Title from text above image., Publication date inferred from that of the book in which this plate was published., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Three columns of explanatory description below image: A. Roger Mortimer, Earl of March, favourite of Edward III ..., Plate numbered '29' in upper right corner., Temporary local subject terms: Bedchamber -- Pictures amplifying subject: portraits of the Princess of Wales and Lord Bute -- Monitor -- North Briton -- Furniture: couch -- Furnishings: bed curtains -- Quotation from Thomson -- Literature: allusion to Richard III by Shakespeare -- Peter des Roches, d. 1238, Bishop of Winchester., and Mounted to 27 x 39 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Mortimer, Roger de, Earl of March, 1287?-1330, Burgh, Hubert de, d. 1243, Montfort, Simon de, Earl of Leicester, 1208?-1265, and Essex, Robert Devereux, Earl of, 1566-1601
Subject (Topic):
Interiors, Beds, Ghosts, Newspapers, and Draperies
Title above first two columns., In four columns with the title above the first two; the columns are not separated by rules., Date of publication from English short title catalogue., Verse begins: "Lovers I beg lend an ear to this story,"., In this edition the initial word "The" is captialized., Mounted on leaf 79. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
publisher not identified
Subject (Geographic):
Barbados
Subject (Topic):
Love poetry, Parent and child, Cruelty, Merchants, Murder, Sailors, Ghosts, Letter writing, and Man-woman relationships
"Satire on Admiral Byng; Byng, in fetters, is visited by the ghost of his father, the naval hero George Byng, Viscount Torrington, who harangues him in verse; on a table are books lettered "Spanish Armada" and "Matthews and Lestock"; on the wall behind the figures are two pictures, one in which Byng addresses the Duke of Newcastle, "Pray your Grace let me be sent", and the other in which a figure of Justice points to a mob carrying an effigy of Byng, labelled "I Could not Fight", towards a gallows at the foot of which lies a sheet of paper lettered, "Gazetta B[yng']s Letter Lyes and Nonsence"."--British Museum online catalogue
Description:
Title etched below image, above verses., Sheet trimmed to plate mark., Two columns of verse below title: Oh, thou whose timid cow'ring heart, by low born fear's betray'd ..., Temporary local subject terms: Personfications: figure of Justice., Watermark: Fleur-de-lis., and Mounted to 35 x 40 cm.
Publisher:
Publish'd according to act of Parliament, Aug. 14, 1756, by J. Smith at Hogarth's Head, Cheapside
Subject (Name):
Byng, John, 1704-1757 and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
"Satire on Lord Camden alleging that he had abandonned his liberal principles on becoming Lord Chancellor. Camden, on the left, in his Chancellor's robes is aghast at the appearance of the ghost of his former self when Lord Chief Justice. He holds out a book lettered, "Lex Temporis" and papers lie beside him referring to supposed corrupt practices, "Grants / Reversion / Irish Pensions / Patent of Peerage / Non obstante [licence from the Crown]", and a scroll falls in front of him lettered, "is but 40 days Slavery at outside", a reference to his support of an embargo on corn export for forty days; his mace and purse (lettered "Latent Power") lie on a bench draped with tartan together with a letter reading "... your A--s] & your mace in ye Kennel within a fortnight by G[od] / yours Tom Tilbury [Lord Northington, Camden's predecessor as Lord Chancellor]". Behind the Lord Chancellor is a chair with arms and legs made of boots, upholstered in tartan and with thistles around its back; an oval lportrait showing Lords Bute and Chatham is on the back with the motto "Arcades Ambo"(two of a kind); a boot and Pitt's crutch are tied together and resting ont he back of the chair; burning papers on the cair are lettered "Negabimus / Magna Farta" and "vendemus Justitiam". The ghost holds out a book lettered "Lex Terra"; a scroll falling in front of him reads "The liberty of an English Dw[e]l[ling] cannot be estimated" (a paraphrase of his statement against General Warrants in the John Wilkes case). William Beckford, Camden's former ally, is shown creeping under the bench saying "Hide me ye Sugar Casks", a reference to his wealth from sugar plantations in Jamaica. A row of portraits on the wall show from the left: Lord Northington, Judge Jeffreys, Beckford, Sec[re]t[ary Astley, Chatham, L[or]d S[-]d and William Scrogg[s]; in front of the portraits is a book shelf containing, "Filmer's Patriarcha / Argu[men]t for Ship Money / Judg[ment] ag[ain]s[t] Hamden / Froit Le Roy / Prerogatives Regli / Grotius English Law"."--British Museum online catalogue and Pictures amplifying subject: portraits of various officials
Alternative Title:
Apparition of a late patriot Chief Justice to a modern prerogative Cane
Description:
Title from caption below image., Description based on imperfect impression; sheet trimmed within plate line with loss of last word in title. Title from British Museum catalogue., and Mounted to 31 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Mansfield, William Murray, Earl of, 1705-1793, Beckford, William, 1709-1770, and Northington, Robert Henley, Earl of, 1708?-1772
A woman in long, white flowing gown and veil which cascades over her shoulders and arms, stands in a profile to the left, her right arm raised toward the kneeling figure of a young man in regimentals. The man looks at her through an eye-glass in his right hand. The image is a reference to M.G. Lewis's popular play, Castle Spectre in which Mrs. Powell played the title role; the admirer is evidently Prince Ernest
Description:
Title from item.
