Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"King, Queen, bishop and politicians performing on a stage of a theatre."--British Museum online catalogue
Alternative Title:
King, Lords, and Commons, as it was performed at the National Theatre
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Two lines of text below title: Sole proprietor, the Apsley House Junta; leasee, pro tem. Mr. Melbun; stage manager, Mr. Russel ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Incorrectly numbered "107" in brown ink in top center portion of design., Mounted on green paper backing; small strip of paper (6 x 112 mm) with partial title from no. 105 in The political drama series pasted on verso of mount, with the text "Noble lords!!! A few speciements of ou[...]" present., and No. 106.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Russell, John Russell, Earl, 1792-1878, Wellington, Arthur Wellesley, Duke of, 1769-1852, and National Theatre (Great Britain),
Subject (Topic):
Britannia (Symbolic character), John Bull (Symbolic character), Politicians, Bishops, Interiors, Theatrical productions, Stages (Platforms), and Audiences
"Burdett in armour stands with legs astride, sword raised, left fist clenched, making an onslaught on a book which is on the ground, its pages slashed and tattered. On these are fragments of inscriptions: 'Red Book for the . . .'; 'Treasury'; 'Pensions' [twice]; 'Pensions 4000, 3000, 2.400'; 'Teller o the Ex[chequer] . . . 6000 4.000'; 'Sinecu[res]'. He declaims: "I will not stop, - till I have cut out the accursed leaves of the Red Book!!!" His sword-blade is 'Took's Improved Steel'. On the right Tooke peers at him, holding aside a curtain; he says: "Come Come my pupil goes on better than I expected - very indeed for a beginning yes - yes - he'll do after a little practice" [see British Museum Satires No. 10731, &c.]. He holds a book: 'Diversions of Purley' [see (e.g.) British Museum Satires No. 9020]. On the left John Bull, dressed as Sancho Panza with a short tunic and ruff, gapes at his master, his hands on his knees. He says: "What the deuce is he at now! he will certainly get himself into some scrape or other." Mambrino's helmet (the barber's basin) lies at Burdett's feet; it has a tricolour cockade and three feathers."--British Museum online catalogue
Alternative Title:
John Bull turned Sancho Panza
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 1807 by Walker, No. 7 Cornhill
Subject (Name):
Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, Cervantes Saavedra, Miguel de, 1547-1616., Quixote, Don (Fictitious character), and Panza, Sancho (Fictitious character)
Subject (Topic):
John Bull (Symbolic character), Armor, Daggers & swords, Books, Draperies, Helmets, and Feathers
"John Bull stands full-face, shouting and stamping with rage, on a block of turf inscribed 'Land-Tax 4s in the pound'. Across his shoulders are two yokes, one inscribed 'National - Debt &c', the other 'Civil-List &c.'; from the four ends hang objects representing taxes. From the left end of the former dangles a figure made up of barrels, bars, &c, the head represented by lighted 'Candles'; it is inscribed 'Excise-Man'; the rope attaching it to the yoke is 'Excise'. Its right hand (left), inscribed 'Auctions', holds out an auctioneer's hammer; the left holds a bottle of Wine, in a stand inscribed 'Plate'. The other portions of the body are inscribed 'Beer', 'Tea', 'Cyder', 'Spirits', 'Malt', 'Tobacco', 'Calico', 'Hides', 'Glass', 'Soap', 'Coffee', 'Chocolate'. Between its legs are the words 'Licenses &c. &c.' The head of a crocodile inscribed 'New Taxes' extends from the lower left corner of the design, directing a barbed tongue at the Excise Man. From the other end of this yoke a bundle of scrolls dangles from a rope inscribed 'Taxes: Maid Servants, Men Servants, Carriages &c, Game, Places, &c &c.' A similar bundle of Stamps hangs from the left end of the Civil-List yoke: 'Medecines', 'Warrants of Attorney', 'Cards & Dice', 'Almanacks', 'Notes', 'Horses', 'Receipts', 'Bonds &c', 'News-papers', 'Pamphlets', '&c. &c.' From the right end of this yoke hangs a pyramid of barrels, sacks, &c, its rope inscribed 'Customs:' they are inscribed respectively, 'Wine', 'Cloth', 'Leather', 'Salt', 'Pepper', 'Coals', 'Sugar', 'Wool', 'Tobacco &c &c.' ..."--British Museum online catalogue., Title etched below image., Printmaker and date from British Museum catalogue., and Watermark in center of sheet: J Whatman.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Friend of the people and his petty new tax gatherer paying John Bull a visit
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 10571 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "127" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 92 in volume 2.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
Gallant Nelson bringing home two uncommon fierce French crocodiles and Gallant Nellson bringing home two uncommon fierce French crocodiles
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Victories: allusion to Nelson's victory in the battle of the Nile, 1 August 1798 -- Crocodiles -- Military uniforms: admiral's uniform -- Muzzles -- Padlocks -- Amputees -- Male dress: smock -- Hypocrisy: crocodile tears., and Watermark: Strasburg bend with initials G R below.
