Title from item., Date derived from creator's dates of activity., Place of publication derived from language of text., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Ducornet, Cesar.
Publisher:
publisher not identified
Subject (Topic):
Abnormalities, Human, Anomalies, Artists with disabilities, Painters (Artists), and Palettes
The figure of an artist in profile made from various artists' tools: the head is an artist's palette, paint brushes from a painter's box his hat, etc
Description:
Title from caption below image., Two lines of verse below title: On mind & matter there has been a great schism and here's the doctrine of materialism. T. H., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1824.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
Subject (Topic):
Artists' materials, Artists, Palettes, and Arcimboldesque figures
"A melancholy man wearing night-cap and slippers sits facing an empty grate (right), his feet on the fender, supporting his head on his hand. He is beset by demons, figments of the mind, who are mostly miniature human beings. One stands on the back of his neck holding up a noose which is attached to a projection from the solitary candle on the chimneypiece, which is burnt to the socket. Another, swinging himself from the chimneypiece, offers an open razor. One standing beside the grate commits suicide, a pistol to each ear, glaring at his victim. A little gnome crouches behind the bars of the grate, to which is attached a begging-box with the notice Pray Remember the Poor Debtors [cf. British Museums Satires No. 13287]. In the fireplace is a placard: Mr--Dr to T Coke Coal Mert To 5 Chalds Wallsend . . To Do Chalds Wallsend To 3 Ch . . . £73. On the arm of the chair stands a top-booted bailiff tapping his victim's shoulder and proffering a writ. On the floor a procession walks (left to right) towards the victim, headed by a fat and pompous parish beadle with a tall staff. He is followed by three pregnant women, cloaked and bonneted (cf. British Museums Satires No. 14613, 15495). A lean old-fashioned doctor with a skull-like face hurries up behind them. Last runs a ghoulish creature with a coffin strapped to his back, holding a hammer. A monster with fanged mouth (gout) extends claws towards the victim's feet. On the floor at his side is an open book: Ennui. On a table (left) a mannikin sits on the foot of a reversed wine-glass, gleefully holding up an empty bottle and his hat. Beside him are papers: Bill for Payment Lies due at no . . . Two books on a wall-bracket form a platform for a similar creature who is gleefully painting at one of two pictures on the wall. His brush is a firebrand, a conflagration is depicted. The other picture is of a shipwreck. The books are: Miseries of Human Life [cf. British Museums Satires No. 10815, &c] (Folio) Vol. 2222 and Bucanns [Buchan's] Domestic Medicine. A third picture above the victim's head is of himself assaulted by a screaming virago with a pair of bellows."--British Museum online catalogue
Description:
Title etched below image., Reissue, with new imprint statement. For an earlier state published 10 January 1823 by G. Humphrey, see no. 14598 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., Temporary local subject terms: Miseries of human life -- Artists -- Pictures amplify subject -- Misery -- Hanging rope., Temporary local Medical Library subject terms: Depression -- Devils & Demons., 1 print : etching, hand-colored ; sheet 22.0 x 26.5 cm., and Sheet trimmed within plate mark.
