"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
"A scene in the Lords. A large Green Bag stands wide open on the floor before the Woolsack; John Bull, a fat 'cit', takes from it a bottle inscribed 'Imputation' [cf. British Museum Satires No. 13796]; the cork, in the form of a crown, flies up, and smoke rises. Eldon, seated on the Woolsack, one foot regally on a sack inscribed 'Mother Coal', scowls at the bottle; his mouth, like those of the other peers, is closed by a padlock, but he holds up a paper inscribed: 'My Lords-- Right or Wrong we will proceed'. J.B. faces him with arm flung back, exclaiming: "Stop--hear me first--step one Inch if you dare without my consent-- I protest against your Secret Tribunal I'll protect the Queen look at this Bottle--and look at that Reptile." He refers to a serpent wearing a royal crown and representing the King; this issues from a rent in the bag which is inscribed 'The Green Bag Opened'. Peers are grouped near Eldon, the Archbishop of Canterbury, Wellington, and Liverpool being the most prominent. On the right, behind a bar, stands the Queen wearing a small spiky crown, surrounded by three counsel (Brougham, Denman, and Lushington)."--British Museum online catalogue
Alternative Title:
John Bull and the secret committee
Description:
Title etched below image. and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published July 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Manners-Sutton, Charles, 1755-1828, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Politicians, Legislative bodies, Interiors, Bags, Bottles, Crowns, Smoke, Locks (Hardware), and Snakes
"The head of Pitt, gazing up in profile to the right, is travestied as a fungus; his long neck represents the stalk, which grows out of a crown resting on a dunghill on which are three satellite toad-stools. Clouds and landscape, slightly indicated, form a background."--British Museum online catalogue
Alternative Title:
Toadstool upon a dung-hill
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. Decr. 20h [sic], 1791, by H. Humphrey, N. 18 Old Bond Street
Title from item., Title etched below image., Publisher's initials form monogram., Sheet trimmed to plate line., and Date of possible publication from British Museum catalogue. Reissue by a different publisher.
Publisher:
Pub. by HHumphrey, No. 18 New Bond Strt
Subject (Name):
Amherst, Jeffery Amherst, Baron, 1717-1797., George III, King of Great Britain, 1738-1820., and Gordon, George, Lord, 1751-1793.
Title etched below image., Date from item., Place of publication derived from copyright statement., Trimmed sheet., Document depicted in image titled: Gewapende neutralitiet., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Publish'd according to Act of Parliament 5 January 1781, price 4 Schilling
Subject (Geographic):
Great Britain and Netherlands
Subject (Name):
George III, King of Great Britain, 1738-1820., North, Frederick, Lord, 1732-1792., and First League of Armed Neutrality.
Subject (Topic):
Neutrality, Armed, Art and mental illness, Anger, Sleeping, Writing materials, Treaties, Candlesticks, Politicians, Kings, Crowns, and Politics and government
A Spaniard using his sword as a walking stick and capering with satisfaction, leads a procession along a country road to a building inscribed "Inquisition." He is followed by a happy looking Frenchman who pulls George III on a rope tied around the King's neck and through a gate made from two vertical spears with a third one tied horizontally on top. A lion is falling down from it while the unicorn tries to balance itself and the crown. The King is followed by Lord Shelburne (William Petty), mimicking both the royal posture and dress, and holding a rolled document signed 'Preliminaries." Their orderly progress is watched by a lean, simply dressed man holding in his right hand a scourge with many lashes and the word "America" between them. With his left, he pulls the rope tied around the neck of a boorish Dutchman, his hands stuck in his pockets, smoking a pipe
Alternative Title:
Blessed are the peacemakers
Description:
Title from item.
Publisher:
Pub. by E. Dashery [sic], Feby. 24 1783 St. James's Street
Subject (Geographic):
England and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820. and Lansdowne, William Petty, Marquis of, 1737-1805.
