A young woman carries a basket of chickens in one hand and a brace of fowl in her other hand as she sets out to the market. She looks out at the viewer as she is watched by a woman in the doorway of a cottage on the right. She is accompanied by a litle girl who also holds a chicken. Another large basket sits on the ground on the right opposite a chicken with her three little chicks
Description:
Title etched below image. and Publisher's stamp in lower right corner.
Publisher:
Published July 26, 1792, by S.W. Fores, N. 3 Piccadilly
A full-length depiction of a female fishmonger composed of fish: her hat is a lobster, her dress a large fillet of a angel (?) fish, her arms composed of various other fish, whole or parts. Behind her a barrel of oysters on a wooden stool
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by C. Tilt, Fleet Street and Printed by G.E. Madeley, Wellington St., Strand
Subject (Topic):
Arcimboldesque figures, Fishmongers, Fish, Oysters, and Baskets
Verse begins: "Come all you young gallants that's passing along,", In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The range of dates and printers’ names are from the Bodleian Library Ballads database; see also David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Imprint below fourth column., Mounted on leaf 49. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Bow-Church-Yard, London
Subject (Topic):
Prostitution, Paternity, Domestics, Love, Gifts, Foundlings, and Baskets
Three women, two standing and one sitting smoking a pipe, converse outside a shop, 'Fine Cordial Gin, two penny & best Virginia'.
Alternative Title:
Gin, two-penny and tobacco
Description:
Title etched below image., Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and From the Renier Collection; on verso ms. notes in black ink 'Renier' and monogram 'AR'.
Publisher:
Pub. July 25, 1802, by S. Howitt, Panton Street, Haymarkt
Subject (Topic):
Baskets, Carts & wagons, Pipes (Smoking), Stores & shops, Street vendors, Women, and Tobacco
Volume 2, page 89. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two ovals on the same plate, in the left image a woman stands to front with an empty basket on her arm, a figure on horseback heading to front on a path in the distance at left, a steeple over the trees beyond, at right the same woman walks away from the viewer with her basket full of chickens and ducks, the man now walking beside his laden animal on the road beyond; after Bunbury."--British Museum online catalogue
Description:
Title engraved below images., "Second published state after alteration of date"--British Museum online catalogue, registration no.: 1917,1208.2964., Sheet trimmed to plate mark., and Mounted on page 89 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Feby. 1, 1795, by J. Thane, Spur Street, Leicester Square
Volume 2, page 72. Etchings by Henry William Bunbury, Esq. and after his designs. Page 13. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two women on their way to market, one standing to right facing with an empty basket on her arm, the other walking to the right in profile with her basket full of chickens and ducks, in the background a man walking beside his laden animal; an oval composition after Bunbury."--British Museum online catalogue
Description:
Title from text below image., "Second published state after alteration of date"--British Museum online catalogue, registration no.: 1917,1208.2974., Sheet trimmed to plate mark., Companion print to: [Home from market]., Mounted on page 13 of: Bunbury album., and 1 print : stipple engraving with engraving on laid paper ; oval image 29.9 x 24.1 cm, on sheet 38.8 x 28.0 cm.
Publisher:
Publish'd June 1, 1790, by W. Dickinson, engraver, Bond Street
Volume 2, page 72. Etchings by Henry William Bunbury, Esq. and after his designs. Page 13. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two women on their way to market, one standing to right facing with an empty basket on her arm, the other walking to the right in profile with her basket full of chickens and ducks, in the background a man walking beside his laden animal; an oval composition after Bunbury."--British Museum online catalogue
Description:
Title from text below image., "Second published state after alteration of date"--British Museum online catalogue, registration no.: 1917,1208.2974., Sheet trimmed to plate mark., Companion print to: [Home from market]., and Mounted on page 72 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd June 1, 1790, by W. Dickinson, engraver, Bond Street
A line of seven figures all caricatured with animalistic features, marching right to left, shown full-length. The first character blows a horn, carries a violin and bow in his hands and on a string around his waist another horn with smoke coming out hangs over his behind; he is wearing spectacles and a scarf aroung his head as well as a Roman-style pink dress; he has wings and appears to have a breast. In the text above his head: En avant la renommeé? Sur l'air: j'ai du bon tabac, dans Misantropie et repentir. The second figure is wearing Roman armour and carries a long-handled pan; he has claws for hands, a bird's face and tail feathers. On top of his helmet sits a rat. The text above his head reads: Tais toi! Geulard, vilain menteur de Constitutionel; j' t'ai dis que l'premier qui tomeroit sous ma griffe, il aura beau crier ... la mort ... aura.." The third figure with a large belly has a highly caricatured face with large, exaggerated features and fangs; he wears a bonnet. He is armed with a knife hanging in his belt as well as a long sword on a chain. Above his head are the words: Mais, mon Capitaine t'as dis qu't' allois les prendre en flanc j' l'aime bien, moi, l'flanc, tu m'en donneras? .. ain!" The fourth and fifth figures both have wolf-like faces. The one also has a tail and carries a hoe and a basket with a second wicker basket on his back. The writing above his head, " Qu' est-ce qu' en veut? Des lettres de falaise, en voulez vous d' la Chicorée?" The other's clothes are tattered and short, with a sash around his waist; he wears a straw hat and smokes a pipe. Above his head is written, "J' vons avertir not' Capitaine, qu' j'ons vu' à la Rapée des Goujons ... ultras. The final two, both with large snouts and fangs, surround a cannon, the one is pulling it and the other standing crossed-armed looking angrily at his companion in conversation with the figure ahead of him. Above their heads, first, "On dit qu' i' z'ont l'vent su' nous mais c'est qu' j' disque p'tite pluis abat grand vents" and last "On! si j' pouvois attraper l'beau local (l' bocal) aux Conichons ... Oh! c'est sure."
Description:
Title etched below image. and Description based on trimmed impression.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
Royalists, History, Animals in human situations, Baskets, Cannons, Hand tools, Musical instruments, Soldiers, and French
