Drawing showing the interior of the Great North Bedchamber at Strawberry Hill. A canopy bed is centered against the back wall, flanked on either side by two chairs and two hanging paintings. At right is the chimney-piece of Portland stone and gilt designed by Horace Walpole from the tomb of W. Dudley, Bishop of Durham, in Westminster Abbey; a firescreen and two red china bottles are seen sitting in front of the fireplace, while the large picture of Henry 8th and his children is seen hanging above. On the wall at left are two bow windows, the arched tops of which are painted with coats of arms. Between the windows hangs a large mirror, above which hangs a painting and below which sits a table with three vases on it. A clock hangs above another chair on the extreme right. The walls are covered in crimson Norwich damask; two crimson rugs cover the floor, one beneath the bed and the other in the center of the room. The celing is decorated with a geometric pattern in gold
Alternative Title:
Great North Bedchamber
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 204 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Interiors, Bedrooms, Canopy beds, Chimneypieces, Chairs, Clocks, and Windows
Having been released from Bridewell Prison, the harlot is shown in a squalid bed-chamber, wrapped in a long sheet and seated in a chair by the fire, her head resting against a pillow in a swoon. Her dismayed attendant turns for help from the two doctors who are quarreling about the benefit of their nostrums, the one standing in anger, in the process turning over a table and chair. A second attendant is rummaging through the harlot's trunk on the right. Sitting on the floor near the harlot's chair is a young boy, scratching his head as he roasts meat on a stick, heedless of the dramas in the room
Alternative Title:
In a high salivation and at the point of death
Description:
Title from caption above image., Printer's statement from Plate I of the series., Engraved below image, three columns, six lines each, beginning: From Bridewell fredd she quickly gains, The French disease and all its pains ..., No. 5 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Sheet trimmed within plate mark., and Written in contemporary hand below text: Margery. For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Social life and customs, Bedrooms, Physicians, Prostitutes, Servants, and Sick persons
"A middle-aged man holding a candle and a cudgel reveals a young couple embracing in a curtained bed."--British Museum online catalogue
Alternative Title:
Jealousy
Description:
Title and series number engraved above image., Artist and printmaker from similar prints in the same series., Four lines of text below image: Mons. Le Brun, in his delineation of the passions, makes a man jealous without assigning a cause why or wherefore. If the connoisseur will give himself the trouble to look behind the curtain in the above sketch, he will find sufficient reason for the excitement of the passion., "No. 19.", Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., plate number erased from sheet., and 1 print on wove paper : etching, hand-colored ; plate mark 27.1 x 22.1 cm, on sheet 29 x 24 cm.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
"A middle-aged man holding a candle and a cudgel reveals a young couple embracing in a curtained bed."--British Museum online catalogue
Alternative Title:
Jealousy
Description:
Title and series number engraved above image., Artist and printmaker from similar prints in the same series., Four lines of text below image: Mons. Le Brun, in his delineation of the passions, makes a man jealous without assigning a cause why or wherefore. If the connoisseur will give himself the trouble to look behind the curtain in the above sketch, he will find sufficient reason for the excitement of the passion., "No. 19.", Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., With the publisher's stamp in lower right corner of design., 1 print : etching on wove paper ; sheet 27.4 x 21.7 cm., Sheet trimmed within plate mark., and Mounted on leaf 29 of volume 7 of 14 volumes.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
"A middle-aged man holding a candle and a cudgel reveals a young couple embracing in a curtained bed."--British Museum online catalogue
Alternative Title:
Jealousy
Description:
Title and series number engraved above image., Artist and printmaker from similar prints in the same series., Four lines of text below image: Mons. Le Brun, in his delineation of the passions, makes a man jealous without assigning a cause why or wherefore. If the connoisseur will give himself the trouble to look behind the curtain in the above sketch, he will find sufficient reason for the excitement of the passion., "No. 19.", Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 27.9 x 21.6 cm, With publisher's stamp: RA., Sheet trimmed within plate mark., and Mounted on verso of leaf 28 of volume 7 of 14 volumes.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Design consists of twenty-one individually-captioned panels arranged in three horizonal rows illustrating Johnny's arrival in Jamaica, his contracting Yellow Fever, his illness and temporary recovery, his brief participation in Jamaican society, his relapse and eventual death from the fever
Alternative Title:
Johnny Newcome in the island of Jamaica
Description:
Title from caption below image., Date altered on this impression from 1800 to 1803., Companion print to: Martial law in Jamaica., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman Turkey Mill., and Date in imprint altered in ms. from "1800" to "1803."
Publisher:
Pubbished [sic] by Willm. Holland, No. 50, Oxford Street
Subject (Geographic):
Jamaica
Subject (Topic):
Social conditions, Black people, Bedrooms, Cemeteries, Clergy, Coffins, Couples, Death, Interiors, Physicians, Vomiting, Yellow fever, and Hunting
Title from item., From: Jean de la Fontaine, Fables choisies, mises en vers, 4 vols., Paris, 1755-1759., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
publisher not identified
Subject (Topic):
Death, Death (Personification)., Sick persons, Skeletons, Scythes, and Bedrooms
Title from item., Date derived from information about Coopération Pédagogique., and Coopération Pédagogique is also known as Éditions Rossignol, and produced educational posters. This poster appears to be from a series of scenes of everyday life produced for school children.
