, is worn with his old buff breeches. Grenville, beside him, makes a gesture of introduction. Crowded behind these two are the others: Windham with his hand on his heart, Sheridan looking eager but apprehensive, Moira and Sidmouth more impassive; Erskine, in Chancellor's wig and gown, smiles with complacent egotism (cf. BMSat 9246, &c); on the extreme right. is (?) Lord Henry Petty. The King says: "Gentlemen I am very happy to see you here, in such Talents my People must have the most Implicit Confidence, & well as myself - Hum, don't like the Mixture. - " The new Ministers say simultaneously (dotted lines rising from each head to the inscription): 'We assure your M-----of our most confirmed Integrity, & are determined to make the - the the most of our places."--British Museum online catalogue
Alternative Title:
Strangers at court and Promising scene
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Descriptive phrase following title: A promising scene., and Mounted to 30 x 39 cm.
Publisher:
Pubd. Feby. 10th, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Sidmouth, Henry Addington, Viscount, 1757-1844, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
View from the Thames of Lacy House, formerly in the County of Middlesex, with boats on the river in the foreground. Built in 1750 for James Lacy, co-owner of the Drury Lane Theatre, the mansion was later home to the playwright Richard Brinsley Sheridan
Description:
Title etched below image., Plate from: Angus, W. The seats of the nobility and gentry in Great Britain and Wales... [London] : Published by W. Angus, Gwynne's Buildings, Islington, Feby 1, 1787[-97]., "Pl. XXXVI"--Upper right corner., Window mounted to 51 x 36 cm; mounted below is the page of descriptive letterpress text that accompanied the print in the volume., and Mounted opposite page 518 (leaf numbered '117' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs Novr. 1st, 1793, by W. Angus, No. 4 Gwynne's Buildings, Islington
Subject (Name):
Lacy, James, 1696-1774 and Sheridan, Richard Brinsley, 1751-1816
"Pitt as, a Roman charioteer, wearing a laurel wreath, is seated in an ornate chariot drawn (left to right) by the British Lion and the White Horse of Hanover (cf. BMSat 8691). He holds the reins, but scarcely controls the galloping pair. One foot rests on a shield bearing a fanged serpent, and wreathed with serpents, inscribed: 'Exit Python Republicanus'. Behind him is a book decorated with a lyre inscribed 'Magna Charta'. Ornate projections from the back of the chariot support the disk of the 'Sun of the Constitution': the Hebrew letters for Jehovah are surrounded by the words COMMONS . KING . LORDS; this is irradiated, the royal arms being etched partly on the sun, partly on its rays, and immediately behind Pitt. Two cherubs fly behind the chariot and on the extreme left; one holds up a 'Bible', the other a family tree of the 'Brunswick Succession': from the base, inscribed 'Ge III', rises 'G IV', from whose circle sprout five stems; beneath is inscribed: 'And future Kings, and Monarchs yet unborn'. A fringed cloth on the back of the horse is covered by the royal arms; one on the lion has Britannia, seated as on coins, but holding up a dagger in one hand, a birch-rod in the other. Both animals dash furiously forward in pursuit of the Opposition. The horse snorts fire; from his forehead thunderbolts dart towards the fugitives. The chariot is on an ascending slope of smooth cloud, lit by the 'Sun of the Constitution' (cf. BMSat 8287, &c.) and strewn with roses which fall from the draperies of Justice, who floats before the chariot, leading it on, her head surrounded by a scroll inscribed 'Honorable Peace, or Everlasting War'. In her left hand she holds up her balanced scales, in her right she grasps a flag-staff on which the British flag floats above a tattered tricolour pennant, inscribed 'Republic'. From under the dark and turbulent edges of the cloud-path the Opposition flee into the void. On the extreme left is the half length figure of a monstrous hag, her hair composed of serpents spitting fire, with a fillet inscribed 'The Whig Club'. In her right hand she holds one of the serpents which issue from her pendent breasts, in the left is an almost extinguished firebrand. She glares up in impotent rage. Beneath the horse and lion (right) are the heads and shoulders of (left to right) Sheridan, Fox, and Stanhope, their hair streaming behind them; each drops a dagger from his raised right hand. Sheridan and Fox have expressions of gloomy terror, Stanhope is melancholy but composed. In the abyss beneath the clouds are three small winged creatures: an owl (left) with the head of Lansdowne, two bats, one with the head of