The eleventh drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this eleventh drawing, Edward is shown on his death bed, his grieving widow at his bedside, their two children at her knee. The elegant bedroom is decorated with a mirror and clock on the wall beside a tall secretary with a bust on top. Two men sit at a table as they look on the scene with sombre faces; one of the men is engaged in writing a long document (Edward's will).
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '11' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Leaf 80. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Frederick Zemmerman
Description:
Titles etched below images., Two images on one plate, each with its own title, signature, and descriptive text below., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; originally published ca. 1800? For an earlier issue of the plate (bottom image only), see Wellcome Library no. 42829i., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Reduced copies of two prints published in 1788. Cf. British Museum online catalogue, registration nos.: 1917,1208.2934 ; 1917,1208.2993., Text below top image: Fred. Zimmerman having escaped from the Abbey of La Trappe & recover'd his beloved mistress is seiz'd and thrown into a dungeon for life., Text below bottom image: The Count de Peltzer mortally wounded by some Austrian foragers on the eve of his marriage., and On leaf 80 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: English barracks., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint on wove paper ; sheet 38.6 x 47 cm., and Mounted on leaf 36 of volume 4 of 14 volumes.
Publisher:
Publish'd Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France
Subject (Name):
France. Armée
Subject (Topic):
Barracks and quarters, Foreign opinion, British, Arms & armament, Armor, Barbers, Barracks, French, Breast feeding, Canopy beds, Cats, Children, Dogs, Grooming, Hairdressing, Mirrors, Servants, Soldiers, Women, and Yawning
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: English barracks., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France
Subject (Name):
France. Armée
Subject (Topic):
Barracks and quarters, Foreign opinion, British, Arms & armament, Armor, Barbers, Barracks, French, Breast feeding, Canopy beds, Cats, Children, Dogs, Grooming, Hairdressing, Mirrors, Servants, Soldiers, Women, and Yawning
"A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. It is inscribed 'Tis expected every' and (round her neck) 'will do his duty'. She watches a servant holding a foppish and elderly naval officer, while he flourishes a cudgel. Bellows lie on the ground. The servant had discovered Miss Baily hanging, and after reviving her with bellows, had fetched the object of her affections and compelled him to marry her."--British Museum online catalogue. On the wall is a painting of Venus and Adonis with Cupid
Alternative Title:
Miraculous recovery of the unfortunate Miss Baily
Description:
Title etched below image., Later printing, not before 1812., Possibly also the work of Isaac's son George., One line of text immediately below title: A ballad by W.J. Donne., Five numbered stanzas of verse arranged in two columns in lower portion of print: A lady fair in deep despair, who pleas'd the beaux in singing, From off the tester of her bed, one morning she was singing..., From the Laurie & Whittle series of Drolls, plate numbered: 456., and Watermark: [Turke]y Mill 1812?
Publisher:
Publish'd Jany. 28th, 1807 by Laurie and Whittle, 53 Fleet Street
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
Drawing showing the interior of the Great North Bedchamber at Strawberry Hill. A canopy bed is centered against the back wall, flanked on either side by two chairs and two hanging paintings. At right is the chimney-piece of Portland stone and gilt designed by Horace Walpole from the tomb of W. Dudley, Bishop of Durham, in Westminster Abbey; a firescreen and two red china bottles are seen sitting in front of the fireplace, while the large picture of Henry 8th and his children is seen hanging above. On the wall at left are two bow windows, the arched tops of which are painted with coats of arms. Between the windows hangs a large mirror, above which hangs a painting and below which sits a table with three vases on it. A clock hangs above another chair on the extreme right. The walls are covered in crimson Norwich damask; two crimson rugs cover the floor, one beneath the bed and the other in the center of the room. The celing is decorated with a geometric pattern in gold
Alternative Title:
Great North Bedchamber
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 204 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Interiors, Bedrooms, Canopy beds, Chimneypieces, Chairs, Clocks, and Windows
Title from item., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Temporary local subject terms: Royal bedchamber at Richmond Lodge(?) -- Domestic service: black footboy -- Royal arms -- Royal beds -- Crowns -- Courtiers -- Carpets.
Publisher:
P. Schenk?
Subject (Name):
George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., William Augustus, Prince, Duke of Cumberland, 1721-1765., and Suffolk, Henrietta Hobart Howard, Countess of, 1688?-1767.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
A man with lecherous look on his face, his tongue between his teeth and with a large grin, reaches his hand between the curtains of a canopy bed, his other hand raised. Behind him leaning against a coat tossed on a chair is a bed warmer. On the dresser behind him is a bust of a woman with a feathered headdress. On the small chest at the foot of the bed is a basket with a lid
Description:
Title etched below image., Series title and number from impression in Les Musèes de la Ville de Paris., Printmaker's name etched in image, at bottom of bureau., Date based on Plate 15, which was entered in the 'Bibliographie de France' for 29 March 1817., Dimensions from the impression in Les Musèes de la Ville de Paris., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Sheet trimmed to image: 21 x 13.7 cm.
Publisher:
Chez Martinet, Libre., rue du Coq, no. 15
Subject (Topic):
Bedrooms, Canopy beds, Headdresses, Lust, and Sculpture
