Moore, James, active approximately 1761-1763, printmaker
Published / Created:
[before 1765]
Call Number:
765.00.00.97+
Image Count:
1
Resource Type:
still image
Abstract:
"Two Africans on a shore, one on the left kneeling with one foot in the water and plants in his hand, the other standing, holding a spear and looking up at a third man who passes, riding a laden elephant; a palm tree, lion and elephant in the background."--British Museum online catalogue
Alternative Title:
Gold, Ivory, Coral, Africa may boast, ...
Description:
Title from the first line of verse below image., Printmaker from Chaloner Smith., Before 1765 (see British Museum online catalogue)., Verse continue: ... But whilst those regions feel too fierce a blaze, And brute-like Natives blacken all the Coast, They more our Pity, than our Envy, raise., See Smith, J.C. British mezzotinto portraits, volume 3, page 941 for mention of an earlier state of this series of four plates "Quarters of the World": "Sold by I. McArdell at the Golden Head in Covent Garden & R. Sayer opposite Fetter Lane, Fleet Street"., One of a series of four allegorical prints, the others depicting Asia, America, and Europe., and Sheet trimmed to plate mark on three sides; trimmed within plate mark at bottom edge.
Publisher:
Printed for & sold by R. Sayer opposite Fetter Lane, Fleet Street
"Tipu Sultan (left) gallops (right to left) past Cornwallis who is seated in an ornate chair on the back of an ill-drawn elephant. Tipu, rising in his stirrups, excretes a blast which displaces a boy-mahout on the elephant's neck and strikes Cornwallis. He says, "Now my Lord I'll Tip you the Swamps". The horse excretes a blast directed at the elephant's eye. The elephant, raising its trunk, says, "I wish I could run as fast as he how i would thump him." Cornwallis, with his sabre raised above his head, his left fist clenched, says, "These Monsoons are more Violent than ever I knew them before Boy turn back again." The boy says, "Yes my Lord I am going backwards Pr force." Behind Cornwallis's seat is a box inscribed 'Rice for Gruel during the Monsoons'. Behind Tipu (left) is a circular fort inscribed 'Seringapatam'."--British Museum catalogue
Alternative Title:
How to gain a complete victory and say you got safe out of the enemys reach
Description:
Title etched below image., Printmaker from British Museum online catalogue., and Watermark: I Taylor.
Publisher:
Pubd. Decr. 15, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India and India.
Subject (Name):
Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Cornwallis, Charles Cornwallis, Marquis, 1738-1805, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
Subject (Topic):
History, Daggers & swords, Defecation, Elephants, Horses, Military retreats, British, and Urination
Ten hand-colored engravings, depicting scenes from the Battle of Seringapatnam, form the border of a writing sheet, one each along the upper and lower edges and four on either side. Illustrations include, at the top, a battle scene; portraits of the British generals, Harris and Stuart; Tippoo Saib discovered among the slain, Tippoo's sons surrender; A sepoy upon a charge, An Indian soldier; Tippoo Sultan, Tippoo Sultan's wife; a design with flags, drums, cannons, swords and bugles. The battle scene and the image with the two sons include images of elephants
Alternative Title:
Conquest of Seringapatnam
Description:
Title from head of sheet., Numbered '65.' in lower right corner., With blank center of sheet filled in manuscript in black ink with an adage and a poem and signed: John Halton June 12th, Prescot School, 1801., and With watermark and countermark.
Publisher:
Published 18th Novr. 1799 by Laurie & Whittle, 53, Fleet Street
Subject (Geographic):
India, India., Śrīraṅgapaṭṭaṇa., and Indian
Subject (Name):
Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
If you can't find your condom size, you are an elephant
Description:
Title and publishers from item., Date from other posters in this campaign., Inscription: SIDA. Aujourd'hui, on peut faire beaucoup. Mais riens sans vous. Cette campaign de prévention et d'information est réalisée à l'initiative du Ministère de l'emploi et de la solidarité - Secrétariat d'État à la sante et à l'action sociale ; Comité français d'éducation pour la santé., In margin upper left: Australie R.C.S. Nanterre B 318 827 102 - Réf.: 13-98245-A., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Condition: Very Good; L creasing; UL edge small tears (2).
Publisher:
Ministère de l'emploi et de la solidarité - Secrétariat d'état à la sante et à l'action sociale ; Comité français d'éducation pour la santé and 1998
Subject (Topic):
Sexually transmitted diseases, AIDS (Disease)., Condoms, Safe sex in AIDS prevention, and Elephants
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
Dr Barclay's advocation to the proposed professorship of comparative anatomy supported and opposed; represented by him riding the skeleton of an elephant into the university of Edinburgh and "Caricature of a man (Dr Barclay) riding on the skeleton of an elephant in Edinburgh University, engaged in an academic disputation with other professors about muscular motion."--British Museum online catalogue
Alternative Title:
Uproar among the craftsmen at Ephesus, opposing a new species of knowledge which they thought might interfere with the profits of their trade
Description:
Title from text at top of image; remainder of title from text below image., Imperfect; sheet trimmed within plate mark and torn with some loss from upper left, and printmaker's signature either lightly printed or possibly erased from sheet., Possibly a plate from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Hugh Paton, Carver and Gilder, 1837-1838, v. 2. no. 152., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: College of Edinburgh -- Royal College of Surgeons., and Printed description mounted with print.
Publisher:
publisher not identified
Subject (Name):
Barclay, John, 1758-1826, Gregory, James, 1753-1821, Hope, Thomas Charles, 1766-1844, Monro, Alexander, 1773-1859, Jamieson, Robert, 1774-1854, Johnson, Robert, 1765-, Barclay, John, 1758-1826., Gregory, James, 1753-1821., Hope, Thomas Charles, 1766-1844., Monro, Alexander, 1773-1859., and University of Edinburgh.
"Justice (left) flogs Fox at the tail of an elephant, as culprits were then flogged at the cart's tail. The elephant is in profile to the right. Fox is stripped to the waist, a rope round his neck is attached to the animal's tail, his hands are on the animal's hind-quarters; he looks over his right shoulder with an expression of anguish. Justice, a blind-folded woman in pseudo-classical draperies, stands with a knotted scourge raised to strike; she says "Vengence is mine, I will repay". On the elephant's flank is engraved, 'He that exalteth himself Shall be abased'."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., and Printmaker from British Museum catalogue.
An enraged elephant with Lord North's face runs along Leadenhall Street chased by a group of opponents of the India Bill. They are led by the King who prods the elephant's hind leg with a spiked stick. The unseated Fox, falling head downwards, is about to hit the "East India Bill" which lies on the pavement, on which a dog is urinating. On the left, Burke, having dropped the elephant's rope and trumpet, runs away tripping over a large bundle, "Plans of Oeconomy." In the background, Pitt shores up the facade of the India House with a large beam
Description:
Title etched below image. and A sequel to British Museum satire no. 6276, and an imitation of that print by another artist.
Publisher:
Published as the Act directs, 24 Decr. 1783 by D. Brown
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Thurlow, Edward Thurlow, Baron, 1731-1806., Melville, Henry Dundas, Viscount, 1742-1811., Lansdowne, William Petty, Marquis of, 1737-1805., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., and East India Company.
Subject (Topic):
Politics and government, Elephants, Trumpets, and Chasing