Publisher:
Pub. by Willm. Holland, No. 50 Oxford Street
Subject (Name):
Ernest Augustus, King of Hanover, 1771-1851, Lewis, M. G. 1775-1818. (Matthew Gregory),, and Powell, Jane, approximately 1761-1831.
Title from item., Etched illustration by George Cruikshank, entitled "Rumjumdildopunt's Dream!!!", is printed at top beneath imprint; it depicts George IV having a bad dream concerning Queen Caroline, with the Queen and the ghost of George III appearing at his bedside, and demons seen flying above the headboard. With letterpress description of the dream printed below., Letterpress text, printed in two columns, beginning: It was Thursday morning, the watchman of the Mall was hoarsely bawling the hour of five ..., "Price sixpence"--Following imprint., Mounted to 58 x 39 cm., Mounted on leaf 8 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink beside etched illustration; "Nov. 1820" added in ink in lower right corner of sheet. Additional ink annotations identify the public figures (politicians, royal mistresses, and Royal Family members) alluded to in the text.
Publisher:
Printed and published by J. Turner, 170, Aldersgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and George III, King of Great Britain, 1738-1820
Subject (Topic):
Political satire, English, Beds, Sleeping, Dreaming, Ghosts, and Demons
Title below image., Published in Puck, 3 August 1881., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Infectious disease; Politics, U.S.A.
Publisher:
Published by Keppler & Schwarzmann; New York; Office No. 21-23 Warren St.
Subject (Geographic):
United States
Subject (Name):
Garfield, Lucretia Rudolph, 1832-1918. and White House (Washington, D.C.).
Subject (Topic):
Malaria, Government facilities, Ghosts, Wetlands, and Politics and government
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A satire on William Pitt on his accepting office in government showing him reacting in horror to the sight of the ghost of Sarah, Duchess of Marlborough who appears in her shroud saying “Furies Wheres my 10000 £”, in one hand she holds a paper lettered “Taken a Place” and another lettered “Voted for ye C(our)t”. Her other hand points down to a portrait of Lord Chesterfield on the floor which has been torn from its frame on the wall and in this hand she holds a paper lettered “and you too 20000£”. Behind her is a statue of Queen Anne. Flashes of lightening come through the window at the back of the room aimed at Pitt as he sits at a table with two candles on it writing “an answer to T.H.” also on the table are “Letters to W(ilia)m. P(itt) Tr(easurer) of I(relan)d” and “Letter to W(ilia)m P(itt) by T. H-y Esq. On his forehead is written “HANOVER T(urnip)S”."--British Museum online catalogue
Alternative Title:
The ghost of a Duchess to William Pitt Esqr
Description:
Title from item., Sheet trimmed within plate mark., Thirteen lines of verse in three columns below image: Ungrateful P---. You have me bitt! ..., Temporary local subject terms: Statues: statue of Queen Anne on pedestal -- Ghosts: the Duchess of Marlborough -- Lightning bolts -- Female dress: Queen Anne's dress -- Lighting: candlesticks -- Furniture -- Furniture -- Furnishings: wall clock and bracket -- Letters -- Legacy., Watermark., and Mounted to 32 x 43 cm.
Publisher:
Publishd. for L. Raymond
Subject (Name):
Anne, Queen of Great Britain, 1665-1714, Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744, and Pitt, William, Earl of Chatham, 1708-1778
