Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Stone representing the Irish Church upsetting the Tory cart; Tories on the point of falling into the mud."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "(83)" in brown ink in top center portion of design., and No. 83.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Topic):
Politicians, Carts & wagons, Accidents, and Falling
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 29.4 x 21.9 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Illegible signature in brown ink in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caption title., Date from manuscript annotation on Lewis Walpole Library copy., Text at bottom: Not admitted after half-past seven o'clock., and Annotated with the admission number "Two", the month and day "6th May", the final digit "6" in the year, and a signature. For further information, consult library staff.
Caption title. and With ms. note in black ink in upper left, in an unidentified hand. For further information, consult library staff (object file: File 767 P69B Al452 1812 12/14+).
Publisher:
Davison, printer
Subject (Geographic):
England, Northumberland., and Northumberland (England)
Title from caption below image., Date of publication from unverified data in local card catalog record., and Numbering within series statement has been erased from sheet and a number "1" written in its place.
Publisher:
W. Follit, publisher, City Repository of Arts, 63 Fleet St. and Printed by Kohler
A very large woman with round cheeks is elaborately dressed in large hat heavily-decorated with feathers and ribbons, large jewelry (earrings, watch, and brooch), large puffy sleeves; her dress is too short for her, exposing her calves and boots; it is decorated around the bottom with bunches of grapes. She carries a parasol and braces herself against the breeze coming off the water. A steam ship sails behind her in the distance
Description:
Title from caption below image., Paul Pry is the pseudonym of William Heath., Series title corrected in ms. on The Lewis Walpole Library Impression 2: Paul Prys characters. New series, No. 1., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Numbered in ms. at top of sheet: 49.
Publisher:
Pub. June 12, 1830, for W. Heaths, 56 Quadrant Regent Street
This ticket entitles the bearer to be admitted to the ball at Cordwainers Hall
Description:
Title from item., Entirely engraved; illustrated with the arms of the Company of Cordwainers at top, the image and text enclosed within a decorative border., Printed in blue ink., Text at bottom: NB. You are paricularly requested to order your carriage to enter Distaff Lane from the Old Change., Form completed in manuscript, with the date and time of the ball specified as 18 October 1827 at 9 o'clock; signed at bottom by the Master "Josh. Newson.", Mounted to 27.2 x 21 cm; mounted above is a small (sheet 42 x 46 mm) hand-colored etching of the arms of the Company of Cordwainers., and Mounted opposite page 532 in volume 4 part 2 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
publisher not identified
Subject (Name):
Worshipful Company of Cordwainers of the City of London.
"Admission ticket ... admitting one Lady to the gallery; decorated with standards, an eagle, olive and palm branches in clouds at top; below St George's Cross on shield flanked by two dragons, standing over sword and sceptre, with ships in background."--British Museum online catalogue
Alternative Title:
Peace on Earth
Description:
Title from item., A ticket for one of the many celebrations held after the Treaty of Paris which marked the first defeat of Napoleon and the restoration of the Bourbon monarchy., Sheet trimmed within plate mark., Beneath the engraved date of the event is a blank line for the Chairman's name, followed by the engraved text "Chairman." Additional instructions are engraved at bottom of plate: Admittance at the Comptrollers House (only) from twelve till three. NB. The Ladies are requested to keep possession of their tickets after the seal is taken off on admission, to be produced if required when seated., and Ticket signed by "Samuel Birch" as Chairman; numbered "No. 376" in upper left corner, and "Castle Baynard Ward" on the right, all in brown ink.
Admission ticket to the Phillips showing of Fonthill Abbey in 1823. The image on the ticket, enclosed within a double-pointed oval border, depicts the eastern towers of the house with the central tower beyond. Beneath are blank panels, left and right, linked by a smaller central panal labeled 'Visitors.' At the bottom are two detachable tokens bearing the initials 'HP' and 'FA' within roundels
Alternative Title:
Fonthill Abbey 1823
Description:
Title from text within border of image., For a probable later state with the text within the image border reengraved to allow admission of two visitors instead of three, see Lewis Walpole Library call no.: Babb-Beckford no. 90., Sheet trimmed within plate mark, with loss of both tokens from bottom edge., With contemporary annotations in ink, including the signature of auctioneer Harry Phillips and the names of the three visitors using the ticket., and Mounted to 31 x 24 cm on heavy blue paper with embossed border.
