Title from caption below image., A. Crowquill is the pseudonym of Alfred Henry Forrester., Following imprint in lower margin: Small image of a giraffe with speech bubble that reads "Tit for tat.", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Eighteen small designs on one plate, most bearing individual captions
Description:
Title from caption below images., Partially legible imprint written in ms. in lower right margin: Published by G. [...]eed, 71 Chancery Lane, Holborn., Questionable publication date from state published by McLean. See British Museum catalogue no. 15495., State without imprint: Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, no. 15495., and Temporary local subject terms: War -- Dancing -- Card playing -- Demons -- Death -- Toads -- Cannons --Pregnancy -- Fires.
"In a bare but neat ale-house room three Greenwich pensioners are in deep and heated discussion at a table before the fire. They point to fragments of pipe stem, arranged to show the position of ships in some engagement. Two sit, one stands; two have peg-legs. A fourth man (left) watches intently. The host (right) enters with frothing tankards."--British Museum online catalogue
Description:
Title etched below image. and Watermark: J. Whatman 1827.
Titles etched below images., Shortshanks is the pseudonym of Robert Seymour., Date of publication from unverified data in local card catalog record., Two designs on one plate., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Demons and devils., 1 print : etching, hand-colored ; sheet 222 x 313 mm., and Sheet trimmed within plate mark.
Titles etched below images., Shortshanks is the pseudonym of Robert Seymour., Date of publication from unverified data in local card catalog record., Two designs on one plate., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Demons and devils.
"Satire; a fine lady wearing a dress with wide skirts, puffed sleeves and an immense wide-brimmed hat festooned with ribbons, holding a handkerchief in her left hand."--British Museum online catalogue
Description:
Title etched below image; title is a quotation from Othello, Act V, Scene 2., Printmaker identified as Henry Heath in the British Museum online catalogue, registration no.: 1985,0119.86., Sheet trimmed within plate mark on two edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 28th Aug. 1827 by H. Fores, Panton St., Haymarket
A man with a wild head of hair and beard stands with his arms crossed in a parlor as the ladies look on in horror. An older gentleman addresses a young woman on the right. The caption below reads: What a shocking place of education, but it's the fashion you know
Description:
Title etched below image., Imprint statement flanks both side of title., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text below each design., Two designs side-by-side on one plate, each individually titled and signed in lower right corner., Text beneath 'Othello' title: Kill me to-morrow, let me live to-night., Text beneath 'Romeo and Juliet' title: O speak again bright angel!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill.
"Lady Conyngham chases Eldon from the royal precincts; she threatens him with the sceptre and a clenched fist, saying, Je le veut [sic]. She is décolletée, much bejewelled, and displays an elephantine leg and tiny foot. Close behind her stands Knighton, a pen behind his ear, his arm raised; he has just flung a massive gold inkpot decorated with the Royal Arms; ink falls on Eldon's head. He says: take that, & that, & that, le Roy le veut. 'Roy' is scored through. Canning stands behind impassively, hand on hip, holding up a cross, and saying In hoc Signo vinces [Constantine's miraculous vision: cf. British Museum Satires No. 15385]. The building behind is ornate and Gothic, more elaborate than the actual Cottage. The King's head (out of scale with the building) is framed in a small casement window; with an equivocal expression he looks towards Eldon, saying, Necessitas non habet leges. Eldon has dropped the Mace and the Purse of the Great Seal; he says: Had I served my God with half the Zeal I have served my King, he would not have suffered me to be turned out for supporting his Cause."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Small hole in Knighton's arm.
Publisher:
Pubd. April 21, 1827, by S.W. Fores, 41 Piccadilly, London
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Eldon, John Scott, Earl of, 1751-1838, Knighton, William, Sir, 1776-1836, Canning, George, 1770-1827, and George IV, King of Great Britain, 1762-1830
