"Mrs. Clarke sits on Wardle's right shoulder, to place over the head of the Duke of York a giant extinguisher which covers all but his legs and (military) coat-tails. At the apex of the extinguisher is a five-pointed star surrounded by the letters 'T' 'R' 'U' 'T' 'H'. She says: "Beneath this Canopy's oblivious shade Detected Y------hides his diminished head" On the cone are the inscriptions: 'Multum in Papvo' [sic] and: 'Now Phoenix like, with renovated fire To noble deeds our Army shall aspire Whilst haughty Gaul shall emulate its praise And England round a Woman's brow entwine the Bays.' Wardle wears regimentals and sword and is tall and handsome; a letter 'To Col Wardle' projects from a pocket."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1809 by I. Blacklock, Royal Exchange
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Fire extinguishers, Military uniforms, British, and Mistresses
"The Duke of York (left), in regimentals and wearing a cocked hat, stands in profile to the right, tipsily swaggering; he hands to George III two large keys: 'Keys of Paris'. The King, seated on the throne (right) in hunting-dress, leans eagerly forward. The Duke is followed by soldiers bearing (worthless) trophies of victory; he says: "Th-th-th-there's Paris for you, damme! did not I say I'd take it? -th-thats all! - a-a-and here's all the Plunder of France! and all the Heads of the whole nation of Sans Culottes, damme! - if y-y-you will do me any honor, why do it; - if not, why even take the next Paris yourself, damme! - look 'e I expect to be made either a Cæsar or an Alexander! ------, d-d-d-d-damme!' The King, eagerly goggling, says: "What! what! Keys of Paris! Keys of Paris! give us hold! gads bobs, its nothing but, Veni, with you, lad, hay? Veni, Vidi? - ay, ay! Veni, Vidi, Vici! - ay, ay." A tricolour standard inscribed 'Vive la Liberta' lies at the King's feet. Behind the Duke are French weapons, broken: a sword inscribed 'Vive la Lib . .', a cannon similarly inscribed, cannon-balls, a musket, and a pile of decapitated heads wearing bonnets-rouges, on which tramples the Duke's secretary, who holds out a scroll inscribed: 'Authentic Journal - Issuing Manifesto's - Taking Dunkirk [see BMSat 8341] 1500 Barrels of Gunpowder 32 pieces of Cannon, & killing 5000 Troops, - sending off 10000 to the hospitals in Flanders - marching into the heart of France, & finishing the War without expence. Js Suckfizzle Secretary.' The secretary, who wears regimentals, a pen behind his ear, says, "Here's something like a List of glorious Actions! - well, let them that come after us do as much as we have done, and the Campaign will soon come to a conclusion." Behind him, guardsmen advance carrying bulky burdens: bales of 'Assignats', a large basket of sabots inscribed 'Wooden Shoes of the Poissards', a bundle of 'Breeches of the Sans Coulotte[s]', a pot from which frogs are leaping. Pitt sits on the dais at the King's left hand; he writes on papers which he supports on his up-drawn knees: 'Bricks Rum - Brandy Water Air'; 'new Taxes not to be felt by the Swinish Multitude'; 'loan of Eleven Millions.' Behind the throne (right) sits the Queen in profile to the right, gleefully holding out an apron into which the Devil shovels coins from a sack inscribed 'Two Millions Pr Annm'; only his horns, arms, and a hoof appear on the extreme right. Above the Queen's head are shelves on which are ranged large money-bags, inscribed: 'Spy Money 40000 pr A'; 'for Flatterers & Toad-eaters [cf. BMSat 7548] 10000 pr A'; 10000; 'Pin Money 50000 p Ann'; 'for Private Whim Wham[s] 50000 pr [A]'. At the King's right hand are three large bags inscribed 'for Horses Hound[s] & other Nicknackatories.'"--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Military: British soldiers -- Uniforms: regimentals -- Keys of Paris -- Paris keys to the city -- Male costume: hunting dress -- Flags: flag of liberty -- Tricolored French flag -- Weapons: broken cannon and cannon-balls -- Swords: broken sword -- Guns: muskets -- Decapitation -- Bonnet rouge -- Spoils of war -- Military secretaries -- Devil -- Treasure: bags of money -- Money: coins -- Thrones., and Mounted to 36 x 42 cm.