M. A. Taylor, the other (right) with that of Erskine. In their flight they have left behind them on the path of cloud three papers: 'Plan for inflaming the Dissenters in Scotland'; 'A scheme for raising the Catholicks in Ireland' (cf. BMSat 8632); 'Jacobin Prophecies for breeding Sedition in England' (an allusion to Brothers, see BMSat 8627, &c). A second group flees upwards away from the thunderbolts of the Hanoverian horse; from the head of each falls a bonnet-rouge whose peak terminates in a (fool's) bell (cf. BMSat 9374). They are Lauderdale, with clasped hands, the Duke of Norfolk looking round apprehensively, above him the Duke of Grafton, and above again Lord Derby. [Lord Holland gives alternative identifications: Stanhope is Francis, and Grafton is Stanhope. These two, however, closely resemble other heads by Gillray of Stanhope and Grafton.] Above their heads and among the clouds are fleeing serpents, a bonnet-rouge, a book: 'Irruption of the Goths and Vandals. 2d Edition', and a scroll whose ragged edges merge in cloud: 'Patriotick Propositions. Peace, Peace on any Terms. Fraternisation Unconditional Submission No Law, no King, No God.' Another branch of cloud diverges to the left behind Justice. Its upper part is covered with wrecked ships and tiny fleeing figures. These are little sansculottes, all with large bonnets-rouges, one naked, others barelegged except for boots or sabots. They drop their swords."--British Museum online catalogue
Alternative Title:
Sun of the Constitution rising superior to the clouds of Opposition
Description:
Title etched below image., Sheet trimmed leaving thread margins., and Temporary local subject terms: Vehicles: Roman chariot -- Emblems : British Lion -- Emblems: the Horse of Hanover -- Symbols: figure of Justice -- Flags: British flag -- French republican flag -- Symbols: bonnet rouge -- Reference to Magna Charta -- Reference to George III and George IV -- Britannia -- Royal arms -- Reference to the Brunswick succession -- Reference to Bible -- Whig Club -- Monsters -- Sansculottes -- Reference to Jacobins -- Weapons: daggers -- Cherubs -- Sun of the Constitution -- Reference to the Parliament.
Publisher:
Pubd. April 30th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Taylor, Michael Angelo, 1757-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Norfolk, Charles Howard, Duke of, 1746-1815
"Fox rises from a close-stool; Sheridan (left) is about to apply a syringe, inscribed 'R------ts [Regent's] Clyster', to his rectum. Burke (right), wearing a Jesuit's biretta (cf. British Museum Satires No. 6026), gropes in the close-stool, holding in his left hand its lid, inscribed 'Not searching from Precedents but Consequences' (a characteristic dictum); he says, "To Ordure - Ordure" (Burke was often called to order for his speeches on the Regency, cf. British Museum Satires No. 7499, &c). Fox says, "Exegi Monumentum cere perennias, or the finishing Stroke" (perhaps an allusion to the revolution Pillar, see British Museum Satires No. 7396). In his hand is a paper inscribed 'Magna Charta Non Posteris sed Posterioribus'; his posterior is inscribed 'Patriotic Bum' and 'Vox Populi'. He stands on a paper inscribed 'Resolutions of P------l------t.' Sheridan is 'Principal Promoter of loose Principles'; under his right foot is an open book: 'Congreve Plays School for Scandal', probably implying plagiarism by Sheridan (cf. Moore, 'Life of Sheridan', p. 180, where resemblances between 'The School for Scandal' and 'The Double Dealer' are noted). The background is a library wall: a book-case containing folio volumes in some disorder is flanked by scowling busts of 'Wat Tyler' and 'Jack Kade'. The books are inscribed: 'The Laws of Pharaoh' (Faro, cf. British Museum Satires No. 5972), 'Political Prints', 'Life of Oliver Cromwell' (cf. British Museum Satires No. 6380, &c), 'Cataline' (cf. British Museum Satires No. 6784), 'Memoirs of Sam House'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., The number "3" in publisher's street address in imprint is etched backwards., 1 print : etching on laid paper, hand-colored ; plate mark 24.5 x 35.1 cm, on sheet 25.5 x 36.6 cm., and Mounted on card backing to 28 x 39 cm; matted to 33 x 43 cm.
Publisher:
Pubd. Jany. 21, 1789, by S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
Subject (Topic):
Regency, Defecation, Medical equipment & supplies, and Bookcases
Title from item., Temporary local subject terms: Allusion to Paine's Rights of man -- Nicknames: Mad Tom [Thomas Paine] -- Conspirators -- Puns: essay -- House of Commons: breeches on fire found in a closet of the House, May 9, 1792 -- Symbols: dark lantern of conspiracy -- Expressions of speech: c̦a ira., and Watermark: I Taylor.
