"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", and Mounted to 37 x 56 cm.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", 1 print : etching on laid paper ; sheet 32.4 x 45.3 cm., Sheet trimmed to plate mark., and Mounted on leaf 32 of volume 2 of 12.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
persuant to the statute the Eight of George IId March 1750.
Call Number:
750.03.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of George Vandeput, bust to the left, head turned and glancing at the viewer, hair curled at the sides and tied in a queue; in a medallion supported by Britannia on the left and Liberty on the right; Britannia trampling on Bribery, holding a bag of '£105'; and Slavery in the form of a Frenchman holding a sword and a yoke."--British Museum online catalogue
Alternative Title:
Sir George Vandeput Baronet
Description:
Title engraved below image and above three columns of verse., Sheet trimmed within plate mark., Three columns of verse below title: Britons, this figure carefully survey, view well those features which the soul display ..., Following imprint: By an elector., Below verse: Publish'd to the memory and immortal praise of the electors of the City of Westminster, by the noble stand they made in defence of their libertys [sic] ..., and Mounted to 39 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Vandeput, George, Sir, ca. 1717-1784,
Subject (Topic):
Bribery, Britannia (Symbolic character), Liberty, Political elections, and Slavery
A flock of geese, i.e., Westminster electors, chants Fox's name and pecks at grains thrown them by Lord North from the purse "Treasury grains" he is holding under his arm. Next to him, a smiling Charles Fox, with a "list of voters" in his hand, promises the geese "anything for your votes." Behind them, Edmund Burke holds a flag inscribed, "for the liberty of the flock." Standing behind the geese is William Pitt who declares himself their guardian against the "wolves in sheeps cloathing."
Alternative Title:
Westminster candidate coming north about the geese
Description:
Title from etched below image., Sheet trimmed within plate mark., and Mounted to 26 x 33 cm.
Publisher:
Publish'd as the Act directs by S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Burke, Edmund, 1729-1797., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and Pitt, William, 1759-1806.
Subject (Topic):
Politics and government, Political elections, Geese, Bribery, and Corruption
A man, possibly George III or Lord North, is seated on a three-legged stool, the legs of which are labelled Lords, Privy Council, and Commons, this last deeply cut by the axe. At the left, a seated Britannia sleeps, the cap of liberty atopt her drooping spear while male figures representing Holland, Spain and France occupy the foreground, a suggestion that the conflict with America serves to the advantage of these other European powers
Description:
Title etched below image., In plate above image: Lon. Mag., and An illustration from: The London Magazine, vol. 45 p. 171.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., Great Britain, United States, and America.
Subject (Name):
North, Frederick, Lord, 1732-1792. and George III, King of Great Britain, 1738-1820.
Subject (Topic):
Britannia (Symbolic character), Bribery, Politics and government, History, Colonies, Clothing & dress, Axes, and Stools
Print shows George Canning standing on the left holding a broom and a bag of money labeled "Gold" which he is giving to Henry Brougham who wears the dress of a German broom-girl over his parliamentary clothing and "Canning (left), in a court suit with bag-wig and sword, stands outside the door of the Treasury completing a bargain with Brougham. The latter is dressed as a German broom-girl as in British Museum Satires No. 14769, &c, with legal bands and a little cap perched on his barrister's wig, and very clumsy legs and feet. He has handed Canning his broom and takes in return a bag of Gold; his new silk gown is in his left hand. Canning says: Here's Money, and a hansome [sic] Silken Gown. Brougham watches Canning with a penetrating appraising smile; he answers: For my Proom, I could not take mush less."--British Museum online catalogue
Description:
Title etched below image. and Matted to: 45 x 31 cm.
Publisher:
Pubd. July 1827 by T. McLean, Hay-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Canning, George, 1770-1827, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., and Canning, George, 1770-1827.
