Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"The Queen and the King exhuming the Whigs' corpses in the night and carrying them away."--British Museum online catalogue
Alternative Title:
Resurrection of the Whigs
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left corner of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "84" in brown ink in lower left portion of design., and No. 84.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
Politicians, Graves, Dead persons, Lifting & carrying, and Lanterns
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet partially trimmed within plate mark., Three lines of text below the title: The business of an earth stopper, the night previous to a day's sport, is to stop up the fox's earth ..., Reversed version of no. 14086 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Night scenes -- Fox hunting: earth stoppers.
Publisher:
publisher not identified
Subject (Topic):
Axes, Chimney sweeps, Dogs, Donkeys, Lanterns, Horses, and Spades
Title from item., Numbered 'Plate 59' in upper left corner., Placement instructions in upper right corner: Page 137., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Buildings: outbuildings -- Yokels.
Three generations of a family gather around a humble hearth, forming an image of domestic happiness in a modest setting. The father, seated on a chair set in front of a fireplace, lifts a small child. The mother is seated to his right, holding the hand of one of child while a third plays a drum set on chair. An old man leans on the chair that holds the drum, a bed visible behind him, while at his feet lies a game bag containing a rabbit. On the mantlepiece a cat sleeps beside a lantern
Description:
Title from caption etched below image. and A print in reverse after Etienne Aubry's Paternal love which was exhibited in Paris in 1775.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the act directs
Subject (Geographic):
France. and France
Subject (Topic):
Family life, Social conditions, Children & adults, Domestic life, Interiors, Clothing & dress, Drums, Lanterns, and Chairs
The agitated George III, a trowel in his hand, watches Charles Fox, as a fox, with the "liberty" ribbon draped accross his back, leap over the "vanity pit" (William Pitt) in pursuit of a pack of hounds. In Fox's mouth is the judge's cloak that he pulled off the bewigged and snarling hound (Lord Thurlow). A column inscribed, "to Eastern tyranny," topples down upsetting the male figure of Injustice who holds a sword and a pair of scales. The fox urinates on one of the lanterns that symbolize conspiracy. Behind it, Boreas (Lord North) succeeds in blowing down the "Temple of secret influence" (Lord Temple).
Alternative Title:
Fox chacing the hounds
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., Printmaker and publication date from British Museum catalogue., and Place of publication based on the area of printmaker's activity.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., and Thurlow, Edward Thurlow, Baron, 1731-1806.
Subject (Topic):
Politics and government, Shovels, Foxes, Dogs, and Lanterns
A companion print to British Museum satire no. 6878: The country justice. Inside a watch-house, a burly watchman stands (left) facing an elderly constable who sits frowning in his arm-chair. He holds out a broken lantern and points to a thin, fashionably dressed, and apparently drunken man who stands beside him with closed eyes, holding a large stick in his left hand. Next to the constable is a clerk writing at a desk with a slanted top. The room is lit by a lantern slung from the roof. A map on the wall apparently represents the roads of the parish and the beats of the watchmen. A fire burns in a grate (right).
Description:
Title engraved below image., Eight lines of verse below title: "Watchman. This wicked dog did lift his hand, First knocked me down, then bid me stand; The peaceful neighbours he awoke, And then the Knave my lanthorn broke, At which the Villain loud did Laugh, So down I knock'd him with my staff. "Constable: If so: you Justice did yourself, Therefore begone thou prating Elf.", Originally published July 10, 1785. Cf. British Museum catalogue no. 6879., Sheet trimmed within plate mark., and Watermark: fleur-de-lis on a shield with initials G R below.
Publisher:
Published Sepr. 8th by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
Subject (Geographic):
England and London.
Subject (Topic):
Law enforcement, Police, Clerks, Dogs, Fireplaces, Inkstands, Lanterns, Rifles, Soldiers, British, Watchmen, and Writing materials
A clergyman in bands and gown, his hat on the pavement, squares up to a watchman holding a lantern and stick, his fists raised. He has evidently knocked out one watchman already, who lies on the ground, wig dislodged and still touching his lantern, while a third approaches from the left. Possibly from a series featuring a pugnacious parson's brushes with the law
Description:
Title etched below image., For another print featuring the same characters, see no. 5520 in the Catalogue of prints and drawings in the British Museum, v. 5., Not in the Catalogue of prints and drawings in the British Museum., and Watermark.
Publisher:
Pubd. by Darly, 39 Strand
Subject (Topic):
Clergy, Watchmen, Lanterns, Staffs (Sticks), and Fighting
"Diogenes stands in the House of Commons between the two front benches; both arms are thrown out towards Burdett with a dramatic gesture; in one hand is his lantern, illuminating the patriot at close range; small clouds at his feet indicate that he is a ghost. He turns his head to look steadily at three members on the front Ministerial bench (left), saying: "An Honest Man is the noblest work of God" [Pope, 'Essay on Man', quoted by Burns, cf. British Museum Satires No. 11562]. The three culprits (unrecognizable) register shame and terror, their hair standing on end. Burdett stands by the front bench (right) on which is his hat, displaying to the frightened Ministers (one intended for Perceval) a document headed 'Magna Charta--Pro Rege, lege, grege' [see British Museum Satires No. 11547]. Except for one member on the front bench, those behind Burdett stand, five being depicted, three of whom wave their hats. All the occupants of the gallery wave still more emphatically. In the background and on the left is the Speaker's Chair; the diminutive Abbot, author of the famous Warrant, see British Museum Satires No. 11545, &c., holds up a hand in astonished alarm. Burdett was in the Tower during May, see British Museum Satires No. 11558. 'Hair on end' is an allusion to Lethbridge, see British Museum Satires No. 11538."--British Museum online catalogue
Alternative Title:
Ghost of Diogenes, more hair on end
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Lettered above image: Tegg's Caricatures, No. 111 Cheapside, no. 13. Price one shillg. colod., and Text below title: Diogenes being observed looking about with a lanthorn alight a noon day, was asked what he was hunting after when he replied, for an honest man.
Publisher:
Pubd. May 1810 by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Diogenes, -approximately 323 B.C., Burdett, Francis, 1770-1844, Perceval, Spencer, 1762-1812, Abbot, Charles, Baron Colchester, 1757-1829, Lethbridge, Thomas Buckler, 1778-1849., and Great Britain. Parliament. House of Commons,
A song sheet, all engraved, with an oval image of an obese clergyman with a pipe in hand walking beside the caricatured figure of Jewish man, who carries a lantern, printed above two staves of music with the first verse, above 16 verses in three columns. On the left behind them is building with a lean-to while on the right in the distance across a body of water is a church with a steeple
Description:
Title engraved above image., Other editions attribute the text to George Alexander Stevens (1710-1784) in English short title catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Publish'd July 2nd, 1784, by J. Binns, Leeds, and J. Wallis, No. 16 Ludgate Street, London
Subject (Topic):
Clergy, Ethnic stereotypes, Intoxication, Pipes (Smoking), and Lanterns
"A fat vicar with pipe and glass standing in a doorway, regarding a nervous thin clerk, who holds another glass and a lantern; scene illustrating the tale of 'the vicar and Moses', in which the clerk came to fetch the vicar to bury an infant but stayed to drink with him till past midnight, when both staggered out to go to the church; verses to the song below."--British Museum online catalogue
Description:
Title etched below image., Numbered '(Plate I)' in lower right below image., First of two plates illustrating a popular song under the same title., Thirty-two lines of verse (first half of the song) printed in two columns below title: At the sign of the horse, old Spintext of course, ..., Sheet trimmed mostly within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 17th, 1795, by I. Coard, No. 11 Lisson Street, Edgware Road
