"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 12th, 1796, by H. Humphrey, New Bond Street
Title from text above images., Nine images on one plate, eight in two rows; the center image of Liston as Paul Pry is two columns high., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Liston, John, 1776-1846
Subject (Topic):
Performances, Actors, British, Actors, British, and Theatrical productions
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
"Heading to a song printed below the (printed) title: 'Sung with great Applause by Mr. Grimaldi, in the popular Pantomime of "Harlequin Whittington"'. Grimaldi, as an English tourist in Paris, his face made up as a clown, stands full-face, left arm extended towards Paris (right): houses and spires behind a wall with an arch intended for the Arc de Triomphe. He wears a skull-cap decorated with little rosettes, with a frogged and braided overcoat (shorter than was fashionable) with deep fur cuffs and collar; flat (scarlet) slippers and clocked stockings. He holds an absurdly tall top-hat. The second of five verses: Jockies, Jews, and Parlez-vous Courtezans and Quakers, Players, Peers and Auctioneers, Parsons, Undertakers. Modish airs from Wapping-stairs, Wit from Norton Falgate, Bagatelle from Clerkenwell, And elegance from Aldgate. [Refrain] London now is out of Town Who in England Tarries ? Who can bear to linger there, When all the world's in Paris?"--British Museum online catalogue
Description:
Caption title in letterpress below etched image with plate mark 19.2 x 21.9 cm., Print attributed to George Cruikshank in British Museum catalogue., Imprint printed in letterpress below plate mark., Three columns of verse in letterpress: Now's the time to change our clime commerce shuts his day-book ..., and Plate numbered '530' in upper right corner.
Publisher:
Published the 1st of February, 1815 by J. Whittle and R.H. Laurie, No. 53 Fleet Street
"Portrait of Samuel Foote in character; whole length, standing, wearing the latest 'French' fashions, including large fur muff, wig with pointed sides, mis-matched tights, and coat with over-sized cuffs; his outfit is scrutinized by two English gentlemen to the right; two men in background, one preparing a hat, bending over a dressing table with mirror."--British Museum online catalogue and On the back wall are two large framed pictures, both with scenes from mythology. On the left, Apollo with bow and arrow pursues Daphne who has begun the turn into a laurel tree. On the right, Leda and the swan
Alternative Title:
Buck metamorphosed and Mr. Foote in the character of the Englishman return'd from Paris
Description:
Title engraved below image., Date of publication based on the first performance of The Englishman returned from Paris, which premiered at Covent Garden Theatre in 1756., Probably published no later than 1760, when Robert Withy began trading on his own from a Cornhill address. His partnership with John Ryall, at the Fleet Street address listed here, is documented by prints and trade cards in the British Museum from the 1750s. See British Museum online catalogue., Sheet trimmed to plate mark., For a probable reissue of this plate, published by C. Sheppard in the 1790s, see British Museum online catalogue, registration no.: K,60.14., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 231, no. 15., and Mounted to 37 x 27 cm.
Publisher:
Printed for John Ryall & Robt. Withy, at Hogarth's Head in Fleet Street
Subject (Name):
Foote, Samuel, 1720-1777. and Foote, Samuel, 1720-1777
"Sarah Siddons as Lady Macbeth standing in a flagged hall in front of an archway, a view of mountains beyond, looking up resolutely to left, stepping forward and extending her right arm with clenched fist, her other hand at her breast, holding a paper"--British Museum online catalogue
Description:
Title engraved below image., "Shakspeare"--At head of title., Lettered below the image with the title, reference, quotation over eight lines: "Lady M. - Come to my woman's breasts ... To cry, Hold, hold!', and Sheet trimmed to plate mark.
Publisher:
Pub. June 4, 1800 by J. & J. Boydell, Shakspeare Gallery, Pall Mall & No. 90, Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616., Shakespeare, William, 1564-1616, Gruoch, Queen, consort of Macbeth, King of Scotland, and Siddons, Sarah, 1755-1831
Subject (Topic):
Characters, Lady Macbeth, In literature, Performances, and Actors
"Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing 'cothurnes'. He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump 'danseuses' (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer."--British Museum online catalogue
Alternative Title:
Operatical finale to the ballet of Alonzo e Caro
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pubd. May 5th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Didelot, Charles Louis, 1767-1837 and Didelot, Marie Rose Paul, -1803
"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., and Leaf 24 in an album with the spine title: Characatures by Dighton.
"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., 1 print : etching ; plate mark 27.3 x 19.7 cm, on sheet 32.1 x 23.3 cm., and Printed on wove paper; hand-colored.
"The actor George Frederick Cooke as Richard III, standing and turning with his right leg forward, arms to left, holding a scroll in his right hand, head turned and looking three-quarters to right, wearing regal red and gold costume with fur-trimmed robe, red hat with crown and feathers, purple breeches and spurred boots, sword at left hip."--British Museum online catalogue
Alternative Title:
Ha! Am I King? 'Tis so - but - Edward lives
Description:
Title etched within banners below image; the banner containing the actor's name is etched upon a vignette of theatrical attributes, while the banner containing lines from the play is etched beneath the vignette., "From a drawing in the possession of Thos. Harris Esq."--Etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 25 in an album with the spine title: Characatures by Dighton.
Publisher:
Pubd. Decr. 1st, 1800, by Dighton, Charg. Cross, No. 12
Subject (Name):
Cooke, George Frederick, 1756-1812, Cooke, George Frederick, 1756-1812,, Shakespeare, William, 1564-1616, Cooke, George Frederick, 1756-1812., Richard III, King of England, 1452-1485., and Shakespeare, William, 1564-1616.
Subject (Topic):
Performances, Characters, King Richard III, Actors, Literature, British, and Theatrical productions