"A melancholy man wearing night-cap and slippers sits facing an empty grate (right), his feet on the fender, supporting his head on his hand. He is beset by demons, figments of the mind, who are mostly miniature human beings. One stands on the back of his neck holding up a noose which is attached to a projection from the solitary candle on the chimneypiece, which is burnt to the socket. Another, swinging himself from the chimneypiece, offers an open razor. One standing beside the grate commits suicide, a pistol to each ear, glaring at his victim. A little gnome crouches behind the bars of the grate, to which is attached a begging-box with the notice Pray Remember the Poor Debtors [cf. British Museums Satires No. 13287]. In the fireplace is a placard: Mr--Dr to T Coke Coal Mert To 5 Chalds Wallsend . . To Do Chalds Wallsend To 3 Ch . . . £73. On the arm of the chair stands a top-booted bailiff tapping his victim's shoulder and proffering a writ. On the floor a procession walks (left to right) towards the victim, headed by a fat and pompous parish beadle with a tall staff. He is followed by three pregnant women, cloaked and bonneted (cf. British Museums Satires No. 14613, 15495). A lean old-fashioned doctor with a skull-like face hurries up behind them. Last runs a ghoulish creature with a coffin strapped to his back, holding a hammer. A monster with fanged mouth (gout) extends claws towards the victim's feet. On the floor at his side is an open book: Ennui. On a table (left) a mannikin sits on the foot of a reversed wine-glass, gleefully holding up an empty bottle and his hat. Beside him are papers: Bill for Payment Lies due at no . . . Two books on a wall-bracket form a platform for a similar creature who is gleefully painting at one of two pictures on the wall. His brush is a firebrand, a conflagration is depicted. The other picture is of a shipwreck. The books are: Miseries of Human Life [cf. British Museums Satires No. 10815, &c] (Folio) Vol. 2222 and Bucanns [Buchan's] Domestic Medicine. A third picture above the victim's head is of himself assaulted by a screaming virago with a pair of bellows."--British Museum online catalogue
Description:
Title etched below image., Reissue, with new imprint statement. For an earlier state published 10 January 1823 by G. Humphrey, see no. 14598 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., Temporary local subject terms: Miseries of human life -- Artists -- Pictures amplify subject -- Misery -- Hanging rope., and Temporary local Medical Library subject terms: Depression -- Devils & Demons.
Title from text engraved around image., Printmaker's name in scratch-proof letters., Place of publication based on printmaker's known place of business., and Tim Bobbin is a pseudonym of John Collier.
Publisher:
publisher not identified
Subject (Name):
Bobbin, Tim, 1708-1786, and Bobbin, Tim, 1708-1786.
Subject (Topic):
Artists' materials, Artists' brushes, and Palettes
Self-portrait of William Hogarth in a fur cap, looking right; a bust in an oval canvas resting on volumes of Shakespeare's works; with his dog Trump on the right. In the lower right, an artist's palette engraved with the words: "The line of beauty and grace. WH 1745". Stack of books labeled: Shakspeare, Swift Works, Milton Paradise Lost
Description:
Title from caption below image. and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181.
Publisher:
Published June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery Pall Mall
Self-portrait of William Hogarth in a fur cap, looking right; a bust in an oval canvas resting on volumes of Shakespeare's works; with his dog Trump on the right. In the lower right, an artist's palette engraved with the words: "The line of beauty and grace. WH 1745". Stack of books labeled: Shakspeare, Swift Works, Milton Paradise Lost
Description:
Title from caption below image., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., Ms. note in pencil in Steevens's hand in margin at top of print: See p. 1 & Mr. Nichols's book, 3d, edit. p. 295., and On page 147 in volume 2. Sheet trimmed within plate mark to: 39.6 x 29.9 cm.
Publisher:
Published June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery Pall Mall
Copy of a self-portrait by William Hogarth; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette
Description:
Title from item., Plate engraved after the original oil painting, done in 1745, now in the Tate Gallery, London. Hogarth himself engraved this image in 1749; cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., On verso, stamp of the copperplate manufacturer: [Whitto]w & Son, N. 43 Shoe Lane, Holborn, London., and For the print produced from this plate, see: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 538, no. 10.
Publisher:
Published June 4, 1795, by J. & J. Boydell, No. 90 Cheapside; & at the Shakspeare Gallery, Pall Mall
Watercolor drawing of a palette, with colored paints in a line across the top, five paint brushes emerging from the thumb hole on the right side and a garland of holly leaves and berries wraps around three sides of the palette. Intended as a vignette as indicated by the words penned in ink below "End of Vol. III".
Description:
Title devised by curator., Signed by the artist with initials at bottom of image., Place of production inferred from artist's city of residence during this time period., Date from decorated title page indicating that the volumes of this copy were "... privately illustrated 1884-1890"., Mounted above drawing is a proof state of a mezzotint engraving after Reynolds entitled The age of innocence., and Bound in as page 240 in volume 9 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
