As described in the Gospel of St. Luke Chapter X, verse 30, a Samaritan is shown ministering to a traveler who had been beaten, robbed, and left half dead along the road. A priest and a Levite who ignored the injured man are shown on the left in the background. On the right, the Samaritan's white horse is tethered to a branch near a stream; a waterfall flows from high cliffs also on the right. A second scene depicted on lower plate with caption: The Foundation Stone of this Hospital was laid by Rahere prior of the order of St. Augustin, in the II year of the reign of Henry 1st MCII in pursuance of a vow made to St. Bartholomew
Description:
Title and secondary, smaller image engraved on second plate below image of the Gospel scene., "Vol. II, No. 56"--Lower left., "Size of picture 13f, 8i by 16f, 9I, in length"--Lower left, below volume numbering., and "St. Luke Chap. X, ver. 30."--Lower right.
Publisher:
Published Feby. 24th 1772 by John Boydell, engraver in Cheapside London
Subject (Name):
St. Bartholomew's Hospital (London, England)
Subject (Topic):
Biblical events, Charity, Horses, Parables, Priests, Robberies, and Waterfalls
As described in the Gospel of St. Luke Chapter X, verse 30, a Samaritan is shown ministering to a traveler who had been beaten, robbed, and left half dead along the road. A priest and a Levite who ignored the injured man are shown on the left in the background. On the right, the Samaritan's white horse is tethered to a branch near a stream; a waterfall flows from high cliffs also on the right. A second scene depicted on lower plate with caption: The Foundation Stone of this Hospital was laid by Rahere prior of the order of St. Augustin, in the II year of the reign of Henry 1st MCII in pursuance of a vow made to St. Bartholomew
Description:
Title and secondary, smaller image engraved on second plate below image of the Gospel scene., "Vol. II, No. 56"--Lower left., "Size of picture 13f, 8i by 16f, 9I, in length"--Lower left, below volume numbering., "St. Luke Chap. X, ver. 30."--Lower right., and 1 print : engraving and etching, on laid paper ; sheet 479 x 556 mm.
Publisher:
Published Feby. 24th 1772 by John Boydell, engraver in Cheapside London
Subject (Name):
St. Bartholomew's Hospital (London, England)
Subject (Topic):
Biblical events, Charity, Horses, Parables, Priests, Robberies, and Waterfalls
A nude couple (Mrs. Fitzherbert and the future George IV) in enormous wigs stands under the "Tree of Life." A sheet of paper covering the man's hips is inscribed "Mr. Rock." In his left hand he holds a ticket to a masquerade at Pantheon, in the right a walking stick. A serpent, inscribed "Modern gap of honour" glides between his legs and next to a saddle, whip and a riding hat inscribed "Furniture for saddling an estate." Next to the woman who holds a fan in front of her thighs, with a dog climbing up her knee, lie on the ground a staff and a comedy mask, a ticket and a letter addressed "To Belinda." Behind the woman a monkey is holding a mirror. Playing cards and dice fall off the tree which is hung with cards advertising fashionable places in London such as the Carlisle House, Pantheon, White's Club, Ranelagh and Almack's, among others. On the left a devil is walking away from her toward a roaring fire saying "I'll even back to Hell again, for these must be too knowing for me by the Size of their Heads." On the right in the background two men, identified as "Cain and Abel" are dueling. Another man lies on the ground having fallen off a galloping horse. The explanation below reads "For the benefit of the next heir."
Alternative Title:
Adam and Eve regenerated
Description:
Title etched below image., Formerly dated as 1780 because a portion of the ascender in the '6' (and the upper portion of the '8') is missing., and Sheet trimmed within plate mark.
