V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "315" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. Febry. 20, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12403 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "269" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed with plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 276., and Watermark: Charles Wise.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "315" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. Febry. 20, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12403 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "269" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed with plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 276., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.4 x 25.1 cm, on sheet 41.8 x 25.6 cm., and Leaf 88 in volume 4.
Caption title., An account of a marriage between a black man and a white servant in Bristol at the beginning of the 19th century. The handbill ostensibly supports the union but also perpetuates racial stereotypes and mocks the proceedings., First line: There's no accounting for Love; -- when once the little God Cupid, shoots his arrow into a maiden's heart, it is all over! ..., and For further information, consult library staff.
Publisher:
H. Bonner, printer, No. 4, Narrow Wine-Street, Bristol
Copy in reverse of the first state of Plate 5 of Hogarth's 'The Rake's Progress' (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
Rake's progress. Plate 5 and Youth to reimburse his squander'd gold
Description:
Title from text engraved above image., "Plate 5"--Lower right below design., Verses below image in three columns, four lines each: The youth to reimburse his squander'd gold, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the fifth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on the left and last word on the right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
"The marriage of Caroline of Brunswick. The Prince takes her hand at the altar rails. Behind her fly attendant cupids; beside him are satyrs with wine and fruit. P. 15: O, for the Oath that the Archer once took, To love and to cherish, as wrote in the Book ; ..."--British Museum online catalogue
Alternative Title:
O, for the oath that the archer once took to love and to cherish, as wrote in the Book ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Rosco.
Subject (Topic):
Weddings, Altars, Supernatural beings, Cupids, Wine, and Fruit
Title from text below image., Artist identified as "Miss E. Dubuisson" and date given as approximately 1830 in the catalog record for the full series of prints at Harvard's Houghton Library: Sketches of character. The Mufflechop Family No.1-12. W. & J.O. Clerk are identified as the lithographers. The same artist attribution and dating is noted by Christine Thomson in her catalogue of color plate books in the collection of Norman R. Bobins., Third in a series of twelve comical prints telling the story of Mr. and Mrs. Mufflechop, beginning with their engagement and ending with their first child going off to school., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Pewtress, 67 Newington Causeway, & Ackermannn [sic] & Co., 96 Strand
Date of publication supplied by cataloger., Verse begins: "At Winchester there was a wedding"., In four columns with the title and two woodcuts above the first two; the columns are not separated by rules., Mounted on leaf 67. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold in Bow-Church-Yard, London
Subject (Geographic):
Winchester (England)
Subject (Topic):
Weddings, Marriage, Love, Ballads, English, Broadsides, and Dance
Verse begins: "All you that delight in merriemnt,", In four columns with the title and woodcut above the first two; the columns are not separated by rules., Imprint below fourth column., Another printing (ESTC T207047), apparently from the same setting of type, has no imprint., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 11. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at No. 4 Aldermary, Church Yard
Subject (Topic):
Man-woman relations, Moral and ethical aspects, Seduction, Pregnancy, Weddings, Shoemakers, and Eating & drinking
Date of publication from ESTC., Verse begins: "Good people attend, I'll discover"., In four columns with the title above the first two; the columns are not separated by rules., In this edition only "bunter's" is in capitals (with the "s" in lower case) and there is no punctuation at end of the first line of verse. Full stop at end of title., Mounted on leaf 10. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