"Satire on George II and Robert Walpole, based on a "Visio"n described in "Commonsense, or the Englishman's Journal", 19 March 1737. The king is represented as a satyr, seen from the rear, standing on an altar kicking his left leg and breaking wind; Queen Caroline, as a priestess wearing a bell on her wrist, approaches from the right to administer an enema of "Aurum potabile" (a flavoured brandy); Bishop Hoadly stands behind her followed by men carrying on their heads vessels of gold, several of which have been deposited at the foot of the altar, square pieces of gold having spilled from one. On the left; Robert Walpole dressed as the Chief Magician, dressed in a coat embroidered with dragons and the words "Auri Sacra fames" and carrying a rod, looks up at the satyr; behind him is a procession of couriters with the insignia of the golden rump embroidered on their shoulders; in the foreground Walpole's brother Horatio Walpole holds out a pair of scales, an allusion to his concern to preserve the balance of power in Europe which earned him the nickname, the "Balance Master". A curtain hanging across the top is embroidered with golden rumps."--British Museum online catalogue
Description:
Title engraved above image., Printmaker identified as Gerard Van der Gucht by Mark Hallett in Caricature in the age of Hogarth, see p. 137., Design on which this print is based, was attributed to the Earl of Chesterfield by the curator., "Price 1s."--Lower right corner., and Several subjects identified in a later hand below image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Horatio Walpole, Baron, 1678-1757, Hoadly, Benjamin, 1676-1761, Fielding, Henry, 1707-1754, and Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773
Subject (Topic):
Politics and government, Bribery, Corruption, Medical procedures & techniques, and Theaters
"Pitt stands in front of the throne to which he points with a hand holding a number of threads attached to the noses of his supporters, who advance through a doorway, the foremost kneeling or prostrating themselves. Across his forehead is a placard inscribed 'Interest'; he says, "Approach & Salute the Broad Bottom of Royalty!!" He holds a large flag inscribed 'Standard of venality' on which are a large earl's coronet indicating Lonsdale (see British Museum Satires No. 6579), two duke's coronets, a mitre, a baron's and a viscount's coronet, and three money-bags, each inscribed 'Cole' (cf. British Museum Satires No. 6213), followed by the words 'to be Given Away'. On the ground at Pitt's feet are the words, 'Road to Preferment'. The king kneels on the throne exposing his 'broad bottom' to the Pittites; it is irradiated and to it are attached a pair of small wings; it is further adorned with Garter star and ribbon inscribed 'Honi Soit qui mal...'. He bends forward, his body in a horizontal position, so that his head and shoulders are hidden by a curtain (left) inscribed 'Secret Influence Drying Clouts! Nursing Making toast [cf. British Museum Satires No. 7923] Rocking the Cradle, &c. &c. &c.' The crowd of Pittites advances through a doorway surmounted by a large royal crown flanked by a birch-rod and a sword. Across the doorway is inscribed 'Hall of Prerogative 1784', and over the heads of the members, 'Majority of ye New P------T We are your Devoted Slaves'. Their heads are crudely drawn and few can be identified: a man in the forefront in tartan is evidently Dundas. A man full-face in the centre of the crowd who is inscribed 'Rat Catcher' and has a rat on his forehead is John (or Jack) Robinson, see British Museum Satires No. 6427, &c. Thurlow in wig and gown kneels in profile to the left, and a man on the extreme right resembles Barré. A parson in the foreground is probably Mason, cf. British Museum Satires No. 6485."--British Museum online catalogue
Alternative Title:
First levee of the new Parliament
Description:
Title from item., Temporary local subject terms: Parliamentary levees -- Secret influence -- Members of Parliament as slaves -- Royal prerogative -- Homage -- 'Broad Bottom'., Watermark in center of sheet: J Whatman., and Mounted to 29 x 46 cm.
Publisher:
Pubd. as the act directs, May 29, 1784, by T. Hardy, Strand
Subject (Name):
George III, King of Great Britain, 1738-1820, Lonsdale, James Lowther, Earl of, 1736-1802, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Robinson, John, 1727-1802, Barré, Isaac, 1726-1802, and Mason, William, 1725-1797
Subject (Topic):
Thrones, Buttocks, Legislators, Kneeling, Crowns, Flags, and Bribery
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1686-1746, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1686-1746, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
