Volume 1, opposite page [161] Page 55. New London spy, or, A twenty-four hours ramble through the
Image Count:
1
Resource Type:
still image
Abstract:
"May-Day; a busy urban street festival; milkmaids with their 'garlands' - headresses of plate, greenery and brushes; chimney sweepers, a violinist with an artificial leg, and others."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Publish'd as the act directs by Harrison & Co.
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, May Day, Festivals, Milkwomen, Headdresses, Chimney sweeps, Street musicians, Violins, Peg legs, Dance, and Eating & drinking
"A stout and comely lady stands at the door of an ornamentally rustic cottage, shaking a cloth from which tiny officers leap out, holding money-bags. The cloth is inscribed in large letters 'Pin Money instead of Allowance'. She says: "This is a profitable Plan of his and pays me a Devilish deal better than he can, besides the Patronage!!" Five elderly officers of normal size (right) watch their pigmy rivals with consternation. One looks through his glass, saying, "To waste ones health in unwholesome Climates an then fail of promotion because we cannot fee ****** or Army Agents Agents.!!" Another says: "Mother Careys Chickens by - then we shall have a storm indeed!" A third exclaims: "What to spend our lives in the service of our Country, and to be thus degraded by a parcel of Boys!!" He has a wooden leg and a patch over one eye. Another had lost his right arm, and the group seem hardly fit for active service. The 'boys' wear fashionable crescent-shaped cocked hats with plumes, the others old-fashioned hats with cockade, loop, and button. Over the door is inscribed in large letters '... mus Cottage'. It has the ornamental Gothic windows with leaded panes and thatched roof of fashionable rusticity. Beside it is a weeping willow. Below the title: 'NB these Birds have lately been seen hovering about the Horse Guards'. Below the design: 'a Storm Finch, or stormy petterel (the Mother Careys Chickens of the Sailors). Procellaria Pelagica of Linnaeus. is seldom or never seen but in the great Ocean, and then when observed flying near a Ship, is the sure prognostication of a Storm, the analagy [sic] of effect has induced modern Naturalists to class these, with the Pelagica of Linnaeus, tho differing in plumage'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Imprint statement etched within upper portion of image., and Watermark: Ruse & Turners. Small tears along the right edge.
Publisher:
Pubd. Novr. 1808 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Great Britain. Army, and Great Britain. Royal Navy
Subject (Topic):
Officers, Promotions, Recruiting, enlistment, etc, Military officers, British, Amputees, Dwellings, Doors & doorways, Eye patches, Mistresses, Peg legs, and Uniforms
Title from item., Publication date extrapolated from dates of publisher's operation at the address given in imprint. See I. Maxted's London book trades, 1775-1800, p. 113., Copy with variant title. Cf. No. 5261 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Satirized musette -- Animals: boar -- Furniture: music stand -- Wooden legs., and Watermark: Strasburg lily.
"In a bare but neat ale-house room three Greenwich pensioners are in deep and heated discussion at a table before the fire. They point to fragments of pipe stem, arranged to show the position of ships in some engagement. Two sit, one stands; two have peg-legs. A fourth man (left) watches intently. The host (right) enters with frothing tankards."--British Museum online catalogue
Description:
Title etched below image. and Watermark: J. Whatman 1827.
Depicts Orpheus being pushed out of Hades by a demon, though an arch composed of grotesque creatures. Orpheus is shown as an elderly fiddler with a wooden leg, while his counterpart, an elderly unpleasant-looking woman, is led by another demon in the opposite direction. Pluto and Proserpine are seated on thrones in the background laughing at the scene
Alternative Title:
Orpheus and Eurydice
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. as the act directs Jany. 16, 1784, by H. Humphrey, No. 51 New Bond Street
Subject (Name):
Orpheus (Greek mythological character) and Eurydice (Greek mythological character)
Subject (Topic):
Couples, Peg legs, Thrones, Monsters, Demons, and Myths
Poor Robin's dream commonly called poor charity to a compleat tune well known by musicions and may others call'd A game of cards
Description:
Date of publication from ESTC., Verse begins: "How now my good fellow, why now all alone?"., In four columns with the title and two woodcuts above the first two and a third woodcut above the third and fourth columns; rules separate the first and second and also the third and fourth columns., Above the last woodcut: The second part., Third woodcut signed: Sculp J.W., Mounted on leaf 22. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed in this preasent year
Subject (Geographic):
Great Britain
Subject (Topic):
Popish Plot, 1678, War, Dreams, Ballads, English, Economics, Depressions, Scythes, Toys, Peg legs, Hourglasses, and Children
Title from caption below image., Date of publication from British Museum online catalogue, registration no.: 1935,0522.5.48., Sheet trimmed within plate mark., A copy in reverse of no. 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Soldiers -- Volunteers -- Clerks -- Sign: "The Old Fortune" -- Town centers -- Castle gate -- Pictures amplify subject., and Numbered in ms. at top of sheet: 239.
