"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., 1 print : etching ; sheet 22 x 33.9 cm., Printed on wove paper with watermark "J. Whatman"., Sheet trimmed within plate mark., Window mounted to 23.6 x 35.5 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "12 Dec. 1820" written in ink in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
Novr. 1825.
Call Number:
825.11.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"A hand projects from the upper margin, holding the ornate beam of a pair of scales against the irradiated inscription Mene mene--Tekel, &c. [cf. British Museum Satires No. 10072, &c.]. One scale (left) is filled by a large melon from which a slice has been cut, and by a paper: One Million Sterling!! The scale is inscribed The times are Rank Hamlet. This slightly outweighs the other scale which is filled by a ducal coronet and papers: Lt R. N--; Duke E[ar]l Baron; Earl of--; Hery Grd Falconer; Chany; Nell Gwynn!; Hery Regr Chancery! The scale is inscribed A Pledge of Better Times."--British Museum online catalogue
Description:
Title etched below image., Attributed to Thomas Howell Jones by Andrew Edmunds. A questionable artist attribution to Henry Heath is given in the British Museum catalogue; an additional printmaker attribution to Robert Cruikshank is given in the British Museum online catalogue, registration no.: 1868,0808.8674., Sheet trimmed to plate mark., and Text below title: I will venture "Coute qui Coute".
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
St. Albans, William Beauclerk, Duke of, 1801-1849. and St. Albans, Harriot Mellon, Duchess of, 1777?-1837.
"The fat, moustached, Duchess of St. Albans and the slim Duke dance with vigour and agility, each poised on the left toe, arms interlaced, and hands meeting above their heads. From the Duchess's small coronet rise giant ostrich feathers which curve above the heads of both and above which a big ducal coronet is suspended. He sings: My Wife shall dance, And I will sing so merry we'll pass this day. She: For I hold it one of the wisest things to drive dull care away. The musicians are two cynical cupids; one (left) sits on large sacks of sovereigns inscribed Cash; coins pour from a slit in a sack and lie on the carpet with a banker's money-scoop. He fiddles: Money in both pockets. The other (right), seated on the apex of a huge melon from which a slice has been cut, plays bagpipes: And auld Robin Gray [Coutts] was a gued Old Man to me! with variations."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to/within plate mark., and A faint impression on the verso.
Publisher:
publisher not identified
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837 and St. Albans, William Beauclerk, Duke of, 1801-1849
