Title from caption above image., Plate numbered '81' in upper left corner., Plate from: A political and satyrical history of the years 1756, 1757, 1758, and 1759. In a series of ... prints. London : Printed for E. Morris, [1760?]., and Reduced and reversed copy of No. 3467 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
publisher not identified
Subject (Geographic):
Mahón (Spain)
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Maria Theresa, Empress of Austria, 1717-1780, Frederick II, King of Prussia, 1712-1786, Stone, Andrew, 1703-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Byng, John, 1704-1757
Title etched below image., Sheet trimmed within plate line., Publisher identified from address., Publication date from British Museum catalogue., One line of quotation below title: 'Tis application makes the ass. Gay., Subjects identified below image and dated "Anno 1756" in two different hands., Watermark., 1 print : etching on laid paper ; sheet 23 x 31 cm., and Sheet trimmed to plate mark.
Publisher:
To be had at the Acorn in the Strand [i.e. Edwards & Darly]
Subject (Geographic):
Mahón (Spain)
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Maria Theresa, Empress of Austria, 1717-1780, Stone, Andrew, 1703-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Hardwicke, Philip Yorke, Earl of, 1690-1764, Frederick II, King of Prussia, 1712-1786, and Byng, John, 1704-1757
Title etched below image., Sheet trimmed within plate line., Publisher identified from address., Publication date from British Museum catalogue., One line of quotation below title: 'Tis application makes the ass. Gay., and Watermark: Strasburg lily with initials LVG below.
Publisher:
To be had at the Acorn in the Strand [i.e. Edwards & Darly]
Subject (Geographic):
Mahón (Spain)
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Maria Theresa, Empress of Austria, 1717-1780, Stone, Andrew, 1703-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Hardwicke, Philip Yorke, Earl of, 1690-1764, Frederick II, King of Prussia, 1712-1786, and Byng, John, 1704-1757
The five powers involved in peace negotiations in Paris each stand on their tiny island in the sea. On the left George III says "I gave them independence." Next to him is a caricatured figure representing France, with the left arm cut off. "I must have Canada and Grenada for my Arm." Beside France a caricatured Dutchman bemoans the loss of his foot, and Spain in turn demands Gibraltar for his leg. On the far right America in the form of a female Indian announces "I have got all I wanted - Empire!." Above the scene Hibernia floats on a cloud saying "I deny all foreign jurisdictions..."
Description:
Title from item., Sheet trimmed within plate mark., A probable earlier issue of no. 6051 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Mounted to 29 x 37 cm.
Publisher:
Pub. by W Richardson N 68 High Holborn
Subject (Geographic):
Great Britain and United States
Subject (Name):
George III, King of Great Britain, 1738-1820.
Subject (Topic):
Foreign relations, History, Amputees, and Clothing & dress
Title from item., Advertisement promoting war related books published by Houghton Mifflin, with map showing the location of their subjects., Date derived from book publication dates., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
A man, possibly George III or Lord North, is seated on a three-legged stool, the legs of which are labelled Lords, Privy Council, and Commons, this last deeply cut by the axe. At the left, a seated Britannia sleeps, the cap of liberty atopt her drooping spear while male figures representing Holland, Spain and France occupy the foreground, a suggestion that the conflict with America serves to the advantage of these other European powers
Description:
Title etched below image., In plate above image: Lon. Mag., and An illustration from: The London Magazine, vol. 45 p. 171.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., Great Britain, United States, and America.
Subject (Name):
North, Frederick, Lord, 1732-1792. and George III, King of Great Britain, 1738-1820.
Subject (Topic):
Britannia (Symbolic character), Bribery, Politics and government, History, Colonies, Clothing & dress, Axes, and Stools
The head of Louis XVI lies on the platform at the base of a guillotine, his hands tied behind his back, blood pouring from the blade and his head. The swirls of blood ascend and swirl around the guillotine like clouds of smoke and etched in this cloud are a long speech pleading for justice from the British nation and beginning: Wither, O wither shall my blood ascend for Justice? My throne is seized on by my murderers ...
Description:
Title etched below image., Two lines of text above image: This exact representation of that instrument of French refinement in assassination, the guillotine, is submited to the "Gentlemen of the Phalanx" & other well-wishers to the King & Constitution of Great Britain, by their devoted servants at command, The Assassins of the King of France., and Sheet trimmed within plate mark at top and bottom.
Publisher:
Pubd. Feby. 16th, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Louis XVI, King of France, 1754-1793
Subject (Topic):
Death and burial, Decapitations, Executions, Guillotines (Punishment), History, and Foreign relations
"Satire on the financial crisis of 1720 (based, partly in reverse, on 1868,0808.9612) the courtyard of the Amsterdam Exchange now standing for stockbroking in London. The banner now lists 42 investment schemes, including "Robin's Fishery for Gudgeons", (an allustion to Robert Knight, cashier of the South Sea Company), and "Moore's most Royal Fishery" (alluding to Arthur Moore, director of the South Sea Company); in the colonnades and at the front stockbrokers and investors, including a man in middle Eastern dress, celebrate their successes or bemoan their losses as they circulate documents; in niches above are figures of Fortune and Plenty both casting papers labelled with the names of speculations; the clock is no longer labelled "Quinquenpoix". Engraved title, inscriptions, and English verses in three columns."--British Museum online catalog
Alternative Title:
Devil take the hindmost and Bubblers bubbled
Description:
Title etched above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark on sides., A 'List of the Bubbles' in the image, and below the image with twenty-four lines of verse in three columns 'Come all ye mony'd Bites & Culls ... When jobbing in Change-Ally / Here Whig and Tory, Rich & Poor ... Whilst others fart with Squeezing / Here Fortune does her smiles dispense ... O Britain! mourn thy troubles!', and "J. Cole Sculp / Sold by the Printsellers of London & Westminster.'. There are early annotations in pen and ink against two investment schemes: "24 For Erecting Houses of Office in ye North of England and Scotland for ye convenience of Strangers and Travellers" is annotated "Ha! Ha!", and "37 Lending Money to necessitous Persons" "Hay" Day"., and Watermark in the upper portion of sheet. Countermark I V in the lower portion.
Publisher:
Sold by the printsellers of London & Westminster
Subject (Geographic):
Great Britain
Subject (Name):
Moore, Arthur, 1666?-1730., Knight, Robert, 1675-1744, and South Sea Company
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Financial crises, History, Politics and government, and Stock exchanges
At the top of a cliff overlooking the sea, Don Quixote (personifying Spain) and Sancho (a Dutchman) discuss plans for a seige while a monkey (representing France) stands on the neck of the Don's horse, pointing toward the moon in which is visible the fortress at Gibraltar. A reference to plans for the combined attack on Gibraltar by French and Spanish forces. The attack came in September of 1782 and was repulsed by the British
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 22d, 1782, by H. Humphrey, New Bond Street
