Title from caption below image., Originally published: December 23, 1809 by Thomas Tegg. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall --Carlton House -- Lighting -- Gas lamps -- Male Costume, 1809 -- Irishmen -- Quakers -- Female cosutme -- Fur muff., and Ms. annotation in lower right corner of sheet.
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 19.3 x 17 cm, on sheet 21.1 x 18.4 cm., and Mounted on verso of leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 68.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Note on verso in contemporary hand: Sheridan accus'd of having stopped the performance of God Save the King, in the King's illness - 1788.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Hell -- Demons -- Pitchforks -- Horses -- Gallows -- Bellows -- Allusion to Samuel Foote's Minor -- Allusion to Fox-North Coalition -- Gambling: Dice-box -- Music sheets: Catches, cannons and glees., Watermark in center of sheet: J. Whatman., and Mounted to 34 x 42 cm.
Publisher:
Pubd. by J. Wallis, No. 16 Ludgate Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Gordon, George, Lord, 1751-1793, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, and Savile, Christopher, ca. 1739-1819
"A scene in the House of Commons. In the foreground is the space outside the bar, filled with burlesqued supporters of Paull's petition against Sheridan's return for Westminster (see BMSat 10619, &c). These are struck by darts of fire, lightning, and smoke from the Speaker (Abbot), a diminutive figure, almost entirely composed of a huge wig. There are two main blasts, the larger (l.) directed against Paull, the other (r.) against Bosville, Horne Tooke, and Cobbett. In the former is the fiery face of Sheridan, glaring at his enemy, with flames from mouth and nostril. Paull has been thrown violently on to his back, having slipped from the back of a goose with the head of Burdett, on which he has ridden into the House. The goose waddles off to the right., with outstretched neck, following Tooke, the toe of one of Paull's boots still in a stirrup. From Burdett's profile projects the beak of a goose; his long neck is labelled 'Green-Goose from Brentford'. Burdett and his friends seem anxious to slink off without association with the calamity that has befallen Paull. The latter has dropped a long document, which is blazing; this is headed: 'Petition - Humble Petition against Rd Brin[sley] Sheridan for Bribery Corruption . . .' Other papers on which he has fallen are headed 'Scr[utiny]' and 'Impeachment Marquiss Wellesley' [see BMSat 10561, &c.]. A bonnet rouge falls from his head; he has dropped his yard-stick, shears, a cabbage, cucumbers (cf. BMSat 10608, &c). Behind him (l.) is his Counsel, Henry Clifford, in wig and gown, with a drink-blotched face, dropping a sheaf of papers: 'Brief - Paul versus Sheridan.' He heads a crowd of disreputable witnesses, characteristic of Gillray's denizens of the underworld (cf. BMSat 9202); some wear favours in their hats inscribed 'Paul'. All fall backwards under the impact of the Speaker's blast. One man, the palm of his hand branded 'R T' (signifying that he has returned from transportation), grasps a paper inscribed 'Perjury'; a noseless old woman holds a 'Forged Letter of Richd Br Sherridan.' One man holds up a marrow-bone, another a cleaver inscribed 'No Bastille, to show that they belonged to Burdett's election mob, see BMSat 9878, &c. (though he dropped that cry in 1804). Other papers on the ground are: 'Bribery'; 'List of False Votes - J. Powell'; 'Witnesses - Conkey Bean, Bill Soanes, Drake, Hart ye Informer - .' ..."--British Museum online catalogue
Alternative Title:
Little taylor done over and Little tailor done over
Description:
Title etched below image., Text following title: Vide, the terrible effects of provoking a red-hot-shot from the broad-bottom'd-Whig-battery., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 39 of volume 6 of 12.
Publisher:
Publish'd March 13th, 1807, by H. Humphrey, S. James's Street
Subject (Name):
Abbot, Charles, Baron Colchester, 1757-1829, Paull, James, 1770-1808, Sheridan, Richard Brinsley, 1751-1816, Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Clifford, Henry, 1768-1813, Windham, William, 1750-1810, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and Grey, Charles Grey, Earl, 1764-1845
Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
In the center an auctioneer, hammer in hand, stands behind a podium having sold a pack of hounds with the human faces; Sheridan holds the hounds leashes. One dog sleeps on the floor as another urinates on its bone. On the left, a grey horse neighs as it is lead to the auctioneer. A clerk taking notes at a small desk to the left of the podium looks up at the auctioneer
Description:
Possibly by Williams, based on style., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., In pencil along bottom edge: Grey. P of W. Sheridan., and Mounted to 29 x 40 cm.
Publisher:
Pubd. March 17th 1812 by Wm. Holland No 11 Cockspur Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
"Fox and Sheridan (left) sit together at the head of a rectangular table on which is a punch-bowl, &c, looking with dismay at whigs (right), who advance to hurl their wigs at a large pile of wigs on the left (inscribed 'The Heads having Scratched out of the Club'), or retire, having already done so. Fox and Sheridan wear enormous wigs, the former says, "Brother: Brother: we are all in the wrong" ... Before Fox is a list with names scored through. Sheridan grasps a bottle of 'Sherry'. A couple advance together, in the act of hurling their large wigs at the pile; one says, "I will Scratch out my Name in hopes of getting in for the City" (probably Nathaniel Newnham, returned for the City 1784, but defeated in 1790, cf. British Museum satires no. 7162). The other is perhaps Windham. The only one of the retiring wigless Whigs who is characterized is Burke. All say: "We have erased our Names for ever from the Club, when the Artful & Ambitious designs of a Faction are carried on under a Mask of Prudential Reform & when the leading Members are Notoriously known to Carry on a secret Correspondence with the Avowed Enemies of the Constitution they Affect to Support & Defend it is high time for all prudent & real friends to that Constitution to leave them to their Just Punishment, the Contemp of all true Friends to their King and Constitution."--British Museum online catalogue
Alternative Title:
Crack in the Wig Club
Description:
Title etched below image., Artist and printmaker unidentified; attributed to Isaac Cruickshank in the British Museum catalogue., Imprint continues: ... where may be had complete setts of Caricatures on th [sic] French Revolution & on every popular subject. An exhibition admt 1s. in which is a correct model of the guillotine 6 feet high., With publisher's hand-coloring., From a Humphrey's blue paper 'shop' album; price and identities written in ink in the margins, probably in the hand of James Gillray on front. See Andrew Edmunds' description., and On the back, a red stamp with a florish above 'SMP'. Also in black in, in upper left corner "Benier' and in the right corner 'AR'.
Publisher:
Pub. March 17, 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Newnham, Nathaniel, approximately 1741-1809, and Whig Club (London, England)
Subject (Topic):
Eating & drinking, Quarreling, Taverns (Inns), Wigs, Whig Party (Great Britain), and Politics and government