Publisher:
Pubd. Feby 10th, 1794, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Pitt, William, 1759-1806
"Sheridan, fat and grotesque, dressed as Pizarro, strides to the front of the royal box, followed by the King and Queen in Court dress. He holds out a guttering candle in each hand and shouts towards the stage: "Stand by there, move that Stone out of the Way hollo Music there play God Save the King d'ye hear take care Sire mind that Step, louder there Music make room for the best of Kings & wisest of Sovereigns! Encore." The King says to the bejewelled Queen: "No! no! no Jacobins here all Loyal all Loyal, Charming Man the Author eh! charming Man, never saw him in such a good light before." Three princesses follow; one says: "bless me I never saw that General at Court". Behind are two princes in uniform with gorgets, evidently the Dukes of York and Cumberland. On the floor by Sheridan are two papers: 'Maidstone Loyalty' [see British Museum Satires No. 9245, &c], and '[Tomorr]ow Evening performed a new play called the Loyal Author to which will be added a Peep behind the Curtain Vivan[t] Rex et Regina'. The curtain is down; on the proscenium, replacing the usual 'Veluti in Speculum', is 'Anti Jacobin House'. Two men stand in the pit, waving their hats towards the royal box; one is Fox."--British Museum online catalogue
Alternative Title:
Pizarro a new play, or, The Drury-Lane masquerade and Drury-Lane masquerade
Description:
Title etched below image; the letter "N" in "New" is etched backwards., Tentative attribution to Ansell from the British Museum catalogue., Attributed to Charles Williams in local card catalog record., Sheet trimmed within plate mark., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Theatrical costume: Spanish don -- Gorgets -- Songs: God Save the King -- Anti-Jacobin House -- Queen Charlotte's jewels -- Female dress: Queen Charlotte's dress., Watermark: Strasburg lily., and Mounted to 28 x 42 cm.
Publisher:
Pubd. June 11th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Jacobins, Theaters, Interiors, Costumes, Stages (Platforms), Candles, Jewelry, and Military uniforms
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen the original model of the guillotine, head and hand of Count Streunzee and the largest collection of caracatures in the world. Admit. 1 shl.
Publisher:
Pub. June 9, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Holland.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Bottles, Cannons, Courtesans, Military camps, Prostitutes, and Wine
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image. and Identifications in contemporary hand written below and to the right of plate mark.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 32.4 x 43.5 cm, on sheet 37.0 x 48.1 cm., and Mounted on leaf 11 of volume 4 of 12.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image. and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 32.2 x 43.3 cm, on sheet 42 x 54.4 cm.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"Mrs. Clarke and four other women stoop down and directs blasts from large posteriors, defined by tight dresses, against the sails of a windmill (right) which pivot upon the head of the Duke of York. The four sails are inscribed respectively, Army, State, Navy, Church. The mill, on a low hill to which a winding path ascends, is Commission Warehouse. The names of the five meretricious-looking women are inscribed on their posteriors. One clutching a tree, on the extreme left, and advantageously placed on a hillock, is Carey. She says: If this wont raise the Wind, I do not know what will, This is not the first time I have employed my bottom to raise the Wind. The other four are close together: Cressaid, Sutherland, Cook, and Clarke, who says: Aye and no bad way to raise an Army-also. Between the women and the mill stands a dismayed little man with arms extended; he says: O ho this will not bring Grist to my Mill I must put a stop to this; and remove this Mill to Charing Cross."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified In British Museum catalogue., Sheet trimmed to plate mark on three sides., and Watermarks: Budgen 1805.
Publisher:
Published by S. W. Fores 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two adjacent designs. [1] The Regent tipsily bestrides a fat and ugly cook, who is on her hands and knees; he flourishes a bottle of 'Royal Max' [gin] and a glass and shouts: "Ha! ha! D--me! this is glorious! this is Princely!!--better fun than the Hertford Hobby [see British Museum Satires No. 13213]--Kitchen stuff & Dishclouts for ever I say D--me!!--If the rascals caricature me, I'll buy em All up d--me." The cook, still holding the broken dish from which a huge cod's head has fallen, exclaims: "Oh! Master do let me alone & see! you've thrown the Cods head & Shoulders all in the dirt!" In the background, Lady Hertford, wearing a coronet, looks angrily from a doorway. On the floor in the foreground are a 'Royal Greas Pot', rolling-pin, and a ladle, with a playbill: 'Brighton--under the Pub [Patr]onage of [the Princ]e Regent--High Life below Stairs Principle Character--G P R'. See British Museum Satires No. 13208, &c. [2] The Duke of York, very erect, rides a velocipede (see British Museum Satires No. 13399) in profile to the right, with Mrs. Carey behind him in a little seat over the back wheel, her hands on his shoulders. He wears Windsor uniform of military cut, with breeches, spurred top-boots, and a top-hat, which he raises. Across the pole hangs a fat purse inscribed '10,000 pr annm Custos [Personae Regis]' which serves as saddle. He says: "I say Carey: this Windsor job, is a devilish snug concern & this saddle bag makes it very pleasant riding!--I wish our army had been mounted on these Hobby's in Flanders;--I don't mean Waterloo--" She answers: "I know what you mean;--but it is a good joke, to think while the Establishment of the Father is redud at Windsor: the sons Establist is increas'd at Fulham--tis properly coming York over John Bull." In the background John Bull, a sturdy fellow, stands with folded arms outside a miserable thatched hut where women and children are crouching. He says fiercely: "£10,000 a year for a son to do his duty to his Father!!!!!! whilst my Children are starving!!!--"Fie out! O Fie 'tis an unweeded garden that grows to seed things rank & gross in nature posess it merely." ['Hamlet', I. ii.]."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "De gustibus non est disputandum; that is, there is no disputing against hobby-horses." Tristram Shandy., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 52 in volume 5.
Publisher:
Pubd. Apl. 9th, 1819, by T. Tegg, No. 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