Publisher:
Pub by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Mrs. Clarke (right) sits triumphantly astride the upper end of a see-saw which is supported on an upholstered stool. The Duke of York (left), dropping his sword, falls headlong from the other end which rests on the ground. She waves her arms, pointing a derisive finger at the Duke, and sings: "Here I go up up up and there you go Down Down Downy, The game it is pretty well up, and so you must fall to the Grouny!" The Duke sings: "What a way for to serve your own Sweety, how could you vex your own Deary, If you had not thrown me quite down, you'd have had your 4 hundred a Yeary." On the ground are the Duke's cocked hat (left) and (right) a mitre, with a book, 'Ovid art of Love', and crosier (see British Museum satires no. 11227), with writing materials and papers: a bundle of 'Love Letters' (see British Museum satires no. 11228, &c.) tied like legal documents, against which is a door-plate inscribed 'for further particulars inquire within', a bundle docketed 'Account of Debts Gloucester' [Place, see British Museum satires no. 11222, &c], a paper headed 'To Col Wardle'. There is a landscape background irradiated by a setting sun."--British Museum online catalogue
Alternative Title:
Game of seesaw, or, Amusement for John Bull and Amusement for John Bull
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Wardle, Gwyllym Lloyd, 1762?-1833.
Subject (Topic):
John Bull (Symbolic character), Debt, Seesaws, Sunrises & sunsets, and Mistresses
George III, shown as a lion holding a sceptre and seated under a canopy, receives a deputation of ganders led by a fox (Charles Fox) and a muzzled bear (Lord North). The first of the ganders reads a petition requesting the dismissal of the elephant (William Pitt) who stands to the lion's left. On the right side of the throne, a bull (John Bull) with its head lowered, appears ready to attack the deputation. The text of "The ganders address" is etched below the image, together with the text of "The lion's answer" in which the King rejects the petition
Description:
Title from item., Publication date from British Museum catalogue., The text of "The ganders address" has the same manuscript corrections as listed in George., and Mounted to 45 x 32 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and Pitt, William, 1759-1806.
Subject (Topic):
John Bull (Symbolic character), Petitions, Bears, Elephants, Foxes, Geese, and Thrones
"Napoleon, trampling over the map of Europe from 'Germany' to the 'British Channel', drops his sabre and raises his left leg, leaving behind the front part of his left foot, planted on the coast and sea between 'Holland' and 'France'. The foot has been slashed off by a little John Bull, who stands on the ocean pointing down at the two islands of 'Great Britain' and 'Ireland', towards which the amputated foot points. John holds a dripping sword, and looks up at the angry giant, saying, "I ax pardon Master Boney, but as we says Paws off Pompey, we keep this little Spot to Ourselves You must not Dance here Master Boney." Blood gushes from both sides of the amputation. Bonaparte, who wears his huge cocked hat, shouts, with gestures of pain and anger: "Ah you tam John Bull!! You have spoil my Dance, !! You have ruin all my Projets!!" 'Switzerland' and 'Italy' are also marked on the map in close proximity to France."--British Museum online catalogue
Alternative Title:
Governor of Europe stoped in his career, Governor of Europe stopped in his career, Little B-n to much for great B-te, and Little Britain too much for great Bonaparte
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures lent out., and Mounted at the corners on a leaf: 42 x 30 cm.
Publisher:
Pubd. April 16, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character), Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Maps, Daggers & swords, and Wounds & injuries
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., Imperfect; sheet mutilated in lower right corner with loss of text. Missing text added in ink to repaired corner, in a modern hand., and Mounted on modern backing.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans