The third drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this third drawing, Edward is shown at a tea table with another man and woman. The room is more simply decorated than his brother's. On the wall is a single mirror (Baroque style), on either side of which hang a man's hat and a woman's cloak and hat. A little dog stands with its paws on Edward's leg. Through the window on the right is slight view of a tree and field
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '3' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Allegorical drawings, Couples, Dogs, Tea parties, Parables, and Parlors
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title, printmaker, state, imprint, and series from Paulson and finished states. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., Ms. note in Steevens's hand below print: See Mr Nichols's book, 3d edit p. 250. This 3rd Plate of the set, was engraved by Baron, the figure of the girl excepted, which being an afterthought, was added by Hogarth's coarser burin., and On page 93 in volume 1. Sheet 498 x 373 mm.
A kitchen scene with three female domestics. One is bending over offering an excited dog some sustenance from a tilted bucket while a second looks on with a slight smile. A third servant sits laboring in front of the fireplace
Description:
Title and date supplied by cataloger., Signed with the artist's initials in black ink below image., and For further information, consult library staff.
Subject (Topic):
Dogs, Kitchens, Women domestics, Fireplaces, Animal feeding, and Pets
A view of the interior of busy French barracks shows a more domestic atmosphere than military although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title from engraving based on this drawing, published by S.W. Fores 12 August 1791. and For further information, consult library staff.
In a room in an Oxford tavern, one of the fellows drunkenly holds up a glass of wine while addressing the Vice-Chancellor who rebukes him for his conduct. A man with a bludgeon resting on his shoulder stands in the doorway. On the wall, an almanck (Oxford alm[...]. A dog lies asleep on the floor
Description:
Title from British Museum catalogue., Plate from: The humours of Oxford. 2nd ed. London : J. Watts, 1730., and Pencilled note on verso in W.S. Lewis's hand: Removed from Lady Ossory's copy of Fugitive pieces.
In a room in an Oxford tavern, one of the fellows drunkenly holds up a glass of wine while addressing the Vice-Chancellor who rebukes him for his conduct. A man with a bludgeon resting on his shoulder stands in the doorway. On the wall, an almanck (Oxford alm[...]. A dog lies asleep on the floor
Description:
Title from British Museum catalogue., Plate from: The humours of Oxford. 2nd ed. London : J. Watts, 1730., and Mounted to sheet 255 x 190 mm with red ink ruled border and ms. title in red ink: Oxford in the days of Hogarth.
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title, state, and date from Paulson., Third state: Scene number has been removed but traces remain., Sheet trimmed to plate mark with loss of last two character's in printmaker's name., Ms. note in Steevens's hand above: Cocu Imaginaire / 171., and On page 52 in volume 1.
Frontispiece to James Miller, 'The Humours of Oxford', 2nd edition (London, 1730); scene in a tavern; at centre Haughty, a Fellow of one of the Oxford colleges, sits drunkenly disputing with the Vice-Chancellor, who stands at right; on the other side of the table at left, standing, are Conundrum (another Fellow), also drinking, and a servant, behind Conundrum on the wall, a framed 'Oxford Alm[anac]'; in the doorway, holding a truncheon, the Vice-Chancellor's attendant
Description:
Title and date from Paulson., Date based on other work by Van der Gucht., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Humours of Oxford / Old Impression / 169., and On page 52 in volume 1. Sheet trimmed: 17.8 x 11.1 cm.
Frontispiece to James Miller, 'The Humours of Oxford', 2nd edition (London, 1730); scene in a tavern; at centre Haughty, a Fellow of one of the Oxford colleges, sits drunkenly disputing with the Vice-Chancellor, who stands at right; on the other side of the table at left, standing, are Conundrum (another Fellow), also drinking, and a servant, behind Conundrum on the wall, a framed 'Oxford Alm[anac]'; in the doorway, holding a truncheon, the Vice-Chancellor's attendant
Description:
Title and date from Paulson., Date based on other work by Van der Gucht., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Modern Impression., and On page 52 in volume 1.
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title from a copy published by Carington Bowles, July 17th, 1770., Unsigned; attributed to Francis Grose., and Date of production based on exhibition history; this drawing was exhibited at the Incorporated Society of Artists in 1767.
Subject (Topic):
Blacks, Interiors, Kitchens, Servants, Peg legs, Violins, Bellows, and Dogs