Publisher:
Pub. May 14, 1792, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Paine, Thomas, 1737-1809, Sheridan, Richard Brinsley, 1751-1816, and Whitbread, Samuel, 1764-1815
"Members of the new Ministry in a handsome room prepare themselves for office, each intent on his toilet. Both Fox and Grey look into a large pier-glass on the extreme left., whose frame is surmounted by the Royal Arms and Prince's feathers, indicating Carlton House and the Prince's 'ostentatious patronage' of the new Ministry. [W. Fitzpatrick, 'H.M.C., Dropmore MSS.' viii, p. viii.] Fox (Foreign Secretary), wearing a tattered shirt, shaves, holding a small bowl filled with lather. On a chair are the coat (blue with red facings, the Windsor uniform) and feathered cocked hat which he is about to put on; against it leans a sword with a jewelled hilt, while his discarded coat and bonnet rouge with tricolour cockade lie beneath it. Beside him stands the taller Grey, brushing his teeth. He wears naval uniform (as First Lord) Behind him, also in profile to the left., stands Sidmouth (Lord Privy Seal), his head and shoulders the centre of clouds of powder, which Vansittart is puffing at him from a powdering-bag. His Windsor uniform is protected by a long towel; in his coat pocket is a clyster-pipe (see BMSat 9849). In the foreground little Lord Henry Petty struts with pointed toe, delighted at the effect of his Chancellor of the Exchequer's gown, which trails on the ground behind him, far too long. Windham (Secretary for War and Colonies), behind him, sits full face over a tub, washing his feet; he wears waistcoat and rolled-up shirt-sleeves; his hat and stockings are on the ground. Next is the centre figure, Lord Grenville (First Lord of the Treasury), in shirt and bag-wig, hitching up his breeches, and thus accentuating his heavy posteriors, which gave a second meaning to the term Broad-bottom Ministry (see BMSat 10530). Moira (Master of the Ordnance) stands stiffly with his back to the wall, tying his high black stock. He wears regimentals with boots and cocked hat. The Duke of Bedford, very neat in shirt and breeches, sits on a stool pulling on a top-boot, resting his leg on the left shoulder of Tierney, who sits at his feet, drawing on a Hessian boot. Both are in profile to the right., and are preparing for a journey to Ireland. Beside Bedford are two papers: 'New way of Improving the Irish-Breed of Black Cattle' and 'Road from Wooburn Farm to Ireland' [on this Tierney is sitting]. Behind Bedford, Sheridan struggles into a shirt; on the wall hangs his discarded Harlequin dress with mask and wooden sword (see BMSat 9916). Lord Spencer (Home Secretary), behind and on the r. of Sheridan, in waistcoat and shirt-sleeves, washes his hands in a basin on a table. On the extreme right. is the corner of a dressing-table, in the mirror of which Erskine delightedly adjusts his hat over his Chancellor's wig. He wears an enormously long Chancellor's gown with the Purse of the Great Seal hanging from his arm. Behind him on the wall hangs his discarded barrister's wig. The mace, reversed, leans against the table."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Etching based on Gillray print with same title published by H. Humphrey in 1806., Williams' copy after Gillray. Cf. No 10531, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, and Figures identified by ms. notes in modern hand located around perimeter of sheet.
Publisher:
Pubd. Feby., 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Grey, Charles Grey, Earl, 1764-1845, Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, William Petty, Marquis of, 1737-1805, Windham, William, 1750-1810, Grenville, William Wyndham Grenville, Baron, 1759-1834, Tierney, George, 1761-1830, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"A carriage (right) drives at a gallop towards the gateway of St. James's Palace; Lord Lansdowne, in peer's robes, puts his head out of the window to call to the coachman, who is lashing the pair of horses: "Drive you dog! drive! - now, or never! - aha the Coast is clearing!------drive! drive! you dog!" He has a sly smile. The carriage is decorated with coronets, and on the door is the beehive crest of Lord Lansdowne and the motto 'Ut Ap[es] Geometriam'. The coachman and three footmen who stand behind have enormous feather-trimmed cocked hats in the French fashion, with bag-wigs. Running behind the carriage with outstretched arms are: Fox, saying, "Stop! stop! - & take me in, - Stop!"; Sheridan saying, "And me too! stop", and (very small) M. A. Taylor, saying, "And me". In the background a similar carriage is driving yet more rapidly out of the Palace gateway; the tiny figures are recognizable: Dundas, the coachman, has dropped the reins, the horses are running away; Pitt, terror-stricken, puts his arms through the windows. Both look up at a dove with an olive-branch which flies over their heads towards the gateway. In the background are part of the Palace and the houses at the SW. corner of St. James's Street."--British Museum online catalogue
Description:
Title from item., Year of publication from British Museum catalogue., Temporary local subject terms: Vehicles: coaches -- London: St. James's Palace -- Domestic service: footmen -- Coachmen -- Pavement -- Symbols: dove with an olive-branch -- Nicknames: Shelburne as Malagrida -- Allusion to Gabriel Malagrida, 1689-1761., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pub. March 16th by H. Humphrey, Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Taylor, Michael Angelo, 1757-1834
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", and Mounted to 37 x 56 cm.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
From a sign on the back wall, a scene in the 'Grand Imperial Lodge of Odd Fellows" in which Burke, Norfolk, Sheridan, and Fox smoke and dance amongst the other club members some of whom wear swords. One man plays the fiddle. A chandelier hangs from the ceiling. In the corner is a dais under a canopy. A dog sits on his hind legs in the foreground
Description:
Title engraved below image., Sheet trimmed within plate mark., Frontispiece to: Attic miscellany, v. 1., and Mounted to 28 x 35 cm.
Publisher:
Publish'd as the act directs by Bentley and Co.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Sheridan, Richard Brinsley, 1751-1816