Publisher:
Pubd Novr. 24, 1786 by W. Humphrey, No. 227 Strand, London
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Adam (Biblical figure), and Eve (Biblical figure)
Subject (Topic):
Biblical events, Tree of life, Gambling, Wigs, Hairstyles, Devil, Hell, Dueling, and Horseback riding
As described in the Gospel of St John, Chapter V, Christ is shown healing the sick beside the Pool of Bethesda, as an angel observes from above. At the center Christ reaches out to a crippled man who sits beside the Pool of Bethesda, shown here with an ulcer on his leg. Among the others looking for cures is a girl with Down's Syndrome (?), a woman with consumption or tuberculosis; a blind man with a stick; a man with jaundice (or melancholia or depression); a bearded man with gout and a distressed woman beside him with an injured breast; a child in the foreground carries a crutch. In the background, a servant of a naked woman pushes aside a mother with a sick baby. The mistress is most probably suffering from gonorrhea, as indicated by the rashes on her skin. Finally, in the foreground on the extreme right a pitiful man with an emaciated face full of pain and a hand on his swollen abdomen uses a crutch to approach the pool
Description:
Title engraved below image., "Vol. II, No. 57"--Lower left., "Size of the picture, 13f, 8i by 20f, 3i in length."--Lower left, below volume number., "St. John Chp. V."--Lower right., and Sheet trimmed to plate mark.
Publisher:
Published Feby. 24th 1772 by John Boydell, engraver in Cheapside, London
Subject (Name):
Jesus Christ,
Subject (Topic):
Bethesda, Pool of., Biblical events, Diseases, Healing, Miracles, People with disabilities, and Sexually transmitted diseases
Christ sits on the right in the company of his disciples, gesturing to a hospital in the distance; two figures are being carried towards the door on stretchers
Alternative Title:
Headpiece for the London Infirmary
Description:
Title etched below image., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 303., Copy of an engraving after Hogarth from the 1740s; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 227., and Temporary local Medical Library subject terms: Bible.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
Great Britain.
Subject (Name):
Jesus Christ,, London Infirmary (Whitechapel, London, England), and London Hospital (Whitechapel, London, England)
Walker, James, approximately 1748-approximately 1822, printmaker, publisher
Published / Created:
[1 January 1792]
Call Number:
792.01.01.01++
Image Count:
1
Resource Type:
still image
Abstract:
"The Holy Family resting during the Flight into Egypt; St Joseph standing beside the donkey, drawing his cloak around him, the Virgin laying the infant Jesus on a rock, holding the edge of His garment in right hand, gesturing with the other, two cherubs standing together and watching to left."--British Museum online catalogue
Alternative Title:
Arise, and take the young child, and his mother, and flee into Egypt
Description:
Titles engraved below image, in Russian and English., Bible citation "St. Math. Chap. 2, Vir. 13" follows title in English; translation of the same follows title in Russian., Dedications to Catherine II engraved beneath each title, in Russian and English. Dedication in English: Dedicated to her Imperial Majesty Catherine the Second, Empress and Autocratrix of all the Russias, by her most devoted and very humble servant, James Walker., From a series of prints published by Walker in 1792: A collection of prints, from the most celebrated pictures in the gallery of her Imperial Majesty Catherine the Second., "From the original picture in the Imp. Gallery.", and In Russian and English.
Publisher:
Publish'd Jany. 1, 1792, as the act directs by Jas. Walker and W. Hodges, Queen Street, May Fair and R. Blamire, Strand, London
Subject (Name):
Catherine II, Empress of Russia, 1729-1796 and Jesus Christ
Subject (Topic):
Art collections, Family, Biblical events, Donkeys, and Putti
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title, state and date from Paulson., Second state of the second plate in the series A harlot's progress, as described by Paulson, with black Latin cross in the center below design., "Plate 2"--Lower left corner., Sheet trimmed within plate mark., and Touched in sepia ink around the Harlot's and Jew's faces, and the Harlot's dress and foot; the foot of the blackamoor is extended down to meet the pile of cloth.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Prostitution, Biblical events, Ethnic stereotypes, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Judith holding a sword by the cutting edge is posed to cut off the head of Holofernes. The print appears opposite the title page of the printed version of William Hogarth's Judith : An Oratorio, or, Sacred drama ... the musick composed by Mr. William de Fesch, late Chapel-Master of the Cathedral Church at Antwerp. London : Printed in the year MDCCXXXIII
Alternative Title:
Per vulnera servor moret tuâ vivens
Description:
Title and date from Paulson., Engraved caption title below image: Per vulnera servor moret tuâ vivens. Virg. Aeneid., Sheet trimmed to plate mark., Ms, note in Steevens' hand in pencil above print: Judith. Another note next to print on right: See Mr Nichol's Book 3d edit. p. 419., and On page 55 in volume 1.
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 45 x 56 cm., and Leaf 3 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