The sudden entrance, through the window, of Napoleon Bonaparte startles tailors assembled in their shop, i.e., the European rulers at the Congress of Vienna, busy "cutting out" portions of Europe for themselves. With a blood-dripping sabre in his hand, Bonaparte declares his readiness to join them in this activity. To his left, a startled King of Holland moves toward the Austrian Emperor, shown with a pair of small scissors and an iron in his hands, who is Napoleon's father-in-law and whom the deposed French Emperor asks, "Where is my wife and son, father Francis?" Beside Francis I, the Russian Emperor stands on a large piece of cloth lined with "Polish fur," raising in his left hand a knot made out of the measuring tape. On the opposite side of the workbench, a fierce-looking Prussian general Blücher threatens Napoleon with huge shears. Behind him, the King of Prussia, sitting cross-legged, continues sewing a piece of cloth signed, "Pattern of an Emperors Robe." To his right stands Napoleon's former marshal, Bernadotte, now allied against him as the Crown Prince of Sweden. In the middle of the room, a frightened and helpless-looking King of France lies flat on the floor, consoled by John Bull, with a large club, who promises to sew up "that rascal Boney." Behind John Bull, a terrified Pope scrambles away for the safety, his tiara and cross fallen to the ground. On the other side of Louis XVIII, the French negotiator at the Congress, Talleyrand, attempts to hide under the tailors' bench
Alternative Title:
Devil among the tailors
Description:
Title from caption below image., Artist from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 44 cm.
Publisher:
Pubd April 21st, 1815 by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821., Louis XVIII, King of France, 1755-1824., Francis I, Emperor of Austria, 1768-1835., Alexander I, Emperor of Russia, 1777-1825., William I, King of the Netherlands, 1772-1843., Frederick William III, King of Prussia, 1770-1840., Pius VII, Pope, 1742-1823., Charles XIV John, King of Sweden and Norway, 1763-1844., Blücher, Gebhard Leberecht von, 1742-1819., and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
John Bull (Symbolic character), Congress of Vienna, Tailor shops, Clothing and dress, Scissors & shears, Hats, and Crowns
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
"A sequel to British Museum Satires No. 10518, Gillray's 'Tiddy-Doll'. Napoleon, haggard and desperate, wearing tattered uniform without the former apron and sword, walks in profile to the left, carrying on his head a large tray. On this stand three gingerbread kings, burlesqued and mutilated, with two queens, a detached head (crowned), and (right) a pile of imperial emblems: crowns, mitre, sceptre, eagle, flag, &c. On the left a bonnet rouge hangs from a staff. In the middle stands an imperial eagle with a tricolour flag to which is tied a broom showing that the contents of the tray are for sale. Napoleon says (with grimly closed mouth): "Buy my Image! Here's my nice little Gingerbread Emperor & Kings Retail and for Exportation!" Behind him is a tumbledown thatched hovel; over an aperture where more gingerbread figures are displayed is a board: 'Tiddy-Doll Gingerbread Baker. NB Removed from Paris.' Above fly three of the (carrion) birds associated in these prints with Elba. Napoleon walks towards the sea; across the water (in France) tiny figures dance holding hands round a white flag inscribed 'Vivent les Bourbons' and topped by a fleur-de-lis. Behind them is the gable-end of a rustic inn: 'The Kings Head New Revived'. A fiddler capers on the edge of the cliff, watching Napoleon."--British Museum online catalogue and "One of many satires on Napoleon's banishment, see British Museum Satires No. 12229, &c., and on the fall of the Bonaparte kings, the 'Corsican Kinglings' of British Museum Satires No. 10518. The Kings must be Joseph, Louis, and Jérôme, see British Museum Satires No. 12225, the Queens either their wives or Napoleon's sisters; they symbolize the fall of the dynasty and no precise identification is necessary. The other kings of British Museum Satires No. 10518, those who owed their crowns to Napoleon, are absent; they are now his enemies."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., Sheet trimmed within plate mark., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Pubd. April 21st, 1814, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Louis Bonaparte, King of Holland, 1778-1846, and Jérôme Bonaparte, King of Westphalia, 1784-1860
Subject (Topic):
Elba and the Hundred Days, 1814-1815, Military uniforms, French, Baked products, Trays, Kings, Queens, Crowns, Scepters, Miters, Liberty cap, Flags, Brooms & brushes, Birds of prey, Bodies of water, and Cliffs
