"A lady stands at her dressing-table (right), her hair in an enormous pyramid decorated with feathers torn from a peacock, an ostrich and a cock. A young girl wearing a hat holds the peacock by a wing; another wearing a cap tugs hard at one of its tail feathers (which are very unlike peacock's feathers). An ostrich (left), which has lost most of its tail feathers, is about to pluck out those which ornament the lady's hair. A cock stands in the foreground (right), having lost almost all its tail feathers, many of which lie on the floor. A black servant wearing a turban stands on his mistress's right, handing feathers from a number which he holds in his left hand. The lady, who faces three-quarter to the right, is elaborately dressed in the fashion of the day. Her pyramid of hair is decorated with lappets of lace and festoons of jewels as well as with feathers. She wears large earrings, a necklace with a cross, her bodice is cut very low, and her elbow sleeves have lace ruffles. A pannelled wall forms the background."--British Museum online catalog
Description:
Title from caption below image. and Printmaker identified as Philip Dawe by Dorothy George. See British Museum catalogue.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street
"Satire on barbers showing a figure composed from implements connected with the trade, the body being a mirror, the arms razors, the legs tongs, etc. In the background, three heads on blocks with names of "Three Notorious Spoil Trades": "N - cre", "Warehouse/Gr-ng - r" and "Ch-p-m-n"; woods, a house and hills beyond. Surrounded by a rococo frame from which hang combs, curls,etc.; title in a cartouche above and key below with publication line."--British Museum online catalogue
Description:
Title etched within item., F. Hammond's imprint partially erased from plate and replaced with that of G. Bickham. F. Hammond's publication date erased from plate., Key to numbers in the image in a vignette below it and surrounding imprint., and Price erased from this impression.
Publisher:
Sold by G. Bickham in May's Buildings, Covent Garden, and of all print sellers of London and Westminster
Subject (Topic):
Barbers, Hairdressing, Shaving equipment, and Arcimboldesque figures
A hairdresser stands on stilts to dress the hair of a lady who sits before her mirrored vanity, her fee outstretched and resting on a foot stool. He pulls her long hair high above her head to its full length is taut as he twists to style it. She holds the sides of her head in pain. His coat is tossed on the chair to the left. On her vanity are a pin cushion, bottles, and ribbons. The mirror is supported but two female figures in classical dress and adorned with two cherubs at the top who hold a laurel wreath
Description:
Title etched below image., After Louis Gameray and published by Pierre La Mésangère. See British Museum online catalogue registration number: 1861,1012.197., Series title and number etched above image, Dated in the British Museum catalogue: 1814., and Pierre La Mésangère, located on rue Montmatre in Paris.
Publisher:
La Mésangère
Subject (Geographic):
France and Paris
Subject (Topic):
Clothing & dress, Dressing tables, Hairdressing, Mirrors, Pride, and Stilts
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: English barracks., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France
Subject (Name):
France. Armée
Subject (Topic):
Barracks and quarters, Foreign opinion, British, Arms & armament, Armor, Barbers, Barracks, French, Breast feeding, Canopy beds, Cats, Children, Dogs, Grooming, Hairdressing, Mirrors, Servants, Soldiers, Women, and Yawning
Title engraved below image., Below title: Engraved after an original picture of Mr. John Collett, in the possession of Mr. Smith., Attribution to Rennoldson based on companion print: Grown ladies &c. taught to dance., and Temporary local subject terms: Dancing lessons -- Musicians: violinist -- Ear-trumpets -- Pictures amplifying subject: opera dancer -- Opera dancers: Madame Elastique -- Theatrical costume: opera dancer's costume -- Musical instruments: violin with case -- Music books -- Curl papers -- Placards: dancing lessons advertisement -- Literature: allusion to Works of Isaac Newton, 1642-1727 -- Allusion to Essay concerning human understanding by John Locke, 1632-1704 -- Furnishings: pulley stiles.
Publisher:
Printed for Jno. Smith, No. 35 in Cheapside, & Robt. Sayer, No. 53 in Fleet Street, London
In an elegant bedroom a young woman sits at her dressing table looking at her reflection in the mirror. At her side is a barber with combs in his apron gestures at her image which shows the elaborate high hair of the fashion. Embroidered curtains hang over her canopied bed; the room is decorated with wallpaper and a patterned rug, curtains on the window, and a sash behing the dressing table
Description:
Title from item. and Date conjectured from costume.
"A domestic interior. A fat and ugly citizen, wearing old-fashioned dress with a small unpowdered wig, stands on the hearth-rug (right), his back to the fire; he is meditatively reading the 'Gazette', headed: 'New Taxes', and 'Bankru[pts]', his left hand plunged in his breeches pocket. Behind him on the chimney-piece is a pair of scales for weighing guineas (see BMSat 5128). His wife, bald-headed, ugly, and stout, leans back in an arm-chair, her hands raised in protest at an unpowdered wig which a grotesquely thin and ragged French hairdresser (left) proffers obsequiously. A fashionably dressed young man with cropped hair looks with imbecile surprise at his reflection in an oval mirror over the chimney-piece. His mouth is half-covered by his swathed neckcloth, he wears a short spencer (see BMSat 8192) over a sparrow-tail coat, and half-boots. A young woman with over-dressed but unpowdered (red) hair looks with dismay at her reflection in a mirror which she has snatched from the wall. On the wall is an oval bust portrait of 'Charles 2d', his tiny head framed in an immense powdered wig."--British Museum online catalogue
Alternative Title:
Frugal family saving the guinea
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Scales -- Pictures amplifying subject: portrait of Charles II in a powdered wig -- Newspapers: 'Gazette' -- Male dress: spencers -- Sparrow-tailed coats.
Publisher:
Pubd. March 10th, 1795, by H. Humphrey, No. 37 New Bond Street
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