"A design in three compartments, each with its title. [1] John Bull (left), very corpulent, a frothing tankard in his hand, sits in an arm-chair beside a table loaded with beef, pudding, and 'Home Brew'd'; he is approached by three famished Frenchmen, who lean eagerly towards him, cap in hand. He points to the table, saying: "The blessed effects of a good Constitution." The three say: "I am your Friend John Bull you want a Reform"; "My Honble Friend speaks my Sentiments"; "John Bull you are too Fat." Below: [2] The three Frenchmen, ragged, bare-legged, and fierce-looking, two with bludgeons and one with a dagger, advance menacingly to John Bull, who holds out a frog, saying: "A Pretty Reform indeed you have deprived me of my Leg and given me nothing but Frogs to eat I shall be Starved I am no Frenchman." He has a wooden leg, is less stout than in [1], and his clothes are ragged. The Frenchmen say: "Eat it you Dog & hold your Tongue you are very happy"; "Thats right my friend we will make him Happier still" (his cap is inscribed 'Ca ira'); "He is a little leaner now." Below: [3] John Bull lies prostrate screaming "O - H - O - H"; two frantic Frenchmen holding firebrands trample fiercely on him. One (left) says: "now he is quite happy I will have a Jump"; the other adds, "Oh Delightfull you may thank me you Dog for sparing your Life - thank me I say."--British Museum online catalogue
Alternative Title:
Reform begun and Reform compleat
Description:
Title from text etched above each image., Attributed to Rowlandson by the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Food: roast beef -- Beverages -- Dishes: tankards -- Jugs -- Weapons: bludgeons -- Wooden legs -- Allusion to French Revolution -- Frenchmen.
Publisher:
Pulished [sic] as the act directs, Jany. 8th, 1793, by Jno. Brown, No. 2 Adelphi
Subject (Geographic):
France
Subject (Topic):
History, Foreign public opinion, British, John Bull (Symbolic character), Ethnic stereotypes, Obesity, Meat, Beer, Pitchers, Daggers & swords, Frogs, and Peg legs
"Under a canopy (left), sits the 'Noble Grand' or chairman on a raised platform, on each side of him on a lower level sits a 'Vice Grand'. All three wear hats and (like the other members) medallions hung on broad ribbons. In front of the dais is a draped table with emblems of the society, a beehive, a Holy Bible, with a punch-bowl, wine-bottle, and a writing-desk, beside which sits the secretary, holding a pen. On the extreme right is the doorkeeper, a small man wearing a lion's skin round his shoulders and holding up a large club, at the head of which is ficed the jaw-bone of an ass. A member, whom the text shows to be Sir Watkin Lewes, is introducing a small man as a candidate for membership, his thumbs being tied together. The other members are smoking and drinking. In the foreground (left) sits a man whose wooden leg, and a paper inscribed Pension 500 which issues from his pocket, show that he is Brook Watson. Others are seated in the background (right) behind a table with punch-bowl, glassses, and pipes. On the wall is a half-length picture of Samson, raising the ass's jawbone. There are also six framed coats of arms of those who have served the office of Noble Grand. The room is lit by a chandelier composed of two (Argand?) lamps with glass chimneys, hanging from the ceiling."--British Museum catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Attic miscellany, v. i, page 161. An illustration to an account of the 'Samsonic Society, held every week at the Pied House, Chiswell Street.", and Mounted to 26 x 32 cm.
Publisher:
Publish'd as the act directs, by Bently & Co.
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821 and Watson, Brook, 1735 -1807
Subject (Topic):
Chandeliers, Clubs, Dogs, Organizations, Peg legs, and Pipes (Smoking)
Leaf 55. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length caricature portrait of a man playing the musette or pastoral oboe with a double pipe and drone resembling bag-pipes. His attitude is that of a man seated on a high stool, but there is no stool and he is chiefly supported by a wooden leg formed of one of the two pipes of his instrument. The bag of the musette, held under his right arm, is a pig; he holds the animal's hind leg, which forms the second pipe, as if playing on it; in his right hand he holds its tail. He turns his head in profile to the right towards an open book of music on a music-stand. He is elderly and wears a curious tie-wig terminating in two corkscrew ringlets."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "22" in upper right corner., and First of two plates on leaf 55.
Publisher:
Pubd. accorg. to act Jany. 1, 1774, by MDarly, 39 Strand
Subject (Topic):
Musicians, Musical instruments, Music stands, Swine, Peg legs, and Wigs
